Joyride

I watched this on my flight home from England, and I cried so many times just from being so emotionally invested. It was charming, raw, and endearing. It was a real testimony to how humans of any age need someone they can lean on and trust. That someone just supporting you can get you through. I found this to be a beautiful, heartfelt film. Olivia was AMAZING as always, and I wept watching her struggle to let her guard down and to let herself welcome love. I don't understand the low reviews, unless you just do not understand what the story was trying to portray. There was a wholesome juxtaposition of a young boy forced to care for himself and be tough, while deep down missing his loving mother..and a woman forced into motherhood, unsure that she has what it takes to give her baby the love and care she needs. I found it beautiful in how simple it was.

An enjoyable romp through the ever picturesque Irish countryside. Olivia Colman is as engagingly watch-worthy as ever playing Joy, the mother of a one-week-old baby. Having never wanted children of her own, Joy intends to give the baby away to her sister in an informal adoption arrangement. We meet Joy asleep in a taxi en route to deliver the baby to her sister.

Charlie Reid is the breakout talent as Mully, a young teen bereaved by the recent death of his mother, and whose father is a petty thief and general low-level scumbag. Reid is an absolute scene stealer throughout this film - and a taxi stealer when we first encounter him. He commandeers the vehicle not realising it has two sleeping passengers in the back seat in the form of Joy and her baby.

Some hilarity ensues. And a bit of weirdness. With a little darkness and a touch of tragedy thrown in. All against a beautifully shot County Kerry backdrop.

Although this film was released on Netflix in summer 2024, watching it evoked a bit of a Netflix-Christmas-movie vibe for me. It was a little cheesy, totally unbelievable and surprisingly emotional in places but, overall, a very pleasant hour-and-half's escape from real life.

Colman does a 'grand job so' delivering her performance in a very decent Irish accent. And seeing comedian Tommy Tiernan pop up in an unexpected cameo to randomly play the Home and Away theme tune on a penny whistle was an absolute bonus.

I'm surprised by the harshness of some of the other reviews. Although there are some fairly big-hitting themes touched on throughout the story, the film doesn't get into them in any depth. Likewise, there are potential sub-plots and character back stories that are hinted at, but not really explored in detail. Perhaps that has left some viewers feeling frustrated or a bit short-changed.

Overall, a very easy and enjoyable watch if you're looking for a bit of light, diversionary entertainment.

Emer Reynolds has produced a very successful director.

Olivia Coleman and Charlie Reid make a great duo team. Although it was Reid's first major project, he performed successfully in front of a great actress like Coleman. Ray Harman's compositions and Aibhe Keogan's scripts are very good. I love candid films that tell little stories like this. Everyone watches blockbuster movies now... Cinema has lost sincere films...

If there is a blu-ray edition, I will definitely buy it.

I hope movies like this continue to be made and the cinema doesn't give in to movies that make millions of dollars but don't have a soul.

It's not the best movie I ever watched but I found it enjoyable and worthwhile ... And believable. Ms. Coleman is 49 and in the movie made reference to her age and she was surprised it happened. 60? That's pretty reaching dear other commenter.

Motherhood is scary and confusing and you want to run sometimes... Also with her childhood trauma. The young boy had some experience, so he helped her. Not ordinary, but I can see it. Ms. Coleman is a long time and seasoned, awarded actress. I think it's marvelous to see such as her in smaller, more everyday normal kind of movies. Hurray, it was enjoyable. "Believable" would be different for every one of us. Maybe less judgmental is a great idea. Good, good job.

Joyride

Overall this was a mixed bag of a movie. On the one hand it attempted to be profound with comments on parenting, childhood baggage, what it means to be a mother and sometimes blood is not thick than water, and then attempted humour in a farcical vane.

The script struggled and showed little emotional intelligence, connecting with another human being does not a parent make. You could see the actors struggling with the often stilted script, which fell apart in the denouement.

To believe the contrived happy ending was absurd and I certainly wasn't convinced. The acting was at best pedestrian and at it worst performative.

This is barely watchable so I'm giving it a 4 outta 10, with Olivia not all that glitters comes in the shape of an Oscar statuette.