Jin shou zhi

The last cooperation of Tony Leung and Andy Lau is "Infernal Affairs", which is over 20 years ago! The Goldfinger is a true scam adapted into a movie, which presents the 80s of Hong Kong perfectly! Before watching the movie, I have spent a great deal of time to conduct the research of the historical scam, as i think the mastermind of this case was so terrible and crazy! Undoubtedly, the movie show us that money is the chief of all evil and how did a largest business deception work superbly. Tony Leung exquisite acting skills lead audiences feel like engaging into the capital empire. I was so happy that he get the Best Actor in 42nd Hong Kong Film Award through this amazing movie!

There's a Chinese saying called tiger head, snake tail, which perfectly describes the film. The Goldfinger starts with a bang with over the top scenes that harkens back to the heydays of HK cinema. But as the story progresses, you realize how thin of a plot the movie has. The film fails to develop further on what is a very interesting rivalry between Tony Leung and Andy Lau, even worse if you consider how much of a classic The Departed was. In the end, the film is too "business-oriented" and not driven by its story enough. To make matters worse, the ending feels like something to appease movie authorities.

Giving this an 8/10 rating

New crime thriller from the filmmakers of 'Infernal Affairs' which had Andy Lau in, and he's in this too, along with Tony Leung.

Tony Leung, plays an poor engineer who comes to Hong Kong seeking work and gets involved in wrong doing that escalates in him running a criminal empire of billions, Andy Lau, plays the police investigator who goes after him. It's all very complex and very tense.

It looks and feels of the era it's set in the 1980's and corruption is all over the place. Even the slow parts still engage and you see just how greedy people can really be. It's a lovely production and the acting is full on brilliant, which does make up for action, which there is some, it's not done with any glamour, it's done to shock. But it's really the two main leads who pull off the show, again. Another true story that I did not know about.

Bond-adjacent title aside, The Goldfinger throws everything at the screen, including different film styles, stocks and interstitial musical montages, in the vain hope that kinetic energy might be mistaken for dramatic power. It's far from the reunion between Lau and Leung that fans of Hong Kong cinema have been waiting for, instead coming across as more of a hollow wet fart in this by-the-numbers, overcomplicated Wolf of Wall Street clone without any of the filmmaking confidence to pull it off successfully. It all feels like it's been run through a mainland China viewing board to become a curiously uninvolving work that takes what sounds like a potentially fascinating story and somehow manages to render it mostly inert due to a disappointingly shallow treatment. Lau and Leung are more than capable actors but with a standardised narrative that doesn't challenge them in any way, they ultimately sleepwalk their way through the film. Ultimately, The Goldfinger is a hard one to recommend, there's no fun to be had here, it's all brutally shallow and lacking in dexterity, only really worth something to those well-versed or interested in stock market manipulation. I'm sure there will be an inevitable sequel, presumably titled The Thunderball or The Goldeneye...

I am very curious about what happened to this film.

It's like a chef preparing high-end ingredients to make a stunning dish for diners, but halfway through, he suddenly finds that the natural gas has run out, and there is no other heat source available, so he can only rely on the residual heat in the pot to cook the dish.

The first half of the film is undoubtedly a good one. Seeing Tony Leung and Andy Lau opposite each other will make people wonder whether it can reach the height of "Infernal Affairs". As a result, it completely collapsed in the second half. The narrative advancement relied entirely on voiceover dictation, and every scene that could have been polished turned into a few seconds scenes.