Rare Exports

I really enjoyed this movie, harkening back to 80s classics like Tremors or gremlins where a small-town community must deal with a large threat that terrorizes their way of life. While Christmas horror films have been done before, such as silent night deadly night or Black Christmas, this movie puts its own spin on the genre and helps capture a tone and comedy that is unique to this Finnish production.

'What if Father Christmas was evil?' That's the general premise of the film that drives the narrative and I appreciate that the film took itself seriously, it didn't divulge into making the entire premise a joke like an asylum film would, and it's better for it!

The acting was spot on especially from the child actor (Onni Tommila) and the dad (Jorma Tommila). Story and atmosphere are fantastic in the first two acts. The mystery that builds up is slow and gripping as you begin to thaw into its icy interior. The cinematography excels at showing the unique location of the Icey, harsh and ragged landscape of the Korvatunturi mountains in rural Finland, adding a great deal to the film's atmosphere.

However, It drags in the middle with a long time dedicated Inside a slaughterhouse, this part really kills it's pacing and stops the plot in its tracks. Then there's the third act... it's bad. If you look at other reviews online, the same complaints keep cropping up; Terrible CGI, plot convenience, and the comedy & atmosphere that made the first two acts so great disappear from the film.

I was still very positive on the film and would recommend especially if you're sick of the same old Christmas movies and want something new and unique this holiday season.

Just seen this at a Preview Screening in London.

This was an excellent little Christmas horror film but good enough for older kids above 13 to watch. Its not gory as this is one of those less is more type of films but it is quite creepy. Bizarelly, there is quite a bit of male nudity but its in such a way that you should think nothing of it. It wasn't a big deal to the on screen characters and I suspect somehow that the film makers are not expecting it to be a big deal with us either. But there were a few people in my audience who chuckled loudly and as for me, I did so, quietly, and fleetingly wanting to just watch the film unravel its mysteries.

The child antagonist was absolutely superb playing the typical "why won't the grown ups listen to me" role. How he eventually grabs their attention will have you cheering like hell. The story is well paced and creepy. With a couple of good twists and a sprinkle of humour thrown in the mix.

The soundtrack was pretty bombastic (reminiscent of Michael Giacchino "Roar" track from Cloverfield) which was great but perhaps a little too over used when a bit more subtlety was needed in certain moments of the film.

This film reminds me of my favourite old dark fable movies with child protagonists such as Night of the Hunter, Something Wicked This Way Comes, and Lost Boys. In fact I would sum this up as a Stephen King type horror story for the family.

The very ending of the film felt rather overly silly though, which is my only criticism but its not enough to knock any marks off my rating.

This might well turn into a Christmas sleeper hit, if not, perhaps later on, will be a little cult classic

For me this is one of those films that I just instantly took to heart, it has the sort of implicit comedy that you expect from the Cohen brothers, and a theme which really plays with your ideas of horror. It does help if you have a bit of background in Finnish mythology, there's no explanation, even in the subtitles, of the yule goat, and the word Joulupukki's close links to old stories about a sort of mischievous Christmas devil. It does introduce some of the old stories, but doesn't explain how they are actually commonly known history pertaining to Father Christmas in Finland, and weren't made up for the film or anything like that. Other than that, the film is visually beautiful, musically dramatic to at least the extent that Danny Elfman had ever achieved for Tim Burton, and has a sort of dignity that something with an undercurrent of comedy rarely has, relying on its ability to be funny without trying, something that Quinten Tarantino and the Cohen Brothers often leave us slack jawed over. I definitely recommend it.

I know Christmas is supposed to be a time of happiness and cheer in which jolly old Santa Claus bestows gifts upon the children. Well, not in Finland. Their Santa Claus legend is a lot darker and scarier per "Rare Exports." Their Santa Claus eats naughty children and he's about to make a reappearance.

A mining company was in Russia at the Korvatunturi drill site looking for a precious commodity. What they found was Santa Claus encased in ice and buried under tons of rock. After digging him up the reindeer lay disemboweled and children came up missing. Only a young boy named Pietari (Onni Tommila) knew what was happening. If the adults were to ever know what was going on, they would have to listen to Pietari.

Free on Tubi.

Full review here: http://thewildbore.blogspot.com/2010/12/rare-exports- Christmas-tale.html Finland isn't known for it's film exports, so here truly is a 'Rare Export' but should we return it? It's not exactly in the spirit of Christmas is it? This film is rather a prequel to two short films that the director made in 2003 and 2005 (both I will stick at the end of this article) where Santa isn't the merry old fat man we've come to know and love but is rather a beast of the wild that is tamed and exported around the world. But deciding that some short films weren't enough, Jalmari Helander decides to make a feature film about his 'hunters' before the events of Rare Exports Inc. & Rare Exports: Official Safety Instructions. I have to put this film into context because when viewing the film, not knowing much about it, it seemed very strange afterwards but now it kind of makes sense. However, it might be worth watching without seeing the videos included here, but it's your choice. Either way, the story is about how some corporate diggers are excavating something from a mountain near a remote village in the snowy outdoors. But it is a young boy who works out what is buried beneath and is taking every precaution just in case, whether it's taping cardboard to your bum or carrying around a shotgun, he's not taking any chances. I read somewhere that this harks back to the kiddie films of the Eighties like The Goonies where the kids were always right and the adults were idiots, but this has much more of a horror element to it. In fact, it is very funny in different places for different reasons but always keeps a dark, sinister edge whether it's the weird wooden dolls, the crazy rich excavator or the creepy Santa they find, there's always a tinge of horror at all times. The film is very well directed and, like many have said (mainly because of the snow) reminds people of The Thing, but all the set-up's are there and around the whole thing is the myth of Santa Claus (or Claws in this case). It makes for a very exciting, disturbing experience that is set around a time where people are supposed to get together and for someone who doesn't really enjoy Christmas, like myself, it makes a welcome distraction to all the 'niceness' of the Christmas season. The acting is, for the most part, very impressive and the end sequences with hundreds of naked old men running across the mountains is both funny and breathtaking at the same time. The film finds a great balance between horror, terror, humour and remembering that it shouldn't take itself too seriously, the gag is that it's about Santa after all. I always found something creepy about a fat, old man going into children's houses at night and giving them presents, seeing if they've been 'naughty or nice' and this plays on people's insecurities especially at a time where paedophilia is all over the news these days. It also has a rather serious, dramatic edge with an obviously painful father/son relationship, a man who is frustrated with the world and a 'coming-of-age' element about sacrifice and becoming independent. It could also be seen as a war of male generations, the son against the father, and the father against his own father, which in this case is represented by Father Christmas, it would make sense seeing as there is no females in the whole film but rather a world of manly hunters where soppy things like Christmas have no place. Overall, the film is enjoyable and the last five minutes is rather strange but makes sense once you see the short films. It might have a few plot holes but has been well thought out, perfectly directed and for something that could have so easily been one big joke, remains an impressive piece of work that the director clearly cared about. I recommend that you forget the usual Christmas ho-ho-Hell's and delve into a dark place where being naughty or nice is a life or death decision.