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Yak! This is the awful product of a talentless guy who is very successful here in the Netherlands..successful as in:'making millions of money with utterly talentless and silly crappy productions that are so well received by the Dutch , very receivable to manipulation, Dutch audiences.... Time after time i am wondering how is it possible that actors who are considered serious here in the lowlands lend themselves to appear in the crappy nonsense that is being made here and presented as blockbusters. This film holds nothing!!! no good acting ,not a bearable script , no moving story , no (real) drama...and before everything else no originality...but that's something that állas , hardly any Dutch mainstream movie can be accused of. (why in Godsname draw Gijs Scholten van Achgat and Pierre Bokma out of the cupboard to appear as doctors, and Why in Gods name do they accept this meager contributions to this nausea-creating work of utterly non interesting bad in every-way 'film '? shame on them !

This 'film'was horror ! made by an utterly talentless 'film'maker.

ps.why waste a crappy load of money in some vague scenes at the most cliché-Holiday paradise on earth, Borra Borra? shame on you Reinout Oerlemans , for y'r terrible useless waste of money !!!

please keep yourself far away the world of movies as a director anyway!!! (just stick to y'r money business....please...)

am i glad i did'nt buy a theatre ticket for this...

Not worth watching. The typical (commercial) dutch cinema will guarantee a story that will give you the 'deja vu' experience of a lifetime, because of the selling-point of these movies they need to make a success movie... To bad that they just keep looking in what was a success in the Hollywood box office...

And they never seem to actually do it...

The story is of-course a rip-off of many many Hollywood movies. To bad that there is not enough money left in the dutch cinema to make something less cheesy. Let alone forbid the fact that they will not cop to the pressure of "this needs to be a success"

So bad man... good wife... lots a bullshit around it to fill the rest o the movie. True love... uhh yeah something like that...

Anyways a lot of resemblance for woman that have a bad choice in men in real life so they can become just as mad as when they are watching a bad soap opera...

Which is exactly what this movie is. A ninety minute soap opera. Better go and watch something fun and romantic from the Hollywood section.

This movie is a lot more realistic that most. movies are supposed to entertain maybe, but i like to think that every director also wants to communicate, inspire, tease and challenge. This movie sure challenged me to think about life, about love, about choices. how do we react on challenges? do we run? do we hide? do we pretend or do we face.

In this fantastically acted drama we see the story of two people, maybe a little bit more attractive and successful than average lives, but the rest of the story is so realistic, serious, harsh (no fairy tale) and down to earth that you realize: This is so real that I might face this somewhere in my life, and by realizing that, this movie just added a little bit to my view of life.

That is why this movie is a 10 out of 10. it's not a no brain romcom or action story that you watch for entertainment. It's a piece of art that shows you exactly what love comes down to in the hardest struggles of our lives. Beautiful, impacting, excellent.

European film companies willingly tackle subjects that no "self- respecting" U.S. film company would touch, probably for fear of alienating their market. Stricken is such a film. This Dutch offering could have only been produced in The Netherlands or Belgium and stars the inimitable Carice van Houten opposite the very capable Barry Atsma.

Convincing dialog, superlative acting, cinematography and directing, with a story line that will provoke thought and move you, this is not light fare, but a drama that offers real substance, raises valid questions and presents people as real people. The characters aren't perfect, aren't cookie cutter "heroes" or "villains," but possess flaws as well as virtues. The story line is multi-level and presents a facet of life in the Low Countries that has yet to be dealt with in our U.S. culture.

Food for the brain, possibly food for the soul (depending upon one's view of the issues), Stricken should be considered must viewing for anyone who looks to movies for more than light entertainment.

You may not agree with the moral decisions in the movie--by any of the characters--but the decision of Carmen (van Houten) is one that many will find understandable. It is her decision and the lifestyle choices of her and Stijn (Atsma) which, along with the events leading to her decision which create the drama, the tension and social/moral dilemmas.

