Can't Get You Out of My Head

Keeps you interested, comes at you with surprises, creeps up on you, then blows your mind.

The tapestry that sits protected within its depressurised security glass seems enchantingly rich and lush, but when it's no longer attended to then it suddenly and rapidly begins to wither away until just the slightest wind is enough to detach the fibres into nothing more than a flailing and ruined mess. The same thing that captivated you suddenly becomes indistinct from anything else you saw before it... 'Can't Get You Out Of My Head' is a work of art that is mesmerising just as much as it is troubling. As a Brit that has suffered in what I would call an 'empty meaningless life' then I recognise everything that Adam Curtis is divulging to us and from the merest mention of its subject matter until it's inevitable conclusion. This docu-series could of been told in an invariable amount of different ways and yet this 'mini-encyclopedia of reality' strikes chords that make it feel and seem so damned evidently true. A masterful production edited in AC's typical 'shock therapy fashion'. My advice is simply turn off the lights, get comfortable, and join the dots. Note: The BBC deserve a big shout out for showing this. They themselves could be guilty of using subterfuge and/or reverse psychology in playing this but whatever, 'props' are due because I thoroughly enjoyed this...

The good: The individual stories, especially in the first part, are superbly interesting. Many other montage parts are informative, some are mesmerizing to look at and listen to, and the overall feel of the documentary series is almost hypnotic. The issue I have with it though are its generalizations and some of the conclusions and supposed insights, which are sometimes obvious, and sometimes just derived out of flimsy reasoning, derived from somewhat dubious or arbitrary premises.

The individual/collective dichotomy is strained at best, and could be challenged by many alternative arguments in the context of history and sociology. The technology part is interesting, but there is nothing new there. The political commentaries are also standard issue and a bit all over the place. The conspiracies narrative, again, selective and based on certain opinions and aspects, ignoring others, which is the approach in the film overall. That's fine it it is supposed to show only the author's POV, but here it seems to aspire to reveal some deep universal truths, and in that it fails through a faulty - or deliberately tendentious - methodology.

Overall, it's a fascinating series, but I think the author overreached in his ambition to tell a grand narrative that explains everything.

I would recommend watching no more than one episode per day. There is a grand narrative there that's tied up neatly in the final episode. As always Curtis drivers an interesting collection of stories to feed your imagination and provoke. Documentary as art. Superb

First thing to say is that I've only watched the first episode so far. I loved his previous two documentaries, Hypernormalisation and Bitter Lake. I find it very difficult to describe Adam Curtis' style, but I'll have a go. It as if he has discovered a massive archive of TV and Movie reels, has spent several years watching them, then has taken numerous clips, stitched them together, and then concocted a theme that connects these seemingly random events together, in order to make a coherent story. He then uses music to great effect, which creates a kind of dissonance. It's brilliantly done. A visual treat. I feel after watching the first episode that my IQ has been improved by a couple of percentiles, but this may be part of the trick. You get the feeling when watching his documentaries that there is something even deeper, that you just can't quite grasp, which makes you want for more. I found myself walking the dog later, and reappraising what I had seen in my mind, and then later again seeking to look up on Wikipedia and Google some of the issues that were only touched on during the film, from such diverse subjects as the Voynich Manuscript, to William Keswick & Lord Kindersely. A must see series.