Paachuvum Albhuthavilakkum

For starters, I do not understand why some of the reviewers give 1 star to this film, may be they very high expectation with the movie.

I saw the movie on Amazon Prime, and it just felt like a fresh air. Although, the story was simple, yet the director keeps you engaged with different turns of the movie.

Faahad and the actress, did justice with their characters. Others added humour with dialogues and lastly, the movie has a beautiful message of how if we want, only one person can uplift the society, how we can change families by literacy.

To be frank, I do not understand Malyalam but this is not my first malyalam movie and it was worth the time I spent, with it's emotions and story. Faahad, was wonderful, the movie deserves at least 8 stars.

Do watch it to feel better about life!

Yeah! A movie worth ENJOYING at the big screen for all kind of audience, after a long time in Mollywood. An awesome feel-good movie filled with humor.

Fahadh is brilliant with his script selection in recent years! Him being phenomenal as usual and supported by the fantastic performance of others(especially the child & grandma), the cast is just perfect. The performances of Vineeth and Anjana are also to be noted. Each one of them has put out their best for it. The craftsman Akhil Sathyan has done a brilliant job with the wonderful story(written by himself) and in engaging the audience with all the emotions a movie can convey. In fact, I loved it more than the spectacular "Njan Prakashan".

There are a few scenes that relates very much to our lives, that could really make us emotional. The dialogues are explicit and plays a key role in making the movie this much gripping. The film is a little bit lengthy, which is NOT AT ALL a negative factor, but blesses us with more moments to enjoy this beautiful piece of art.

This is a not-to-miss-in-theatre movie, amazing experience.

RATED 7/10 language: Malayalam Source: Amazon Prime

The simple scene sequences and simple characters are the best part of this movie... at the same time the characters changes their colour abruptly throughout the movie, this one issue reduces the authenticity of the movie...

There are lot of Fahad moments and his presence felt from the beginning to end. With great cast and acting, there is still something missing... There are too many characters and side stories, which makes the main story also like another side story...

The kid swamy and grandma are awesome...Fahad did multiple times similar roles... One time watchable...

Good one to watch with family this summer.

Personally, I am impressed by the story, direction, acting and certainly dialogues.

No extra ordinary scenes or superhuman acts, it is just plain plot well-grounded to be accepted by the audience irrespective of the age and class.

Although I could hear people laughing in the theatre at almost every bit of dialogue, I felt that's a bit far-fetched. The story does entertain you and there are humour-filled dialogues and scenes, but surely not as hilarious as one might think.

We all know how brilliant an actor Fahadh is. At the same time I am totally happy for the role essayed by Vineeth.

Fahadh Faasil (re)enters the universe built by the Anthikkads (Sathyan, Anoop, and now the debuting Akhil) and almost single-handedly makes us care for a plot that offers little to no surprises and moves along at a very predictable pace. Don't be turned off by the 2h 51m run-time. Akhil Sathyan mostly treads the footsteps of his father while penning the script for Pachu (shortened), where the routine life of the protagonist suddenly takes a detour owing to the interference of one (or more) female characters. While Sathyan Anthikkad rarely ventured outside Kerala (or Tamil Nadu) to tell his stories filled with "goodness", Akhil Sathyan uses 3 different locations to narrate his - Mumbai, Goa, and Kerala (in bits & pieces). Mumbai and Goa, especially, have been captured nicely.

The humour is mostly subtle and situational, which works in its favour. Some of the casting choices (aside from Fahadh) are superb. Anjana Jayaprakash plays Hamsadhwani, a character that seems inconsequential at first, but blends into the proceedings seamlessly. Scenes featuring Fahadh and her, while carried by Fahadh's improvisations, are wonderful to watch. Vineeth also gets a worthwhile role after a pretty long gap, reminding us that it's not just his voice that Malayalam cinema needs to use more of. Given it's the final film of the late great Innocent, seeing him too brings forth genuine smiles. The subplot that involves saving a poor child from the Goan slums had the potential to fizzle out the entire movie. But the writing never goes the melodramatic route and the performances remain grounded.