एजेंट जे १९६९ में M.I.B. के शुरुआती दिनों के लिए समय में यात्रा करने के लिए अपने दोस्त एजेंट कश्मीर की हत्या और इतिहास बदलने से एक विदेशी बंद करो ।एजेंट जे १९६९ में M.I.B. के शुरुआती दिनों के लिए समय में यात्रा करने के लिए अपने दोस्त एजेंट कश्मीर की हत्या और इतिहास बदलने से एक विदेशी बंद करो ।एजेंट जे १९६९ में M.I.B. के शुरुआती दिनों के लिए समय में यात्रा करने के लिए अपने दोस्त एजेंट कश्मीर की हत्या और इतिहास बदलने से एक विदेशी बंद करो ।
- पुरस्कार
- 2 जीत और कुल 13 नामांकन
फ़ीचर्ड समीक्षाएं
It's been a decade since the last MIB film was released. We kind of missed the series even though Men In Black 2 wasn't really that good. In this sequel, it's pretty small and unnecessary but it still has the charms and bright imagination. Great Performances and Solid Visuals. It also has the same tone of the original Men In Black films. It's a wonderful action, adventure movie with non-stop enjoyment.
Thankfully, it does not follow the modern blockbuster roots and stay loyal to its own. By the way, this is a comical action film. It may not be a large one but what matters here is the fun characters. Will Smith and Tommy Lee Jones still got it but who shines here is Josh Brolin. He can perfectly imitate the facial expression and voice of Agent K and it's a lot better when he's around.
The plot sounds like a generic time traveling story, but there are imaginative and wonderful sequences in these. The humor is still clever. There is still a heart. The action is not quite appealing but the time jump scene was spectacular. A lot of people will be rooting for the design of the villain, Boris the Animal. At first glance, you might think it's creepy but you'll realize how awesome he actually looks.
Blockbusters like this are now obsolete. Our usual modern blockbusters are generic and bland cookie-cutters that are easy to be forgotten. This actually stays to its own kind. It's comical, it has life, it cares to the characters no matter how small and absurd the story is. Yes, it's small, but there are so many merits that are worth seeing. Either you're a fan of the series or not, you'll find it very enjoyable. The Men in Black series is still imaginative and fun.
Thankfully, it does not follow the modern blockbuster roots and stay loyal to its own. By the way, this is a comical action film. It may not be a large one but what matters here is the fun characters. Will Smith and Tommy Lee Jones still got it but who shines here is Josh Brolin. He can perfectly imitate the facial expression and voice of Agent K and it's a lot better when he's around.
The plot sounds like a generic time traveling story, but there are imaginative and wonderful sequences in these. The humor is still clever. There is still a heart. The action is not quite appealing but the time jump scene was spectacular. A lot of people will be rooting for the design of the villain, Boris the Animal. At first glance, you might think it's creepy but you'll realize how awesome he actually looks.
Blockbusters like this are now obsolete. Our usual modern blockbusters are generic and bland cookie-cutters that are easy to be forgotten. This actually stays to its own kind. It's comical, it has life, it cares to the characters no matter how small and absurd the story is. Yes, it's small, but there are so many merits that are worth seeing. Either you're a fan of the series or not, you'll find it very enjoyable. The Men in Black series is still imaginative and fun.
Before the time travel stuff, it's a bit tired...but man, once we go back in time, it's actually astonishing how great it is. Brolin rules, the model party scene is perfect, and I don't think it can be overstated how wonderful Griff is. Most importantly, it solidifies J and K's relationship in ways that most Hollywood comedy sequels wouldn't even bother, becoming a surprisingly emotional story of friendship and commitment.
A decade away from the movie scene has given the Men In Black series a chance at a fresher, newer perspective. Taking its cue from Shrek Forever After, MIB 3 takes on a tired concept (time travel in this case) if only to acknowledge the failure of its dull sequel and take us back to a different era allowing us to view the franchise from an unsullied angle. The result is a film that returns to its roots and gives audiences the chance to relive much of what they first enjoyed – a smart, sci-fi, buddy comedy that embraces everything weird and wonderful about the unknown universe.
In his first cinematic role in nearly 4 years, Will Smith's Agent J is the usual charming, witty wiseass we expect him to be. Still teamed up with the laconic Agent K (wrinkly Tommy Lee Jones) he is no closer to cracking his older partners deadpan demeanour but their relationship issues take a back seat when a nemesis from Kay's past, Boris the animal, turns up to exact revenge for having been imprisoned on the moon 40 years ago. His elaborate plan takes him back in the past, to the day he was caught, and sets ripples in the present, where K no longer exists and a different reality results. J has to then literally time jump (off the Empire State building no less) and fix the past for normalcy to return in the present.
Directly Barry Sonnenfeld seems to find his groove once again with the zany and icky shenanigans that put him on the map with the original. Using plenty of the wide angle camera work that gave him fame as the Coen's favourite lenser, the resulting imagery should work wonders for those who decide to pay extra and catch the film on 3D (converted). Boris the animal is also a return to series villains being screwball and menacing in equal measure (remember Vincent D'Onofrio?) and Rick Baker's excellent makeup effects are both incredible and revolting. The big surprise is how well Josh Brolin impersonates Jones in the role of a younger K – which should not be a surprise considering Brolin's recent, impressive body of work as a bonafide actor, most notably in W. So chameleon-like is his performance that you forget it's him and actually completely believe it's just a younger version of Tommy Lee Jones that you're seeing.
