Bless Me, Ultima

Bless Me, Ultima Both the movie and the book expressed a wide view of different moods, details, and analysis. The book took the story one step at a time as the author, Rudolfo Anaya, progressively showed how the main character Antonio developed along with the conflicts of the novel. The book was good with a very detailed insight that made you feel as if you were a part of the book. The movie emphasized the major influences on Antonio as he becomes the age where you decide who and what you are going to be as an adult. The movie was pretty fast paced to fit the whole plot of the book into film, but it did not include the golden carp like it did in the book. This gave Antonio another religion to think about and I think this was very important to the book and the movie did not include it. Also, I like how the book goes into extreme detail to give you a perfect idea to how the story is meant to be portrayed. I liked to see each of the ways that Bless Me Ultima is expressed, but overall, the movie and the book was good.

I am glad I saw the movie. It was a very nice coming of age Hispanic movie. I loved the part of Ultima who cured people but was cursed after she helped them. I kept thinking it is always that way healers get blamed after everything goes will or goes bad.

The little boy had the greatest eyes. I loved the part about the boys playing before mass and getting ready for First Communion.

Best movie about our gente since Salt of the Earth. Must watch! No clichés here. Just a sweet, subtle, and poignant coming of age story set in the beautiful, but troubled post WWII landscape of northern New Mexico. Few films make you feel like you're reading a novel-- refreshingly, this one does justice to Rudolfo Anaya's timeless classic. The arc climaxes with little fanfare, but you will no doubt be left with a sense of how and why the supernatural, deeply woven into the daily life of these comunidades, helps people navigate the paradoxes of "good" and "evil." In a period when Latinos, as a demographic are coming of age politically, and while at once courted and loathed, Bless Me, Ultima is timely, but also transcendent and universal. Don't miss it!

I do not know the book. But the acting, the storytelling seems correct. And, in some measure, this is the problem because you expect more. Sure, the story is beautiful and an useful remind about significant things. Buut it remains a sketch. Yes, Miriam Colon proposes a good portrait of Ultima but she seems captive of the role. The consolations - the fly of owl and the significance in Romanian, my native language, for Ultima ( the last one ). Short, fortunatelly, correct film, unfortunately, only correct.

Based on the 1972 novel by Rudolfo Anaya (a favorite among high school English teachers), "Bless Me, Ultima" is an autobiographical coming-of-age tale set in 1940s New Mexico. The story is narrated by a now-adult Antonio reflecting back on the events that happened to him and his family when he was a little boy. This includes the arrival of Ultima (Miriam Colon), a sort of cultural shaman, who has come to live out her final days with his family. Weather-beaten and leather-skinned, Ultima is filled with old person wisdom and the power to both heal and cast out evil spirits. It is the latter, in particular, that ends up causing trouble with some of the people in the village, who suspect her of being a "bruja."

Written and directed by Carl Franklin, "Bless Me, Ultima" is what "To Kill a Mockingbird" might have been like had Harper Lee seen fit to imbue it with generous touches of Magic Realism (in that version Boo Radley probably would have been an actual ghost). As befits the genre that also brought us "Like Water for Chocolate," "Bless Me, Ultima" comes replete with incantations, magic spells and a Significant Owl that passively observes all the human activity, then swoops in at keys moments of the story to make its presence felt. Antonio is surrounded by adults who are steeped in religious superstition, and he is forced to bear witness to some pretty horrendous actions arising from that fact. But he also learns from Ultima that, while evil may indeed exist in the world, one can overcome it by becoming one with nature and the spirits that inhabit it.

The structure of "Bless Me, Ultima" tends to be episodic and choppy, a situation that leaves a number of plot lines under-served and a number of characters (Antonio's older brothers, for instance) underdeveloped. On the other hand, the wide-eyed Luke Ganalon makes for an appealing and charming Antonio, and Benito Martinez ("The Shield," "Sons of Anarchy") scores as the dad who dreams of one day moving his family to California.

Despite all the supernatural and preternatural touches, "Bless Me, Ultima" feels overall pretty familiar as coming-of-age tales go, but the unusual setting and Ganalon's performance earn it a mild recommendation.