Little Dixie

One of the bigger discrepancies from avg rating to mine (4.9 vs 8). I wanted simple straightforward action, it said it was simple straightforward action, it gave me simple straightforward action. I am satisfied.

Not a crazy plot, but a badass you can cheer for. It lives up to the trailer. I am surprised the people who gave it such a low rating watched it, it's not like it pretended to be one thing and showed you another.

Sometimes I like simple bad ass getting the bad guys. It didn't have a lot of lulls. It's right in line with what you think a Frank Grillo movie would be, a bad ass kicking ass.

Enjoy, have fun.

Little Dixie (2023) is disappointing on several levels.

As an action movie fan, I'm generally willing to watch any film starring Frank Grillo, Michael Jai White, or Scott Adkins - three actors who are capable martial artists and credible actors, but who have generally been limited to low-budget films and minor roles in major productions. My favorite Grillo film is Boss Level.

Little Dixie is my least favorite Grillo film. It's a low-budget production. There are no car chases, pyrotechnics, elaborate CGI, or large crowd scenes, but production values are adequate to its modest ambitions. There are a few gaping holes in the plot, which can be ignored if one is willing to sit back and enjoy the ride. However, the script is weak. Much of the plot is predictable. Some characters are duplicitous, but largely one-dimensional with no appreciable character arcs. Dialogue is a bit on the nose and heavy on exposition.

Grillo's Doc is not a sympathetic character. He's some sort of facilitator who works with a Mexican drug cartel and corrupt U. S. politicians, but we don't see this work. He transforms effortlessly into a ruthless, coldly efficient, unstoppable killing machine, but we never see what Blake Snyder calls a save-the-cat scene, other than a symbolic action on a pier near the end of the film. In Assassins, Stallone's Rath grants a victim's request. The assassin in Babylon allows one of his assigned targets to flee the country. In Inglourious Basterds, Waltz's Landa allows Shosanna to escape. Doc doesn't have a moment of kindness. To the contrary, he seems unaffected by the extensive collateral damage he causes.

There is no love story, only Doc's affection for his daughter Nell, but there seems to be little genuine chemistry between the actors. Nell isn't an interesting character and her only potentially interesting action is off-screen.

Chekhov wrote, "If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off." Doc purchases several firearms which he never seems to use, although he does use the item that is given special significance.

A huge distraction in many recent films has been the filmmakers' insistence on wearing their wokeness on their sleeves, usually to the detriment of the film. This is particularly incongruous in actions films which are typically far removed from woke ideology, and often feature concealed automatic weapons, enhanced interrogation techniques, extrajudicial executions, illegal wiretaps, facial recognition, muscle cars, private jets, and other politically-incorrect environmentally-hostile elements.

Little Dixie inserts several woke elements which seem so awkward and incongruous that one wonders if the filmmakers weren't deliberately or subconsciously railing against woke mandates.

Genre fans would expect Doc's ex-wife to be a matureBond girl, or perhaps a duplicitous femme fatale, like the dental hygienist in Boss Level. That the filmmakers would try to fill their diversity quota by casting a black actress is not surprising, but instead of a Thandiwe Newton or Zoe Saldana, they cast a shrewish soccer mom who doesn't look the least bit like the daughter and has no positive energy with Doc.

Rather than the typical strip-club scene, we have a scene at a gay bar featuring a singing competition among cross-dressing contestants, which devolves into a truly cringeworthy bedroom scene that ends predictably badly.

A minor character is a lesbian, while two others seem to be homosexual males for no particular reason, other than diversity. As the villains are Mexican drug dealers, there are numerous Latinos. But Asians seem conspicuously absent.

There are only a couple of brief martial arts scenes. Doc is supposedly some sort of manipulator who masterminded a huge smuggling operation. But we don't see him planning, negotiating, using the skills he supposedly has. Instead, he is a very blunt instrument. Against the backdrop of a modest production, the woke virtue signaling is especially distracting.

I reckon Eric Dane might wish he had stayed on his last ship after his stint as Governor of Oklahoma here ends rather more abruptly than he might have expected at the hustings. He cannot resist a good old gloat when his administration sends the brother of a Mexican drug lord to the chair. The uneasy truce that has existed thus far is now ended, and his assistant "Billie" (Annabeth Gish) and her fixer - and his wartime CO - "Doc" (Frank Grillo) have tightropes to walk whilst "Miguel" (Maurice Compte) decides how best to exact revenge. That involves his sexually ambiguous and brutal brother "Cuco" (Beau Knapp) who decides, quite cleverly, that he will kidnap the daughter of "Doc" and force him to do their dirty work for them... What now ensues is just poor, sorry. It's like a video-shoot 'em up game with bodies falling all over the place and little if any jeopardy until the last few minutes when, even then, the ending has precious little by way of surprise. The plot itself is pretty preposterous and the acting does little to inject any real sense of menace to this procedural, repetitive and over-long training video for would-be ten year old assassins. I wouldn't bother if I were you.

Why do we keep getting Frank Grillo movies? Who asked for this mediocre actor, who can barely move, to be an "action" star. This is just like every other movie with Frankie. Dull, phoned-in, little substance, no acting ability, and I presume, way over budget for what you get.

But, this movie is nothing new. There is nothing novel introduced here. It is the same as every other single action movie within the last 40 years; flashy. And that's all. There is no substance.

And, good lord, we have to sit through another bumbling attempt at reading lines by Frank Grillo. Stop already with Frank Grillo. He isn't an actor in any sense of the word except that people keep putting him in roles. He must be doing it for free.

There was an attempt by the rest of the cast though, so I won't rate it too low. They probably didn't know Frank was in it until it was already too late to back out. That is the only reason I see people working with him. See how they snuck him into the Avengers movie? I did too. That's why I think he's somebody's nephew.

I'm not sure what some of the reviewers here are smoking, but this film is a typical example of why you can't always trust people to pass fair comment. Yes, there are some films that understandably create a palpable divide in opinion, but I don't think this is one of them.

Its a pretty solid thriller, action movie that I really enjoyed. True, the plot is not particularly original... more of a variation on a well worn theme, but the execution and production are pretty solid, and the performances are well delivered and worth some merit. Ok it's not going to be winning any Oscars, but as an entertainment action piece it holds its ground as well as any worth of the 7/10 I've awarded it.

Grillo is pretty gritty here, reminiscent of Mel Gibson's performance in "Parker" and does a great job with the material. Once again he's shown capability outside his more familiar casting type. Direction, pacing, screenplay... all round respectable and well... as I've said Solid. Not much to dissect here to be honest, so no point in giving a long winding review and labour the points I've already made.

Anyway, glad I watched it, and if this review helps you give it a fair shake and a watch, so be it. I just don't get reviewers with an axe to grind that help no one.