Mega Shark vs. Giant Octopus

I'm sure that most of the people who have seen this film were suckered in by the trailer, which became an Internet viral-video smash earlier this year. How could you not want to see it after watching the clip of a gargantuan shark jumping out of the ocean and attacking an airliner? Giant Monster Movies have always brought out my inner 8 year old, and "Mega Shark Vs. Giant Octopus" was no exception. Is it a good movie? Of course not. But is it a fun movie? Oh, hell yes. For Z-grade direct to video aficionados like myself, this flick is manna from Heaven. I've read much about the notorious production house "The Asylum" (and its celebrated "mockbuster" ripoffs of more famous movies) over the past few months but this is the first film of theirs I've seen. I hate to admit it, but after seeing "Mega Shark" I am now curious enough to investigate some of their other works like "Transmorphers" or "The Terminators". (I must be in dire need of medication.) As you'd expect from a movie made on a six-pack budget, "Mega Shark" is not exactly a feast for the eyes. The special effects are minimal (done mostly in cheap C.G.I.), and the title monsters tend to look like bathtub toys swimming around in dirty dishwater. The human cast isn't much more interesting, although former '80s teen queen Deborah (a.k.a. Debbie) Gibson seems to be having fun with her role as a crusading oceanographer who is pressed into government service (by perennial Direct To Video mainstay Lorenzo Lamas) to help rid the oceans of the two monstrous creatures. Teamed up with her former professor (played by an Irishman doing what appears to be a low-rent Sean Connery imitation) and a Japanese colleague (played by an Asian guy doing an equally low rent George Takei imitation), the three spout a near endless stream of unintentionally hilarious dialog (at least I hope it's unintentional) to pad out run time between the too-short scenes of monstrous mayhem. Mega Shark devours a hunk of the Golden Gate Bridge in addition to his airliner snack, whilst Giant Octopus destroys an offshore oil rig, then the pair team up to destroy a few battleships and submarines full of overacting extras before they turn on each other in what is supposed to be a Battle Royale but in reality takes up approximately two minutes of film. A romantic sub-plot between Debbie and Japanese Scientist Guy is jammed in out of nowhere, apparently so that Debbie has someone to snuggle up with on the beach at the end of the film. Needless to say, I laughed my way through the entire movie. Now that I think about it, The Asylum probably should've teamed with Toho Productions to make this film -- I can only imagine what the "Godzilla" special effects team could've done with this concept. Basically, if you're a lover of bad monster cinema, you need to see "Mega Shark Vs. Giant Octopus" at least once. Otherwise, you're better off sticking with watching the trailer over and over on YouTube. All the best parts of the movie are in it anyway.

I normally only watch the bigger budget movies with a few art house type sprinkled in, but I had heard about this title somewhere, so when I saw it at the video store I thought, what the heck? how bad could it be? The answer: Amazingly bad. Phenomenally bad. Utterly horrific. Not the worst movie ever, but close. When your movie wishes it was as good as Battlefield Earth, you know you have a problem. It wasn't even the good kind of bad, where you can laugh at the unintentional humor.

The good: Still trying to come up with something The bad: I know this is a low budget D-list movie, but come on - the effects and CGI were stunningly bad. They looked like they were done on my laptop over a weekend. They might have been acceptable in the early 90s.

To make it even worse, many of the CGI scenes were constantly repeated. Whenever the shark or octopus attacked, you usually saw it preparing or approaching for the attack several times using the exact same footage. Sometimes they even bothered to mirror image the scene to make it look different.

So many of the details were amazingly unrealistic. The dialogue was bad, the way people behaved and delivered lines, physics (as in what animals of that size could actually do), torpedoes were like firecrackers, etc.

Quality control was obviously lacking. When the shark approaches a battleship from the side, the ship is shown firing forward. Once, during a video call, for about a second a film crew member wearing a headset pops into existence beside the person on the call, and then disappears. The caller and those working in the background are obviously oblivious to this phantom man.

