IMDb रेटिंग
6.8/10
2.7 लाख
आपकी रेटिंग
जब कोई व्यक्ति कोमा से जागता है तो केवल यह पता चलता है कि किसी ने उसकी पहचान ले ली है।जब कोई व्यक्ति कोमा से जागता है तो केवल यह पता चलता है कि किसी ने उसकी पहचान ले ली है।जब कोई व्यक्ति कोमा से जागता है तो केवल यह पता चलता है कि किसी ने उसकी पहचान ले ली है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 कुल नामांकन
फ़ीचर्ड समीक्षाएं
Anyone who has watched Liam Neeson's movies have grown accustom to a character that is always thrown into absurd situations but can still somehow use wit, power and skills to get himself out. Unknown offers the same formula but it still works. This movie caught my attention from the get go. I enjoy how Liam is believable in these roles and you forget that he's getting up there in age, if anything, he makes it seem like this is what any man his age is capable of. He is awaken from a coma to discover that his identity has been taken by someone else. Worst yet, his wife doesn't seem to recognize him. With the help of the woman that saved his life, in a country that is not his home, Liam seeks about to prove himself. This movie is action packed and keeps you on the edge while you try to figure out what is going on. And I feel the ending does not disappoint. Enjoyable, entertaining, action packed and thrilling!
Über talented ensemble of actors and the trademark style of the director delivers on-the-edge-of-your-seat suspense, despite a preposterously convoluted story.
Director Jaume Collet-Serra ('The Commuter') surrounds the mature action star Liam Neeson with an ensemble of actors who deliver superb performances.
It all sets up to be a first-rate suspense film, except the story itself is like one of the more fantastical types Rod Serling might have used in his 'Twilight Zone' TV series that presses the boundary of believability.
Unknown delivers on "entertainment", and I recommend seeing the film, but leave your storyline expectations with the cloakroom before viewing.
Collet-Serra uses a similar style of suspense-film story telling seven years later in 2018's 'The Commuter', once again teaming with Neeson in the lead role - if you liked that movie, you will like this one as well, which is a notch or two better overall.
Director Jaume Collet-Serra ('The Commuter') surrounds the mature action star Liam Neeson with an ensemble of actors who deliver superb performances.
It all sets up to be a first-rate suspense film, except the story itself is like one of the more fantastical types Rod Serling might have used in his 'Twilight Zone' TV series that presses the boundary of believability.
Unknown delivers on "entertainment", and I recommend seeing the film, but leave your storyline expectations with the cloakroom before viewing.
Collet-Serra uses a similar style of suspense-film story telling seven years later in 2018's 'The Commuter', once again teaming with Neeson in the lead role - if you liked that movie, you will like this one as well, which is a notch or two better overall.
Multiple people have compared this to Neeson's 2008 release of "Taken." Both have a similar concept; Liam goes on a fast-paced journey to retrieve something special that has been taken from him. This time it is not his daughter; it is his mind. Unlike "Taken," "Unknown" is more of a suspense mystery than an action flick. There are some chases and fight scenes, but that is not the main focus. The movie's plot is focus and it is unique for it is unpredictable. We are confused like Neeson's character and there are times we don't know if he will succeed. There are multiple twists and unlike most mystery thrillers, it took me more than half through the film to figure it all out.
In short, "Unknown" is a fairly decent mystery thriller. Good performances. Good story for a mystery. Good music. Good cinematography—I particularly like the whole gray, dreary atmosphere that reflects the film's location's bleak weather. Good twists. Good suspense— the sound mixers must've had a kick in adding emphasis on sound effects to startle the audience. The one thing I will note is that Liam Neeson is really showing his age. This is not necessarily a bad thing; on the contrary, it helps his character out. It gets tiresome that Hollywood always uses the generic 30-something year old actor with smashing abs who is tossed into a terrible situation. It is nice to see an aging actor play an upper middle-aged man who has perhaps lost his mind while running away from people trying to kill him.
In short, "Unknown" is a fairly decent mystery thriller. Good performances. Good story for a mystery. Good music. Good cinematography—I particularly like the whole gray, dreary atmosphere that reflects the film's location's bleak weather. Good twists. Good suspense— the sound mixers must've had a kick in adding emphasis on sound effects to startle the audience. The one thing I will note is that Liam Neeson is really showing his age. This is not necessarily a bad thing; on the contrary, it helps his character out. It gets tiresome that Hollywood always uses the generic 30-something year old actor with smashing abs who is tossed into a terrible situation. It is nice to see an aging actor play an upper middle-aged man who has perhaps lost his mind while running away from people trying to kill him.
Multiple people have compared this to Neeson's 2008 release of "Taken." Both have a similar concept; Liam goes on a fast-paced journey to retrieve something special that has been taken from him. This time it is not his daughter; it is his mind. Unlike "Taken," "Unknown" is more of a suspense mystery than an action flick. There are some chases and fight scenes, but that is not the main focus. The movie's plot is focus and it is unique for it is unpredictable. We are confused like Neeson's character and there are times we don't know if he will succeed. There are multiple twists and unlike most mystery thrillers, it took me more than half through the film to figure it all out.
