Sous la Seine

A movie is not good when you are rooting for the villian. In this case, the shark was my superhero.

First of all, with 50 years of advanced technology, robotics, cgi and advancement in film....that sharks today look less realistic than Jaws? It is insane how fake today's sharks look.

To the story...it follows every cliche, nothing is original here, with scenes and dialogues almost straight out of Jaws or Deep Blue Sea.

Acting is way over-the-top, dialogue consists of screaming or incesseantly yelling someone's name. Sharks are fake looking, about the same level as a Sharknado And you cannot find one person making smart decisions. This is a complete miss.

As mentioned above, I actually found this film to be quite entertaining. This film is full of typical shark film clichés; stupid characters, ignorant person in power and strange looking CGI. It had some intriguing elements that stacked this film above the rest of shark films, like The Shallows or The Meg. This film feels a little bit more than a simple rehashing of a survival story. The two main characters have to battle a large, complex shark against the backdrop of Paris. No spoilers, but I would definitely recommend that you watch the entire film until the end for the ultimate conclusion. The characters here are forgettable and, once again, most of them fall easily into the stereotypical roles that people in shark films have to in order for the body count to be higher.

Overall, this film was much better than I anticipated it to be, with the middle dragging out until the tension finally starts to ramp up.

The actors are ok, the script is pretty much as bad as any shark movie, but it lacks explanation about why the shark goes to Paris, why has it tripled in size, why it can self reproduce etc... a bit of logic never hurts.

The main focus is actually the Olympic Games in Paris put in the limelight by the lack of preparation from Paris City Hall. Anne Marivin does a good job playing a completely incompetent, dishonest, ruthless, politically driven mayor of Paris that everyone will recognize easily. The only differences are that she's pretty and she can speak French. Shame she doesn't get gulped by the shark.

Ok movie, worth a watch just to break the rhythm of the Netflix TV series.

Starting with the fact that the main premise of the film, sharks in fresh water, is nonsense, the script itself was very empty of content. Like any horror films premises don't make sense and I guess that's okay with the genre? I don't know because I am not a fan of horror movies but I do enjoy suspense and that is what made me watch it in the first place but there was little to no suspense. No plot depth. Not much good to it actually. There are no good dialogues, no good character development and you don't really feel any attachment whatsoever to any of the characters so you don't care what happens to them. If that is not a sample of bad scriptwriting, I don't know what is. The cinematography is also plain and quite insipid... But hey, I enjoyed the lovely views of Paris a lot and that's why I gave it a 4 and not a 1.

(Yes, I did spend a while trying to come up with a pun that I hadn't seen before).

As this film was gathering some traction on Twitter across the weekend, I decided that I should give it a go. Having assumed it would be an equivalent to the sort of film "The Asylum" make, I was surprised and interested to see that it was initially not that - though in all honesty it gets there by the end.

Having lost her crew, and husband, to Shark attack, on an expedition to the Pacific garbage patch, Sophia (Berenice Bejo) returns to Paris and works in an aquarium. Three years later she's contacted by an Environmentalist Mika (Lea Leviant) who explains that she's hacked shark tracking technology and that one has made it up the Seine, as far as Paris city centre. With Sophia refusing to help them, Mika and her associate Ben (Nagisa Morimoto) undertake the dive instead, with Mika being arrested. Mika, and later Sophia, try to convince River Patrol of the unlikely interloper, but with the Paris Triathlon imminent, the mayor (Anne Marivin) refuses to consider cancelling.

At the start the film is actually reasonably sensible. The shark is played as a looming threat, foreboding in the background or whipping through frame too quick to get a good look at. There's a clear environmental message, where climate change and sea pollution has changed the shark's natural habitats. Berenice Bejo, who was in "The Artist" is a decent lead and does have some chemistry with impossibly heroic Soldier turned River Police action man Adil, played by Nassim Lyes.

I guess the trouble with the film is that, towards the end it does drift into that 'Asylum' "Sharknado" territory with much more explicit use of the, now painfully cheap-looking, CGI Shark. I write my reviews without spoilers usually, and I'll continue to do so here, but I just don't understand how the ending happens. I liked how spectacular it was but where does the water come from?

You never know with Neflix just how well a film has actually done, but there's a chance from that ending that sequels, or sister films might be forthcoming. I'd hope they'd find a more consistent tone, either way, serious, or campy, to be satisfying. This is neither.