अपनी भाषा में प्लॉट जोड़ेंOne miraculous day in rural Wisconsin the deceased rise from their graves, yet appear and act unchanged. And now it is up to Officer and single mother Dana Cypress to solve a murder case whe... सभी पढ़ेंOne miraculous day in rural Wisconsin the deceased rise from their graves, yet appear and act unchanged. And now it is up to Officer and single mother Dana Cypress to solve a murder case where everyone, alive or undead, is a suspect.One miraculous day in rural Wisconsin the deceased rise from their graves, yet appear and act unchanged. And now it is up to Officer and single mother Dana Cypress to solve a murder case where everyone, alive or undead, is a suspect.
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REVIVAL isn't just a show-it's a mood, a mystery, and a masterclass in tension. Set in the quiet town of Wausau, Wisconsin, what starts as a bizarre miracle (the dead returning to life) quickly spirals into something far more unsettling. This isn't your average zombie tale. These people aren't hungry for brains-they're just... back. And that's what makes it so chilling.
The writing is razor-sharp. Every character feels grounded and deeply human, even as the surreal creeps in. There's a slow-burn Midwestern noir quality here-think Fargo meets The Leftovers with a splash of Stephen King.
Acting is great. Cinematography is gorgeous and eerily intimate. The music is haunting and moving, with a unique mix of instruments and vocal arrangements. And yes, I know I am saying this ABOUT A SYFY SHOW.
But it's the writing and questions that will keep you hooked: Why are the dead coming back? What do they remember? And what, if anything, do they want?
REVIVAL builds its mythology with confidence, daring you to keep up but never leaving you behind. It's gripping, emotional, and somehow feels both huge and deeply personal. This is prestige horror tv on a budget.
Do yourself a favor: Watch it before everyone starts spoiling the twists.
The writing is razor-sharp. Every character feels grounded and deeply human, even as the surreal creeps in. There's a slow-burn Midwestern noir quality here-think Fargo meets The Leftovers with a splash of Stephen King.
Acting is great. Cinematography is gorgeous and eerily intimate. The music is haunting and moving, with a unique mix of instruments and vocal arrangements. And yes, I know I am saying this ABOUT A SYFY SHOW.
But it's the writing and questions that will keep you hooked: Why are the dead coming back? What do they remember? And what, if anything, do they want?
REVIVAL builds its mythology with confidence, daring you to keep up but never leaving you behind. It's gripping, emotional, and somehow feels both huge and deeply personal. This is prestige horror tv on a budget.
Do yourself a favor: Watch it before everyone starts spoiling the twists.
Found this boring perhaps because this plot has been done before,with a slight storyline that varies wrapped in mysteries.
The cast and acting was average,you didn't care or like anyone & the cinematography was drab.
Was clichéd & plotholes.. I realize you shouldn't judge a series by one episode,but it should hook you enough to come back.. Was the reveal finding out a sibling was dead,really cliffhanger worthy? No! Even showing what's to come on the season,didn't have me sitting on the edge of my seat.
I mean yawn! A single mom that seems stuck in a small town,with a chip on her shoulder & parent or sibling issues.
Unless the storylines each episode become intriguing,don't feel this will make my weekly watch list.
If you like this type of television genre to watch check it out,otherwise find something else to invest in.. Examples: Glitch or Travelers.
On a final note: People mention 4400 & how this one doesn't compare,that show didn't deal with dead but those who disappeared returning.. So,not exactly accurate.
The cast and acting was average,you didn't care or like anyone & the cinematography was drab.
Was clichéd & plotholes.. I realize you shouldn't judge a series by one episode,but it should hook you enough to come back.. Was the reveal finding out a sibling was dead,really cliffhanger worthy? No! Even showing what's to come on the season,didn't have me sitting on the edge of my seat.
I mean yawn! A single mom that seems stuck in a small town,with a chip on her shoulder & parent or sibling issues.
Unless the storylines each episode become intriguing,don't feel this will make my weekly watch list.
If you like this type of television genre to watch check it out,otherwise find something else to invest in.. Examples: Glitch or Travelers.
On a final note: People mention 4400 & how this one doesn't compare,that show didn't deal with dead but those who disappeared returning.. So,not exactly accurate.
The introduction of the show left me with a bad taste in my mouth. I didn't like any of the characters. The writing was really inconsistent and tonally all over the place. One minute we're supposed to be taking a scene seriously and the next everyone is cracking joke that don't land. If you're going to write a show about zombies or 'revivers', you need to pick a lane. Either have fun with it and lean into it or take it seriously and lean into that, but cracking jokes after something the show clearly wants you to take seriously, just leaves me feeling confused. How can I take it seriously, if the characters don't?
I'm sure a show like this will find an audience, but I am not that audience. And if I'm being honest, I hated The Walking Dead. After I realized it was nothing but a giant idiot plot, I never made it past the third episode, so take that as you will. Having idiots as characters isn't necessarily bad, in and of itself, but the idiot's motives and action have to actually make some sort of sense.
Good writing advice I've heard before: if your character is urgently driving somewhere and you need them to not make it in time, don't have them stop for a burger, instead have them break the speed limit and get pulled over for it. Both are mistakes, but the latter is understandable and consistent with their motivation, while the former is just stupid.
I'm sure a show like this will find an audience, but I am not that audience. And if I'm being honest, I hated The Walking Dead. After I realized it was nothing but a giant idiot plot, I never made it past the third episode, so take that as you will. Having idiots as characters isn't necessarily bad, in and of itself, but the idiot's motives and action have to actually make some sort of sense.
Good writing advice I've heard before: if your character is urgently driving somewhere and you need them to not make it in time, don't have them stop for a burger, instead have them break the speed limit and get pulled over for it. Both are mistakes, but the latter is understandable and consistent with their motivation, while the former is just stupid.
10SRCG_
Viewers might be happier watching the Australian series "Glitch" (2015) and also "The Returned" (2012).
As another viewer pointed out, if this tv show goes on while others that came before were canceled, yikes.
Just once more the recycling of existing ideas with overall low effort, bad acting and an even worse writing. Is creativity dead and gone? Did we really hit that time when everything is gonna be a watered down version of what has been done or attempted before? I felt like having to force myself to keep going till the end just to give it the benefit of the doubt. This one is definitely not worth of your time.
As another viewer pointed out, if this tv show goes on while others that came before were canceled, yikes.
Just once more the recycling of existing ideas with overall low effort, bad acting and an even worse writing. Is creativity dead and gone? Did we really hit that time when everything is gonna be a watered down version of what has been done or attempted before? I felt like having to force myself to keep going till the end just to give it the benefit of the doubt. This one is definitely not worth of your time.
I loved the show...so far, that is. It had thrills and some unexpected things going on; however, my other half came into the room and said, "So Wynonna became the sheriff?" If you're going to do a show like this...you may want to get different actors that haven't played in some other show that is somewhat similar. To tell the truth though Melanie Scrofano wasn't recognizable to me. I guess some people remember faces better than others. But, the same thing somewhat happened when we watched SurrealEstate...I didn't realize that Tim Rozon was the same guy that played Doc Holliday, which is weird when they make them look so different.
क्या आपको पता है
- ट्रिवियाBased on the American comic book series of the same name by Tim Seeley and Mike Norton, and published by Image Comics.
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