Star Trek Into Darkness

Star Trek: Transformers 4 would fit best to this, because it is not the Star Trek we are used to. This is simply an action movie, that happens to have phasers instead of guns, and beaming instead of taking a plane/car. I was expecting to see some science and understanding, instead I got the 1970s captain again, with the fist fighting enemies and kissing the girls. What happened to the optimistic bright future where money is not an issue and people work to better themselves? What happened to the Earth that was heaven? What happened to the engineers who make improvements to the ship using alien technologies, and not try to fix it all the time? What happened to technological competition and diversification? Where is the strategy? Smart ship tactics? All seems to be brute force in this movie. As a trekkie, I am quite disappointed.

Golly I think my title sums up everything I wanted to say. As far as basic plot goes, there's nothing particularly new here: a psycho super being plans to kill people and blow up things while the Enterprise is, for the millionth time, "the only ship in the quadrant". This movie is very lazily written, sort of like that homework assignment you slapped together on the bus to school but with a multi zillion dollar budget. But before you transport off this page, bear in mind the film's saving grace...

There are a ton of groan-worthy, yet very effective, references to the old Star Trek universe, making this a pretty entertaining watch even though I sound like I'm slamming it harder than a shuttle craft making Emergency Landing Plan B ("B! As in BARRICADE"). That plus a ton of dazzling special effects and nonstop action prompt me to rate this movie a definite WORTHWHILE WATCH, even though my inner Trek nerd is screaming for you to avoid it like that episode "Spock's Brain".

No, this is NOT a remake of the incomparable "Star Trek II: The Wrath of Khan" (1982) although it does feature the characters Khan as well as Dr. Carol Marcus.

No, Khan does not show off his bulging pecs as only the late great Ricardo Montalban could do.

YES, there is a sneaky remake of the famous radiation "you'll flood the chamber" scene which is fun to watch.

YES, Chris Pine does an admirable job of playing Captain Kirk as the charmingly arrogant young captain who doesn't like to lose.

YES, Zachary Quinto does an admirable job of playing the stoic Mr Spock, and YES there is a cameo by Leonard Nimoy as the original Spock.

YES, Dr, McCoy says "Dammit Jim I'm a doctor not a ---!"

and lastly, YES, at a certain point in the movie someone does, in fact, yell: "KHAAaaAaAAAAAaaANNN!!!"

So what more needs to be said. Great popcorn flick. Fun little nods to the old Trek series. It doesn't require too many brain cells. But then again, neither does "Spock's Brain" and we still love it.

The previous Star Trek movie is a tough one to beat. It was (in my eyes) close to perfection (lens flares and all). So this movie had a tough up-hill battle ahead of it. I am happy to report that the writing, direction, cinematography and acting were all terrific. But it's not quite flawless. There are a couple of minor plot holes that distract viewer attention to some degree.

Cumberbatch is brilliant. I won't divulge any spoilers, but I will say that the throw back to the earlier movies is very very clever and well executed. The added depth we see in the characters of Kirk and Spock are icing on an already delicious cake!

After violating the Prime Directive of the Federation interfering with the primitive inhabitants of Planet Nibiru, saving their lives from a volcanic eruption and exposing the Enterprise to them to save Spock (Zachary Quinto), Captain James Kirk (Chris Pine) is summoned by Admiral Christopher Pike (Bruce Greenwood) and loses the command of the Enterprise.

Meanwhile, a Starfleet facility in London is bombed and the high-command has a meeting where the identity of the responsible, the former agent John Harrison (Benedict Cumberbatch), is disclosed. However, Harrison attacks the commanders; kills Spike and flees to Kronos, the land of the Klingons. Admiral Alexander Marcus (Peter Weller) assigns Kirk to kill Harrison and brings seventy-two torpedoes to the Enterprise to accomplish the mission. Chief Engineer Montgomery Scotty (Simon Pegg) refuses to receive the weapons and Pavel Chekov (Anton Yelchin) is relocated to his position and Dr. Carol Wallace (Alice Eve), who is a science officer specialized in weapons, joins the Enterprise crew. When they arrive in Kronos, they are attacked by Klingons but out of the blue, Harrison kills the Klingons and surprisingly surrenders to Kirk after knowing that the torpedoes are on board of the Enterprise. Then he discloses that he is Khan, a superhuman that was awakened by Marcus from a cryogenic pod to prepare the star-ships with powerful weapons for a war against the Klingons. When the Enterprise is intercepted by a mysterious starship commanded by Admiral Marcus, Kirk asks Khan to help him to save his crew.

"Star Trek into Darkness" is a great sci-fi with a good story of Kirk and his crew and a powerful villain. The good acting and direction associated to top-notch special effects make a highly entertaining movie. Surprisingly there are bad reviews in IMDb that must be ignored by those that like this franchise. My vote is eight.

Title (Brazil): "Star Trek Além da Escuridão" ("Star Trek beyond the Darkness")

We need Star Trek Into DEEPNESS, not darkness.

In the movie theatre I heard a complaint from an old school Trekkie that the second installment of the Star Trek reboot had too many "Little Archie and Veronica" moments.

This is true and it would be OK if that were just the icing on the cake. The real problem with the movie is that it runs like a typical SciFi action plot inserted under a Star Trek banner.

This movie is missing the hallmark epiphany moments Star Trek is famous for. Mainly, it is missing the philosophical "WOW" factors that don't just blow your mind but rather expands it, making you realise that everything you thought you knew is wrong and that everything you thought the Federation had figured out is also wrong. These expansions used to pave the way for the audience to mentally and emotionally take that next step to, "Boldly go where no man has gone before..."

This movie has no epiphany. Where is the deepness that Star Trek is synonymous with? This movie gives us what? A federation struggling with internal corruption and terrorism, a la the typical disgruntled ex employee, who in this case was cryogenics frozen for 300 years, as is the plot. Big deal. These are familiar themes we've all seen in movies before. Just trade the Federation for any corrupt financial, medical, educational, government and or religious institution. Trade the "John Harrison" character for any Bond villain and you have a movie that sounds like a bunch of other movies or what the news broadcasts. Boring.

To me the Federation meant a time in the future when Humanity had finally gotten its act together and to a certain extent had rooted out all this corruption and terrorism. Unless a Klingon or Romulan shows up, things are supposed to be refreshingly illuminating. Not something that degrades into ordinary, mainstream, average caveman fist fight showdowns.

How can we boldly go where no man has gone before in the future unless we have thrown off the shackles of the past? What a sad/shamey day it is when a Star Trek movie presents a not so optimistic future just as dark as today's headlines. I can read/watch the news/The Matrix if I want that. IS THERE NO ESCAPE?!!! IS THERE NO HOPE?!!!

Obviously, Gene Roddenberry's spirit could not find a way to keep the franchise on track. Will, (Vulcan fingers crossed) Trekkies and non-Trekkies alike know the difference between the wealth of deepness and the poverty of darkness?