In short, "Unknown" is a fairly decent mystery thriller. Good performances. Good story for a mystery. Good music. Good cinematography—I particularly like the whole gray, dreary atmosphere that reflects the film's location's bleak weather. Good twists. Good suspense— the sound mixers must've had a kick in adding emphasis on sound effects to startle the audience. The one thing I will note is that Liam Neeson is really showing his age. This is not necessarily a bad thing; on the contrary, it helps his character out. It gets tiresome that Hollywood always uses the generic 30-something year old actor with smashing abs who is tossed into a terrible situation. It is nice to see an aging actor play an upper middle-aged man who has perhaps lost his mind while running away from people trying to kill him.
My rating: ***/****
In short, "Unknown" is a fairly decent mystery thriller. Good performances. Good story for a mystery. Good music. Good cinematography—I particularly like the whole gray, dreary atmosphere that reflects the film's location's bleak weather. Good twists. Good suspense— the sound mixers must've had a kick in adding emphasis on sound effects to startle the audience. The one thing I will note is that Liam Neeson is really showing his age. This is not necessarily a bad thing; on the contrary, it helps his character out. It gets tiresome that Hollywood always uses the generic 30-something year old actor with smashing abs who is tossed into a terrible situation. It is nice to see an aging actor play an upper middle-aged man who has perhaps lost his mind while running away from people trying to kill him.
My rating: ***/****
A man (Liam Neeson) is in a horrible accident, and when he recovers, no one knows who he is, including his wife, in "Unknown," a 2011 film starring Liam Neeson, January Jones, Diane Kruger, Aiden Quinn, and Frank Langella.
We've seen this plot, or a derivation thereof, many times: the man who disappears and everyone denies his existence to the person who accompanied him (So Long at the Fair, Dangerous Crossing), or the man who suddenly isn't who he says he is (The Net). The plot of "Unknown" is the latter, and Dr. Martin Harris (Neeson) attempts to investigate why someone (Aiden Quinn) is now Dr. Martin Harris and with his wife (January Jones). To do this, Harris must first find the taxi driver who saved his life (Kruger). Meanwhile, he desperately tries to reach a professor (Frank Langella) back at his college who can verify his identity.
This type of film, when done well, as this one was, moves quickly and has lots of actions in order to cover up the plot holes. There usually are some, but if the film is good, one doesn't mind. I have to say I really enjoyed this film, filmed mostly in and around Berlin. Good performances, very exciting, a couple of dandy car chases, and a neat twist. Highly recommended.
We've seen this plot, or a derivation thereof, many times: the man who disappears and everyone denies his existence to the person who accompanied him (So Long at the Fair, Dangerous Crossing), or the man who suddenly isn't who he says he is (The Net). The plot of "Unknown" is the latter, and Dr. Martin Harris (Neeson) attempts to investigate why someone (Aiden Quinn) is now Dr. Martin Harris and with his wife (January Jones). To do this, Harris must first find the taxi driver who saved his life (Kruger). Meanwhile, he desperately tries to reach a professor (Frank Langella) back at his college who can verify his identity.
This type of film, when done well, as this one was, moves quickly and has lots of actions in order to cover up the plot holes. There usually are some, but if the film is good, one doesn't mind. I have to say I really enjoyed this film, filmed mostly in and around Berlin. Good performances, very exciting, a couple of dandy car chases, and a neat twist. Highly recommended.
क्या आपको पता है
- ट्रिवियाFilming in Berlin proved very difficult as the city was undergoing its coldest winter in 20 years at the time.
- गूफ़Jurgen tells Harris that Stasi agents were taught that an innocent man always stuck to his version of truth while a liar reformulated his ideas. Actually, Stasi doctrine taught the exact opposite: a liar has invented a pre-programmed version of the facts and cannot change it, while someone innocent knows how to reformulate his speech and does it.
- भाव
Dr. Martin Harris: Do you know what it feels like to become insane, doctor? It's like a war between being told who you are and knowing who you are. Which do you think wins?
- क्रेज़ी क्रेडिटThe opening credits are shown as clouds being viewed from an airplane blow past... not so crazy, except that it actually makes one of the credits unreadable.
- कनेक्शनEdited into Action Jackson (2014)
- साउंडट्रैकElevation
Performed by Sultana Ensemble
Written by Yoel Ben-Simhon (ASCAP)
Published by Lovecat Music (ASCAP)
Courtesy of Lovecat Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Unknown
- फ़िल्माने की जगहें
- Tresor, बर्लिन, जर्मनी(night club scene)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,36,86,397
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,18,56,389
- 20 फ़र॰ 2011
- दुनिया भर में सकल
- $13,57,10,029
- चलने की अवधि1 घंटा 53 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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