I consider this to be one of the premier movies to come from Europe in the last decade. Few will consider it a peaceful film, almost no one could call it a "feel good" or happy movie, but it offers a view that some might find ultimately comforting.

It's a film made in 2009, but what it tried to address as a sub plot was miles better than what Love Cuts did through an entire film, with a better cast, direction, and of course, budget. Stricken is a Dutch film directed by Reinout Oerlmans, based on a novel by Raymond van de Kulndert, that deals with romance, sickness and mortality all rolled into one, firm in its focus on the principle characters whom you'd probably see shades of someone in your circle, and is about life's journey that everyone will have to go through.

When we're young, the world is our oyster and the sky's the limit. There's this feeling of invincibility that nothing can touch us, and that we're infallible. That is until Fate almost always know how to throw a curve ball at us, so that we and others around us will get to learn some lessons, eat humble pie, and start to seriously look at what we're doing with our lives. Stijn (Barry Atsma) is a high flying advertising executive who meets an equally career minded superwoman in Carmen (Carice van Houten) with whom he falls instantly in love with. They soon get married after a whirlwind romance, and life's looking pretty good with their venturing out on their own, and becoming their own boss. Until Carmen gets a lump in her breast that's deemed malignant.

For the first third of the film, told in chapters, it recounts what countless of breast cancer patients had already gone through, and as such turns in to be quite instructive, with a peek into how the Dutch medical system handles the chemotherapy, radiation treatment and the option of amputation. The shock in its discovery, denial, acceptance, and to live life with a condition, is what van Houten, a wonderful actress, aces in her role of Carmen, now a wife and mother to a toddler, trying to live a life of normalcy while battling the dreaded disease. Support comes from her husband in accompanying her to the doctor's, chauffeuring her around and such. But there's a problem that she's well aware of - his infidelity, and in what would be mentioned in fairly crude terms, he's a boob man, and so lies the insecurities and fear of not being a complete woman to prevent her husband from straying.

What she doesn't know is of the extent of his infidelity, which is only privy to Stijn's best friends who cover his tracks for him, and us the audience. Again it makes you wonder what marriage vows are for and if they're worth any weight in gold, and what truly hammers it home is that while one can provide physical support by being around when needed, or even to the point of scooting off whenever opportunity presents itself, what would really matter in any closed one's time of need, is emotional availability. And this is sometihng that can be sensed whether you are conscious of it or otherwise. Sensed by the person suffering, and adding a bit of unnecessary stress and worry. Anyone who had provided care and been a primary care giver before, will know the hardships associated with being there for someone, and sometimes battling the need for a little time off.

Which in Stijn's case, that time off from the wife meant having to go get laid, beginning a more serious affair with painter Roos (Anna Drijver) whom he meets at the club in an annual festival, finally mustering the courage not to accept a friendly smile, but demanding something more. It's easy to condemn Stijn as a character since we can all cast rocks at his adulterous behaviour, but I guess for cinematic reasons Drijver could be here just for eye candy reasons. What I felt was this being a personification of anything that's to distract us from doing what's necessary, since anything out of routine, together with gratification obtained, would surely beat the dreadedness in caring for the sick.

Stricken catches itself and gets its act together for the emotional, final half hour, after plenty of dalliances between the different love affairs, and for Stijn to finally wake up through a round-about fashion. While van Houten may be the bigger name on the marquee thanks to films like Black Book and Valkyrie that were released here, Barry Atsma held his own opposite van Houten, and we feel the pain felt by both characters as they maneuver around the disease which start to wreck havoc in their lives. And this is truly an experience nobody would like to go through, with questions, insecurities and escapism rolled out against a spectrum of emotions accurately captured and portrayed by the actors, with an ending that will surprise, though not uncommon depending on the laws of the land.

Rated R21 here for the countless of nudity scenes from van Houten, Drijver and countless of other faceless females that Stijn can't seem to get enough of, and one bloody harrowing scene where a female clubber dances, strips, and then proceeds to rip her breast off in one sweeping motion. Bound to give anyone some nightmares for its degree of gore.