Wai dor lei ah yat ho

Cheng Lai-sheung(Josie Ho)is desperate to buy a flat in the famed Victoria Harbor in Hong Kong.He works two jobs and is already in debt.Not enough money for her dream home prompts her to spill the blood of the rich."Dream Home" is one hell of a gory slasher.The killings are extremely vicious and insanely bloody.The murderous rampage of the main character leaves nothing to imagination.The cinematography is stylish,the acting is fantastic and the score provide some chills."Dream Home" paints an ugly side of corrupted society with some of the bloodiest murders ever captured on screen.8 blood sprays out of 10.A must-see for horror fans with an iron stomach.

On one hand, Dream Home is a poignant drama about a young Hong Kong woman's life of hardship and her dream of living in an apartment overlooking the bay; on the other, it's a gore-drenched tale of obsession and madness, the lady in question going to extreme and very bloody lengths in order to achieve her goal. As a whole, the film works brilliantly as a shocking slice of social satire on the difficulty of getting on the property ladder (although it's not as far fetched as it might seem: the film is apparently based on true events!).

Josie Ho plays Cheng Lai-Sheung, who, ever since she was a child living in a run-down high-rise, has longed to move with her family to No.1 Victoria Bay, an apartment block affording views of the sea. As the years pass, Josie saves every penny of her meagre wages, but loses both of her parents, yet still hangs on to her dream. So when the opportunity arises, she does whatever it takes to secure her dream home at an affordable price—by killing off the other inhabitants to drive down the property values.

The emotional drama is sensitively handled by director Ho-Cheung Pang, with touching flashbacks to a childhood friendship, Cheng's relationship with her ailing father, her unfulfilling job, and intimate moments shared with a married man, but for me, Dream Home is all about the gritty violence, which, along with the true-story connection, lends the film an atmosphere not unlike that of a classic Cat III movie. Pang certainly doesn't hold back when it comes to graphic unpleasantness, Cheng's victims suffering a variety of very grisly fates…

Victim number one, a security guard, is forced to slash his own jugular while trying to remove a plastic tie-wrap from around his throat; a pregnant woman is suffocated with a vacuum bag and her maid gets a screwdriver through her head (which emerges out of her eye!); the pregnant woman's husband breaks his neck in a brutal struggle with Cheng. The most outrageous scene of all takes place in an apartment occupied by some drugged up youths and a pair of whores: Cheng guts one guy, sticks a broken bottle into another's neck, bashes a hooker's face on a toilet bowl, repeatedly stabs a bloke and emasculates him while he is going at it with the other prostitute, and jams a broken piece of wood into the woman's mouth. When a pair of cops arrive to investigate the disturbance, Cheng gets the upper hand and shoots them both in the head!

Not since the Cat III heyday of Anthony Wong have I seen such relentlessly nasty slaughter in a HK movie.

I saw this for the first time recently n in my opinion the filmmakers shud have removed the pregnant woman's turmoil scene.

The story is bah Lai sheung n thru mixed chronological order, we see Lai-sheung as a child whose family and friends are evicted from their low-rent housing so that developers can build expensive flats but she vows to buy her mother and father a new apartment, specially an apartment with a view of the Victoria Harbour.

As an adult she is working in a bank, having a relationship with a married man, taking care of his ailing father n a young brother. Due to bad circumstances, Lai-sheung goes into a frenzy where she goes to the flats and attacks people who live and work there, killing them without any mercy.

This film has shades of Inside (2007). It is one of the best slasher of modern times n the effects r amazing. The film is very very violent with some very heavy stuff which made me squirm.

This is pretty awesome for what it is. Remember CATIII films from some twenty years ago? The most gruesome violence, a seamy social underbelly, usually a plot involving revenge and some terrible crime spree; bleak, nihilistic, amoral affairs of a world abandoned to the most deviant whims and sexual appetites. On at least the matter of violence, this one is a slick return to splatterfests of yore. There is no body part that isn't horribly mangled in some way. The pregnant woman isn't spared. Police don't save the day when they show up. There is no safe moral center to pivot around.

This part works, is senselessly brutal and exciting. But every now and then we veer off into extensive childhood flashbacks meant to contextualize and explain. Backstory is gradually pieced together from that direction that allows us to discern pattern in yawning madness, minutely calculated obsession. Every wild stabbing of the knife is gradually imbued with purpose.

The idea on the part of the filmmakers was probably that this was drama and human interest that would trouble how we handled violence from our end. The shift in tone would unsettle: here is a perfectly innocent young girl, and on the other end a raging psychopath.

This would grace the whole with some complexity, even respectability. The film would not be easy to dismiss but would recast aimless slaughter as greater social consequence. We learn for example that government and land proprietor thugs are ousting poor tenants from their shabby apartment blocks, in order to flatten them and build luxurious high-rise towers in their place. Prices artificially skyrocket. This is brought full circle in the end with the first news as of '08 of the coming global economic crisis. The problem is this is not handled in terribly interesting ways. It's shoe-horned at the end of a bloodbath for some weight but only drags the superficial pleasures down.

So we just learn stuff someone presumed we would need to know. The whole is tied into something someone presumed would be relevant to us all. It is but I'd rather get this part from a newspaper. A newspaper doesn't have excellent gore. So every minute spent away from cartoonish carnage and into hamfisted drama and social commentary is a minute lost for me.

Being from Hong Kong, the makers perhaps felt it was their part to address all this. Perhaps the ire is honest and comes from experience. But as far as a horror film goes, I'm surprised they allowed the lesson of A L'Interieur go wasted: brutality even more sharpened by complete awareness of the present moment.

Still, it's pretty awesome for what it is. It just means we'll have to concentrate on what was clearly poured into the most effort; the slick, ultraviolent slasher film.

Josie Ho plays a young woman desperate to own her own flat. She makes the perfect deal for her dream home, but then the owners decide that the property is too valuable to part with. Ho decides to take matters into her own hands and lower that property value - by killing the crap out of everyone who lives next door to that place. I've never quite seen anything like this. The structure, which moves back and forth in time, is a bit confusing at first, but it all comes together in the end. The film is most notable for its violence. These are some of the nastiest, most disturbing murders I've seen in a long time. I can't remember the last time I was actually shocked by a movie.