एक युवती अपने पूर्व पति की मृत्यु के बाद अकेले अवकाश पर अंग्रेजी देहात में जाती है.एक युवती अपने पूर्व पति की मृत्यु के बाद अकेले अवकाश पर अंग्रेजी देहात में जाती है.एक युवती अपने पूर्व पति की मृत्यु के बाद अकेले अवकाश पर अंग्रेजी देहात में जाती है.
- पुरस्कार
- 2 जीत और कुल 36 नामांकन
फ़ीचर्ड समीक्षाएं
Immerse yourself in a not uncommon story of a woman fighting her demons after aggressive and confrontational encounters from her partner resulting in tragedy and guilt. An outstanding performance from Jessie Buckley through a piece of cinema that leaves you feeling constantly uncomfortable, and under no illusion of how abuse perpetuates through the ages, in many guises, and is ultimately so difficult to contain.
1. If you are a fan of Mother! (2017) you might enjoy this film. If you thought Mother! Was outrageous, over the top, and excessively metaphorical I would definitely pass on this one. This film is not like Garland's previous films. For reference when I bought my ticket the theater employee said that they had been told to warn people that this film was over the top making me think many people were walking out asking for refunds.
2. If you decided to see this film do not go see it during prime time in a packed theater. See it during a weekday matinee. This film is bound to elicit obnoxious comments, laughs, and various verbal reactions from the audience that will make for a miserable theater experience.
So this "review" is more of a warning. Best of luck.
2. If you decided to see this film do not go see it during prime time in a packed theater. See it during a weekday matinee. This film is bound to elicit obnoxious comments, laughs, and various verbal reactions from the audience that will make for a miserable theater experience.
So this "review" is more of a warning. Best of luck.
I've seen some out there films in my time, believe me. But 'Men' is very close to taking the cake. I actually found myself in a mild sense of shock after the film. An usher asked me how it was and I didn't know what to say. I was genuinely lost for words. This movie is a ride.
I love a film that is willing to push boundaries. I love even more a film that simply has no boundaries. That's what this was. By the end there was nothing that could come on screen that would've surprised me. It may have shocked me, but it wouldn't have surprised me.
I get the general metaphor the film was going for. I tried not to overthink it because I don't think that's the wise thing to do. It makes sense though, at least on a base level. Not everyone may agree with it, but that's the beautiful thing about a perspective, you can't be wrong.
A small critique I had, and this will sound strange, but when the film is at its most shocking near the end, it is in a way at its least shocking too. Because before this the absurdity was at least kind of plausible (in a movie universe at least). However once the movie goes completely off the walls it's kind of easy to sit back and just say accept the ride, knowing that nothing is realistic any longer. Hopefully that made sense.
I really enjoyed this film, but not everyone will - I have never been more certain of that. There were a couple of women in the row in front of me who I expected to get up and leave at any moment. They stuck it out though and good for them. If you're up for it, I recommend this one. 8/10.
I love a film that is willing to push boundaries. I love even more a film that simply has no boundaries. That's what this was. By the end there was nothing that could come on screen that would've surprised me. It may have shocked me, but it wouldn't have surprised me.
I get the general metaphor the film was going for. I tried not to overthink it because I don't think that's the wise thing to do. It makes sense though, at least on a base level. Not everyone may agree with it, but that's the beautiful thing about a perspective, you can't be wrong.
A small critique I had, and this will sound strange, but when the film is at its most shocking near the end, it is in a way at its least shocking too. Because before this the absurdity was at least kind of plausible (in a movie universe at least). However once the movie goes completely off the walls it's kind of easy to sit back and just say accept the ride, knowing that nothing is realistic any longer. Hopefully that made sense.
I really enjoyed this film, but not everyone will - I have never been more certain of that. There were a couple of women in the row in front of me who I expected to get up and leave at any moment. They stuck it out though and good for them. If you're up for it, I recommend this one. 8/10.
In the same vein as the trippy 'Mother', it has elements of religious symbolism, portrayals of toxic masculinity and themes of nature, rebirth and body horror.
There's a lot of suspense built up at the start before it dives headlong into the crazy which somewhat ruins the movie.
Reminded me of a Ben Wheatley movie (not necessarily a good thing). And the CGI face of Rory Kinnear on the youth is laughable.
There's a lot of suspense built up at the start before it dives headlong into the crazy which somewhat ruins the movie.
Reminded me of a Ben Wheatley movie (not necessarily a good thing). And the CGI face of Rory Kinnear on the youth is laughable.
Maybe it's just me, but I really connected with this one. Don't get me wrong, I can totally see why it's gotten such a mixed reaction: it's definitely not for everyone. But I still think that, even if you end up hating it, you should give this one a shot.
First of all, the acting is brilliant from everyone involved. It's also Garland's best looking movie by a long shot - there are tons of really poetic, haunting shots, and the shallow depth of field is really suited to this kind of story.
What it comes down to is whether you're okay with a movie not being grounded. This is a very non-literal story, and no explanation is given for any of the events that take place.
I think there is some misinformation being perpetuated about the movie as well. I did not get the message of "Men are bad" from this movie. It's a lot more nuanced than that, at least for me.
If you're going to watch this, be prepared for some uncomfortable and disturbing imagery, and be ready to not fully understand every last thing that happens. If neither of these things bothers you, this might just be for you.
First of all, the acting is brilliant from everyone involved. It's also Garland's best looking movie by a long shot - there are tons of really poetic, haunting shots, and the shallow depth of field is really suited to this kind of story.
What it comes down to is whether you're okay with a movie not being grounded. This is a very non-literal story, and no explanation is given for any of the events that take place.
I think there is some misinformation being perpetuated about the movie as well. I did not get the message of "Men are bad" from this movie. It's a lot more nuanced than that, at least for me.
If you're going to watch this, be prepared for some uncomfortable and disturbing imagery, and be ready to not fully understand every last thing that happens. If neither of these things bothers you, this might just be for you.
क्या आपको पता है
- ट्रिवियाMen (2022) was filmed in the United Kingdom, specifically St Katharine Docks, London, and parts of Gloucestershire, including Withington, standing in for Cotson; and a tunnel in The Forest of Dean.
- गूफ़On around 28 minutes in, the phone Harper uses to take the picture and the phone she uses to see it in the bath are different.
- साउंडट्रैकLove Song
Written by Lesley Duncan
Performed by Lesley Duncan
Courtesy of 1971 Sony Music Entertainment UK Limited
Licensed by Sony Music Entertainment UK Limited
Published by Concord Music Publishing LLC
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Men?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Men: Terror en las sombras
- फ़िल्माने की जगहें
- Withington, Gloucestershire, इंग्लैंड, यूनाइटेड किंगडम(village of Cotson)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $75,87,853
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $32,93,030
- 22 मई 2022
- दुनिया भर में सकल
- $1,11,51,120
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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