The films primary achievement and a true signal of its return to form though are the scenes set in the past. Not only is Josh Brolin a deadringer for Tommy Lee's K during his youth, but the hip musical vibes of the late 60's/early 70's allow for plenty of playfulness to ensue with a particularly hilarious segment devoted to Andy Warhol. If that isn't enough, everything very neatly ties into another epochal scientific moment from that time period and ends on a moment of curiously satisfying emotionality that provides not only closure to the film but the series as a whole. If that doesn't make you forgive all the wrongs that the sequel did and embrace this film as one of the years better movie franchise offerings the only thing that might work on you is a neuralizer.
In his first cinematic role in nearly 4 years, Will Smith's Agent J is the usual charming, witty wiseass we expect him to be. Still teamed up with the laconic Agent K (wrinkly Tommy Lee Jones) he is no closer to cracking his older partners deadpan demeanour but their relationship issues take a back seat when a nemesis from Kay's past, Boris the animal, turns up to exact revenge for having been imprisoned on the moon 40 years ago. His elaborate plan takes him back in the past, to the day he was caught, and sets ripples in the present, where K no longer exists and a different reality results. J has to then literally time jump (off the Empire State building no less) and fix the past for normalcy to return in the present.
Directly Barry Sonnenfeld seems to find his groove once again with the zany and icky shenanigans that put him on the map with the original. Using plenty of the wide angle camera work that gave him fame as the Coen's favourite lenser, the resulting imagery should work wonders for those who decide to pay extra and catch the film on 3D (converted). Boris the animal is also a return to series villains being screwball and menacing in equal measure (remember Vincent D'Onofrio?) and Rick Baker's excellent makeup effects are both incredible and revolting. The big surprise is how well Josh Brolin impersonates Jones in the role of a younger K – which should not be a surprise considering Brolin's recent, impressive body of work as a bonafide actor, most notably in W. So chameleon-like is his performance that you forget it's him and actually completely believe it's just a younger version of Tommy Lee Jones that you're seeing.
The films primary achievement and a true signal of its return to form though are the scenes set in the past. Not only is Josh Brolin a deadringer for Tommy Lee's K during his youth, but the hip musical vibes of the late 60's/early 70's allow for plenty of playfulness to ensue with a particularly hilarious segment devoted to Andy Warhol. If that isn't enough, everything very neatly ties into another epochal scientific moment from that time period and ends on a moment of curiously satisfying emotionality that provides not only closure to the film but the series as a whole. If that doesn't make you forgive all the wrongs that the sequel did and embrace this film as one of the years better movie franchise offerings the only thing that might work on you is a neuralizer.
The criminal Boris the Animal (Jemaine Clement) escapes from the LunaMax, a moon-based maximum security prison. He comes to Earth seeking revenge from Agent K (Tommy Lee Jones) that has blown his arm up and arrested him forty years ago and protected Earth from a Boglodyte invasion. Boris is defeated again and he travels back in time to 1969 to kill Agent K.
When Agent J (Will Smith) notes that the time line has changed in the present days and Agent O (Emma Thompson) tells him that K died in 1969, he decides to travel to 15 July 1969 to save K on the next day. Agent J has difficulties to convince the Young Agent K (Josh Brolin) with lies, but when he decides to tell the truth, K believes in his words and they seek out Boris together.
They are helped by the amicable alien Griiffin (Michael Stuhlbarg) that has precognitive powers and gives the ArcNet to K to protect Earth from the Boglodyte invasion. Further, J learns a secret about K and himself.
"Men in Black 3" is a great adventure of this franchise, with a wonderful story and magnificent special effects. I had low expectations with movie, but I was favorably surprised with an adorable film. My vote is seven.
Title (Brazil): "MIB³ - Homens de Preto 3" ("MIB³ - Men in Black 3")
When Agent J (Will Smith) notes that the time line has changed in the present days and Agent O (Emma Thompson) tells him that K died in 1969, he decides to travel to 15 July 1969 to save K on the next day. Agent J has difficulties to convince the Young Agent K (Josh Brolin) with lies, but when he decides to tell the truth, K believes in his words and they seek out Boris together.
They are helped by the amicable alien Griiffin (Michael Stuhlbarg) that has precognitive powers and gives the ArcNet to K to protect Earth from the Boglodyte invasion. Further, J learns a secret about K and himself.
"Men in Black 3" is a great adventure of this franchise, with a wonderful story and magnificent special effects. I had low expectations with movie, but I was favorably surprised with an adorable film. My vote is seven.
