Bad Girls

For what it is, this is wayyyyyy above average. Hi octane ,frenectic, well construct. Here we have 3 females going Insane on a rampage.

Great electonic beats 70 disco/80 alternative soundtracks that keep the movie momentum and style super alive. OMG, what about the death apeed black metal or whats not.

Great cast, solid direction, fun script.

The edit is nervous, 16mm style at times, lots of imagery. Some may found it too artsy, too cheap but i say F that, it was fitting like a glove. Think Analog, not digital.... Nearly every situations cranked to 11.

. Super High Value low budget film.

Christopher Bickel's second feature builds on what he learned from his directorial debut, The Theta Girl, to create a modern-day grindhouse classic that owes more to that genre than its more existential predecessor. In doing so, it has its own strengths and weaknesses, but is no less impressive an effort.

Working once again on a shoestring budget ("the cost of a used car," as Bickel often puts it), Bickel takes us on a 90-minute drug-fueled journey with three ex-con strippers hellbent on carving out a dream existence for themselves while laying nightmare waste to all standing in their way. Plot and character exposition are given minimal service in favor of machine-gun visuals, notable quotables, and buckets of blood and guts.

The film moves along at a fast pace with little drag, and there's solid acting throughout, even if the characters and characterizations tend toward the one-dimensional. And kudos for the repurposing of an old-school roadside attraction as "Mexico."

The Theta Girl, Part II, this isn't, which is admirable in itself. In not playing it safe (and in taking an active role in co-writing this film, along with Shane Silman), Bickel has paid full-throated homage to his grindhouse influences that were only hinted at in his first film. That may have its drawbacks in terms of story and narrative, but Bad Girls is a much faster-paced and ultimately more engaging cinematic experience as a viewer. Between the two films, though, it's clear Bickel still has more to offer if he can put it all together in his next film.

Full disclosure: I've known Bickel for 20 years and I had a "blink and you'll miss it" bit as an extra in Bad Girls.

Most movies I find are predictable and follow the rules. This movie is wild and has no clue there are rules. Anything can and often dies happen. The characters are unique and I have met people that make bad choices and imagine most of this could happen. I would certainly watch more from the creators.

Skip this one. I can't think of anything good to say... the acting, makeup, direction, editing, all a mess. I lasted 16 minutes, which pushed my patience but I wanted to find out if there was something redeeming or interesting, maybe a movie in a movie or a dream or.... nope, nothing worthwhile detected. I rarely give a 1-star rating; it's probably a 3, but minus 2 points for the obnoxious fake 9 and 10 star reviews that only cause disappointment.

I heard that this was one of those super-low-budget movies you need to watch, and the movie reviewer over at ArsTechnica rarely steers me wrong, but I still spun up the shiny disc this evening with my expectation bar set very low. As if.

I loved this movie. Sure, it's uneven here and there as you would expect from an indie flick with a capital INDIE, but it does a hell of a lot with so very little.

It's got some great cars, great lines, guns, lots of action, a raspy soundtrack that works well, characters that I would have never guessed at the start that I would come to identify with by the end, and some of the most inventive trippy drug scenes ever.

If this doesn't turn into a bona fide cult flick then there is no justice in the universe. Find a copy. Watch it. And tell your friends.