Downsizing

I wouldn't describe this movie as a comedy. Actually, the script touches a very important topic in my opinion. The trailer only showcases the first half of the movie, but all the exciting stuff comes after that. I would say this movie is actually about more than the fun aspect of being able to live life at a perspective from 10 centimeters tall. It's about the way life can be cruel, love and making decisions. Nice movie, absolutely worth the watch.

This came up on my Prime feed for watching after a hard day of work.

At first, the concept was intriguing and compelling. Solve some of the worlds problems with overpopulation and resource straining by allowing people to be "downsized" to approximately 5 inches, or roughly the same size as an action hero doll. There is even a "Truman" style all-encompassing village for them all to live in luxury in downsized mansions that would fit onto a real life dining table.

The leads, Matt Damon and Kristen Wiig, are always bankable for bringing interesting characters to life, and the whole downsizing process for Matt Damon is breathtaking. That all happens in roughly the first half of the movie, but things go downhill fast after Christoph Waltz enters the picture as Matt Damon's obnoxious upstairs neighbor.

First off, earlier scenes show the Matt Damon character, "Paul" taking up residence in one of the Lilliputian mansions with his own yard around it. However, he later appears to live in some type of highrise with elevators without any explanation of why he moved (or maybe I missed it).

By the time the Paul character helps an Asian refugee and ends up visiting the "slum" of the small people neighborhoods to help a disadvantaged small person, I found myself clicking on the screen to see how much of the movie was left. Forty-five minutes? Ugh.

So chalk it up to bad execution or bad scriptwriting, but to me there's little wonder why the movie failed massively at the box office, reaping only a fraction of its production costs, bloated because of the breathtaking special effects from the first half. Eventually, I may see the final 45 minutes since Prime allows you to pick up where you left off, but I certainly won't go out of my way to do it!

When Norwegian scientists develop a means to shrink living things down to miniature size, with the average human standing only 5 inches tall, the world sees it as great new opportunity. "Downsized" people use less resources, take up less space, and have a smaller impact on the environment. As an added bonus, their "full-size" bank accounts translate to vastly more wealth at smaller size, since less material is needed to build dream mansions or create fabulous jewelry. Within a decade, "downsized" towns are springing up around the world, and middle-class Nebraskans Paul (Matt Damon) and Audrey (Kristen Wiig) make the decision to join the "little people". However, when complications ensue, Paul finds his worldview shattered, and he's left looking for new direction in his life.

Director Alexander Payne (Election, Sideways, The Descendants, Nebraska) has a knack for character and the human condition. This movie, easily his biggest budgeted effort due to the special effects involved, loses a little of that thanks to the film's ambitions and the overreaching scope of the story. Payne seems to making some points about the lengths people will go to in hopes of achieving the upper class dream of many Americans, with the big house and country club aesthetics. Payne also spends time on the danger of climate change, and the last section of the film takes this to apocalyptic levels. Whether he's exaggerating for effect, comic or otherwise, he doesn't make clear, but it's also possible that he's being sincere in his fears. Damon serves his purpose well, as he's called on mainly to be a blank slate, a rather empty man looking for meaning in the world.

The stand-out performances are from Christopher Waltz as Damon's obnoxious neighbor, and especially Hong Chau as a one-legged Vietnamese former political dissident turned janitorial worker. She's phenomenal, and should have nabbed a supporting Oscar nomination. The movie was a flop with both critics and the box office, but I liked it, and continue to look forward to Payne's work.

Very much a movie of 2 halves. The first half is an interesting, funny and thoughtful look at what 'downsizing' is and its implications and seemed to set up what could have been an excellent movie. However, the second half goes off at a tangent and starts to explore something completely different - and not in a good way. The whole second half has little reference to the titular 'downsizing' concept and whole sections could have been cut out of it without affecting the movie. Left me feeling disappointed as it could have been very good.

The easiest part to get of writer/director Alexander Payne's sci-fi comedy, Downsizing, is the allegory of shrinking ourselves and our possessions to miniature to save the planet from our excess yet become miniature plutocrats in the process. The more challenging part is to understand how he can pack climate change and economic decay also into his themes.

Paul (Matt Damon), an occupational therapist who at best is just a nice guy, and his ambitious wife, Audrey (Kristen Wiig), decide to have a richer life by downsizing, but contrary to our conventional use of that term. To shrink means to have a bigger miniature mansion, the kind he couldn't afford in a regular size that his shrinking paycheck keeps him from. Of course, in his decision to help out the planet, he is really helping to mitigate his envy of his richer friends in their McMansions.

Payne and co-writer Jim Taylor deftly move the Twilight-Zone story into a melodrama that stresses the humanity of a man who forsakes family and friends for a seemingly higher purpose such as saving the environment. However, it still comes back to greed.

At least until Paul experiences caring for those less fortunate than he, for those shrunk but still with relatively nothing, viz., the poor, the immigrant, and the sick to name a few disadvantaged souls living in a ghetto-tenement world far from the eyes of the advantaged. Once Paul witnesses real poverty he can never turn back to his truly shrunken life of excess and worthlessness.

Where Payne veers from the staples of his drama is bringing in an apocalyptic climate change, a danger not even appearing earlier. More than that misplaced motif is that he has nicely set up already the humanity that will save Paul, who must choose between survival and being together for however long with the ones he truly loves.

Downsizing is rare, a comedy in sci-fi mode with a toolbox of social concerns. It's a child of Honey, I Shrunk the Kids with a Twilight Zone spirit, and it's a pleasant holiday diversion.