Title (Brazil): "MIB³ - Homens de Preto 3" ("MIB³ - Men in Black 3")
Well, whaddaya know, the "MiB" have gone MiA for 10 years already! No wonder many of us have forgotten about them as Men In Cape and Bodysuits (aka The Avengers, Batman, Spider-Man, et al) have been hogging the cinemas while the "Men In Black" go missing-in-action. No matter, they are still a barrel of fun in this three-quel that comes as more of a surprise than a treat that we have been waiting for.
And with Barry Sonnenfeld back at the helm of this troubled and delayed US$215-million production, it is a nostalgic film in more ways than one.
Will Smith and Tommy Lee Jones reprise their roles as agents J and K of the secret Men in Black organization that monitors alien activity on Earth. The 'odd-couple' have their work cut out for them when extra-terrestrial serial killer Boris the Animal (Jemaine Clement) escapes from his maximum security prison on the moon and travels back in time to kill K. Since only J remembers K's existence, it's up to him to venture through time, look for a young K (now played by Josh Brolin) and stop Boris from destroying the world once and for all.
I have never been a fan of time-travel plots and I still don't like them. However, the time-travel subplot here is just to provide the "Back To The Future" fantasy to the MiB franchise. The narrative, as well as the mood and tone of the movie, are light-hearted, fun and always on the outer limits of credibility. Again, it is nice to see how a deadpan face like Jones' can generate so much mirth. The Smith & Jones pairing is augmented by Brolin who gives a good representation of how K would be in the Sixties, with most of the sequences accompanied by popular Sixties hits on the soundtrack.
One of the staple jokes of the MiB series is the celebrity cameos that suggest alien origins. In MiB3, we have a 'twist' that suggests a certain pop art personality is an undercover MiB agent! Still, the mainstay of the MiB series is Rick Baker's creature designs and make-up rendered in 3D. The 'monster show' does not disappoint, especially that of a huge fish that attacks diners at a Chinese restaurant. Oh yes, there are also a couple of cool gadgets and vehicles like the giant wheel hoover-bikes used by Agents J and K. On the whole, Agents J and K still provide the 'L'. - limchangmoh.blogspot.com
And with Barry Sonnenfeld back at the helm of this troubled and delayed US$215-million production, it is a nostalgic film in more ways than one.
Will Smith and Tommy Lee Jones reprise their roles as agents J and K of the secret Men in Black organization that monitors alien activity on Earth. The 'odd-couple' have their work cut out for them when extra-terrestrial serial killer Boris the Animal (Jemaine Clement) escapes from his maximum security prison on the moon and travels back in time to kill K. Since only J remembers K's existence, it's up to him to venture through time, look for a young K (now played by Josh Brolin) and stop Boris from destroying the world once and for all.
I have never been a fan of time-travel plots and I still don't like them. However, the time-travel subplot here is just to provide the "Back To The Future" fantasy to the MiB franchise. The narrative, as well as the mood and tone of the movie, are light-hearted, fun and always on the outer limits of credibility. Again, it is nice to see how a deadpan face like Jones' can generate so much mirth. The Smith & Jones pairing is augmented by Brolin who gives a good representation of how K would be in the Sixties, with most of the sequences accompanied by popular Sixties hits on the soundtrack.
One of the staple jokes of the MiB series is the celebrity cameos that suggest alien origins. In MiB3, we have a 'twist' that suggests a certain pop art personality is an undercover MiB agent! Still, the mainstay of the MiB series is Rick Baker's creature designs and make-up rendered in 3D. The 'monster show' does not disappoint, especially that of a huge fish that attacks diners at a Chinese restaurant. Oh yes, there are also a couple of cool gadgets and vehicles like the giant wheel hoover-bikes used by Agents J and K. On the whole, Agents J and K still provide the 'L'. - limchangmoh.blogspot.com
क्या आपको पता है
- ट्रिवियाBegan filming without a completed script, which led to a delay in production, so the screenplay could be re-written and completed.
- गूफ़When (future) Agent J and (future) Boris are fighting on top of the large red docking station for the spaceship, Agent J gets shot deliberately by Boris and jumps off the edge of the dock. Then he uses his time travel device to go back in time a few seconds earlier to be able to dodge the shots. There are a few mistakes in this part. 1) There should be another Agent J and Boris there too, as they have gone back in time to that moment again. However in the movie there are only two of them. 2) The injuries sustained by Agent J (the bone spikes in his abdomen) should have remained there when he went back in time. If it were true that you healed once you went back in time into the condition you were in at that moment, then Boris should have grown an arm back when he went back in time.
- क्रेज़ी क्रेडिटThe opening title appears in a pan from the Moon to the Earth (something usually done at the end of the MiB films).
- इसके अलावा अन्य वर्जनThe Chinese restaurant scene has been censored for the mainland China release. The sequence with J and K in the back room has been edited to remove all shots of Wu, thus eliminating the revelation that Wu is actually an alien. A subsequent moment with J neuralyzing a group of ethnically Asian bystanders has also been deleted.
- कनेक्शनEdited into Men in Black 3: Gag Reel (2012)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Men in Black³?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Men in Black 3
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $22,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $17,90,20,854
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,45,92,779
- 27 मई 2012
- दुनिया भर में सकल
- $65,42,13,485
- चलने की अवधि
- 1 घं 46 मि(106 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें