Blank City

I saw this movie in NYC at the IFC. I loved its approach, the way NYC is depicts, it is a raw and truthful documentary. I would advise any NYC lover to go see it. It helps you understand the city and its artistic influence better. It makes you really realize the energy that is lying and present in NYC. At the end of the documentary you manage to get introduced to an artistic movement but it also inspires you. You realize that you can make it, as long as you have passion a hint of madness and you are willing to work hard. I was also so impressed by the team behind the movie and i really hope to see them more on screen. To sum up, i love this documentary because i was introduce and i understood a new subject that i knew nothing about and it inspired me, it lift my spirit up.

I really liked how this movie reminds us of a time when New York was more dangerous and dirty. If you really like Sonic Youth and other angular music, then you should see this as a refresher course. The film also touches upon how AIDS claimed the lives of some of the people mentioned. I would recommend another film about the Grammercy Park Hotel, which also touches on this period before Reagan. Maybe something had to do with Andy Warhol being alive at the time? This was also an era when there was at least some artistic creativity which didn't pander to mainstream America. Yes, it's true that Richard Kern took erotic photos of young girls, but they have an edgy artistic quality which today still seem a little dangerous. It's hard to believe the girls now are in their late 40's early 50's(or maybe AIDS victims).

Blank City is about the underground New York City film-makers who sprang up in the post-punk years. The films that were made were amateurish and technically raw; they were made with next to no money and they featured for the most part non-actors; their subject matter was often shocking and confrontational. Without doubt, the punk spirit was very much alive in these movies. It was known as the No Wave movement.

I saw this at the Edinburgh International Film Festival and I'm going to be upfront here and admit that I was under the impression from the EIFF brochure that this was going to be about something else. It sounded like it was going to cover the post-punk scene in the grimy streets of NYC circa 1980. But really, this documentary is more or less only about these underground films and filmmakers. While many of the participants are fascinating and some of the films seem odd and of-their-time enough to be of interest, I just felt that for my tastes the material was stretched out to breaking point. I was hoping that the music scene would be given some exposure too, to compliment proceedings but that just didn't happen. Having said that, having heard some Lydia Lunch recordings in the past this may not have been strictly a bad thing. I guess I was essentially hoping for NYC post-punk music to be covered more generally, rather than specifically the No Wave movement, of which I am not keen on at all. At least in the 60's the art films of Andy Warhol had The Velvet Underground to soundtrack them.

It's certainly interesting in places and occasionally funny. But it does get a bit wearing after a time. This would most probably have made a much better short film; it doesn't in truth really justify its feature length as there just isn't enough development in content or trajectory. It's an admirable effort but sadly it just wasn't for me.

When this was at Edinburg, this is what they said: Today, Manhattan is a byword for overpriced property, overexposed landmarks and overdressed fashionistas. In the late 70s, however, it was rat-infested, crime- crippled, cheap and nasty - somewhere for America to dump its immigrants, poor people and artists. Music, art, fashion and filmmaking burgeoned, fueled by drugs, dares, fads, feuds, and a fair helping of madness.

LIttle of this is true. NYC has always been about fashion and high prices. Just look at New Yorker Magazine from 1923!!

The movie is sort of boring. Let's be honest, these filmmakers are not very good. And there is little new in this documentary that hasn't been covered a gazillion times before.

And how many times can you listen to some now rich idiot say "there wasy no money" "we did it for no money" "we didn't have any money."

Who does when your 18? What a borefest

Actually it seems, that you don't have to, but I think you should. Again this is a documentary that has a specific target audience and most people who are not into independent movies (or the wave of them coming out of America a few decades ago) won't like it. As you can see in some of the other comments on this title.

I respect their comments and their views. I still have to disagree with one of them, which goes a bit too far and does imply something, that the movie does not do or try to do. This movie is not glorifying the filmmakers from that time. Quite the contrary, sometimes they are shown as complete lunatics. But that is the appeal of the movie. It does show you people as they are, without judging them. The judging comes from within the viewer.

And while I have to admit not being a big fan (and also not knowing many) of the movies, I really did enjoy the movie. I liked the way it was shot and I liked the interviews. The pacing was great and the shots were interesting. And that was all before the lovely director came on stage and talked a bit about the movie. Unfortunately I had to leave and didn't have a chance to talk to her. But I hope to see more of the team behind this (her "partners in crime" were there too).