About Elly

Long breath taking shots. Perfect crew. Fantastic location. Sharpe and best cinematography & screenplay.

I pause when Taraneh Alidoosti flying kite. Unknowingly, I got some thrilling feeling. the screenplay, background music, camera and she brought me to like it was real and I was in front of sea to watching it. I took long breath to realise it was movie.

I feel that I was connected to film that is The director's touch and won the audience.

It is My second Iranian film and it changed everything about Iran. I missed lot. I plan to watch more film from various director.

Really It is great one, everyone must watch.

Based on my opinion, this movie was even better that A Saparation, an award winning Farhadi's film.

Farhadi proves adept at controlling the tone of his film. By slowly setting up the situation and the complex nexus of relationships between the characters, he lulls the audience into thinking the film will continue in a comic mode until Elly's disappearance. From then on, the film takes a serious tone. Lies come back to haunt the characters, and the consequences of these are unforgiving. Some of these lies were told due to particular proprieties necessary within Iranian society. The brilliance of Farhadi's script and direction becomes most apparent in the latter stages of the film. As one secret after another is revealed, Farhadi deftly maps out the shifts in the perceptions and behaviour of the characters toward each other as well as the viewer's perception of the characters. Farhadi's cast is uniformly excellent, especially Farahani, who compellingly registers Sepideh's shock at how her seemingly innocent matchmaking has taken such a tragic turn, as well as the way her character, like others in the film, is revealed to not be what it initially appears.

You can't breathe, you can not even shout, you can not cry, you'll be just stay fascinated till the end and the final music is just as fantastic as the whole movie itself; The roles are played by some of the best actors and actresses of Iran, who actually LIVE the roles and you just get engaged with everything that's going on there as if you are one of them; I loved it so much; Thanks to Asghar Farhadi for always making us such good movies; I do recommend everyone to see this if the haven't yet; I'm gonna see it again for sure....... I really love the scene where the sound of Eli gets mixed with the cruel sound of Sea which really makes you nervous; gives some notices about the upcoming events;

that wasn't what i expected because i thought it would be a normal film but since I've seen it, i cannot stop thinking about it...i had never seen any movie like that before.it shocked me during it and after it.i cannot put it in the words as i can't speak English well...anyway,great movie and actually great Iranian movie so far...best natural plays,best good directed film,you cannot imagine what I'm trying to say if you haven't seen it yet...i have seen all of his films and i enjoyed them a lot and all i know about him that he is a real talented and genius Iranian who0 knows what he wants and what he is about to create...i watched this movie just once but I'm gonna buy its DVD and then watch it over and over to find more the other things that i couldn't find that time.it is so hard to excite the people's emotions but he proved that if you tell the truth,it seems really easy.that was my country's reality and i cannot deny it.that's what we are gonna do and say and think if we be on that situation...thanks Mr.director,I'm proud of you so much

"About Elly" seems like a rough sketch for "A Separation" (2011), one of the best films of the current century IMHO. In both cases, Farhadi's focused on social lies and deceptions and the ways they come back to bite us--as well as on the contrasts and contradictions between the lives and aspirations of contemporary Iranians and the restrictive social norms of Islam--but "Elly"'s not as tightly plotted or as involving. In many ways it's like typical film-festival fare from a non-Western country; it's a little hard to keep track of the characters at first, and it's not always clear why they're behaving the way they do.... The setup's intriguing: old college friends from Tehran--three married couples and their kids and a recent divorcé--and a slightly mysterious plus one, Elly, share a clapped-out weekend cottage on the Caspian Sea. At first everyone's acting goofy, singing and busting little Zorbalike dance moves.

Then something happens--two things really--and everything changes. The sky darkens, the sea gets rough, and husbands and wives are (almost literally in one case) at each other's throats. Suddenly these 21st-century sophisticates are chattering about evil portents and lost honor and fear of shaming; several layers of deception have to be unwrapped before the film's ambiguous ending. Expert cast (including the husband from "A Separation" and Nefertari from "Exodus: Gods and Kings"[!)]; the performances seem a little over the top at times, but that may just be a cultural thing; great cinematography. Certainly worth watching, prob'ly more so if you've already seen "A Separation."