There was this laughably bad science scene where the main characters keep dumping vials of various colored liquids into test tubes of other colored stuff and then they all looked disappointed. This happened over and over for like 5 minutes. All without any dialogue or any clue as to what they were actually doing. We only knew they were looking for a "solution" to the problem of giant sea monsters. I guess dumping red goo into a vat of blue gunk and having it not turn a different color is not a solution to giant sea monsters. Gosh, I am glad they tried that, it might have worked! There was an embarrassingly bad romance side plot thrown in, and the build up to the final showdown was dull, and then that showdown was short and filled with repeats of the same footage over and over.

I almost never feel strongly enough about a movie to write a review, but for this one I had to. If I prevent even one person from seeing this movie, then I have done my job.

Yes, it's Mega Shark vs. Giant Octopus I believe that true talent shines with this cast and leads of course with everybody's favourite motorcycle rebel - Lorenzo Lamas. Casting his sheer energy to sparkle across a screen, his charm and elegance emblazoned on celluloid forever.

With a script, story and production so tight, so in-depth and intricate, how can you not be involved in the battle between Mega Shark and Giant Octopus? I feel that this story is about how we - the people are being sucked and mauled by our government and we have no idea how to handle the problems that keep us down.

The government tries to come up with solutions, but they don't have a clue and we are helpless to fight until all we can do is watch in terror as we prepare to die.

The government is trying to keep u s down and this is a fantastic story that really defines how true that really is.

By destroying our Eco system and bringing up problems which we can never deal with, we are put into the hands of those who are supposed to have the answers, but don't.

When the best they can do is all the same things as before and they fail, we are left to the forces of nature to choke us and kill us in all their glory - maybe by some slim chance we will survive.

This is really the story behind this story.

And you thought Godzilla vs. the Smog Monster was the greatest monster battle ever recorded on film.

This is ineptitude at its comedic utmost, with a Plan 9 from Outer Space result: you either laugh at its level of inane silliness, hate it for the same reason, or just fall asleep while watching.

The plot: what plot? This script is pretty much a stew of ideas from other goofy monster monstrosities with pre-historic creatures occasionally showing up, brain-dead military that ineffectively shoot everything they have, useless scientists who apparently got their degrees from an on-line certification service, panicky mobs with screaming extras, hokey effects, intentionally moronic dialog, and pathetically atrocious acting. The cast knows it's campy to the extreme, and play along.

60 million years from now, when another species does archaeological digging, they may find a DVD of this. What will move them emotionally the greatest? The sensitive portrayal of "scientist" Debbie Gibson and the Japanese scientist guy making out in a broom closet? The said same scientists experimenting with different flavors of Gatorade (what were they trying to accomplish in that scene, anyway)? Perhaps the five minute struggle between the enormous sea creatures (only seen in periodic choppy three-second out-takes), or that dumb ponytail that Lorenzo Lamas still has?

Also, which of these inspired performances will be awarded the Oscar? The high-flying mega-shark that can swim at 500 knots, or leap 5 miles into the air and snag a plane moving at about 600 miles an hour? Or the big octopus, that swims around aimlessly with such precision? Debbie Gibson's line chewing while constantly pointing her nose directly into the camera? The mono-tonal Japanese scientist guy? Or Lamas, who utters delightfully uproarious quips in your ears every 15 seconds? Words in the English dictionary simply cannot adequately describe the sensitive portrayals in this film.

I hope future generations will experience this landmark cinema and utilize it as an insight of the sophistication of our present-day culture. I'd also like to see the looks on their faces.

This is definitely the film to see drunk with a few mates. Yeah it's pretty lame but what the heck... it's also a lot of fun. Suspend all belief and go with the schlock. The effects are pretty woeful but that's what makes it fun. Unfortunately the editing of all the major action is done so quickly that you don't get a chance to revel in it's outrageousness. Just when the creatures do something really cool like bite the Golden Gate bridge the scene cuts to something else. I want more from my "millions of years trapped in ice giant monsters of the deep." You also get the feeling that all involved know exactly what a pile of B grade celluloid they're turning out. Two thing I've learnt however is next time i fly I'll be looking out for massive leaping sharks and never call an octopus a squid. Surprisingly Debbie Gibson is really good... not as an octopus but as an actor. I'm now a fan. I can't wait for the sequel. It rises...