One Fine Morning

My Impressions:

Léa Seydoux's outstandingly natural acting and Melvil Poupaud's intimate chemistry with her character made "One Fine Morning" feel meaningful, relatable, and special.

This French movie captured a lot of life's simple moments. I suggest watching it with subtitles, if you don't speak the language.

Smart pacing made the story run smoothly from one scene to the next. Together, each sequence built upon the themes that came before it and stirred deep emotions, like a favourite piece of music is known to do.

Sandra was a widow and took care of her daughter as well as her mentally challenged father, who had a neurodegenerative disease called Benson Syndrome. She was drawn to a single dad named Clément, whom she used to know back in the day.

Tender love, earnest longing, and the need to balance those with their own personal lives - and the people already in them - defined Clément and Sandra's character arcs in this quintessentially French film.

A classic continental style graced the romance and desire angles in "One Fine Morning". These were elegantly counterbalanced by themes relating to family, hope, confusion, frustration, and loss.

The movie was not slow, rather carefully paced. In fact, "Un Beau Matin" ("One Fine Morning") was a great example of what real filmmaking is all about. It dignified its characters by properly portraying their humanity and telling their stories in no uncertain terms.

Hair-makeup and costume design were great. Art direction and set decoration were good. Editing and sound effects were notable. Music and Cinematography was engaging. Screenplay and Direction were amazing.

This female director, guilty of this terrific little drama, has alreaady commited other ones of this kind. So realistic stories, so close to real life, always pulled by awesome, convincing performances. Lea Seydoux, Pascal Gregory, Melvil Poupaud, Nicole Garcia...A dream team in a cast to tell a so gripping, but also painful story about love, the end of life. It is impossible to stay cold blooded, iced, watching such a story. Impossible not to love such a film. I highly prefer seeing this than a most of crime flicks; and I am a great crime movies lover. But French dramas of this kind, I will never get tired of them. Never.

There are challenges that your life has had presented, large hurdles that have left you less contented, after becoming a young widow, there's just you and a young kiddo, and now your fathers progressively, getting more demented. But those close all lend a hand and give support, as your father's moved around from port to port, an old friend becomes much more, becoming someone you adore, though he's married, and you're not sure if he'll abort.

The perpetually magnifique Léa Seydoux plays Sandra, as she juggles a child, an aging father and a new lover, in a tale that might hit home if you have connections in part or in whole with her plight, but ultimately is a pretty ordinary affair or variation on often encountered themes.

Beautifully written and directed french drama about the possibility or impossibility of love in different relations, for a lover, a child, a father.

I loved the bitter sweet story, explored here with tenderness, lightness, humour and melancholy, reminding me of the best achievements of french cinema by Sautet or Lelouch in the 60s and 70s. Chemistry between Seydoux, who I never found acting more subtle and intense, and Poupaud with great sensitivity, works ideally. Pascal Greggory, one of the greatest french actors of his generation, gives a very touching performance as a father desperately fighting for his dignity against a mind threatening lethal disease, I also loved the natural performance of the little girl playing Seydoux' daughter.

There's hope in the end and we all know again what it's worth living for! Strongly recommended.

This is the best movie I have seen in the cinema so far this year, followed by 'Lunana: A Yak in the Classroom' and 'Piccolo Corpo'.

The story looks simple, but because of the wonderful acting performances of all, especially of Lea Seydoux (much better in this genre of films than in all her Hollywood period), 'Un beau matin' is - in my opinion - already a timeless classic drama.

It's the kind of film that only European countries can make, and it's even more a typical French film. 'Un beau matin' is a very honest and beautiful movie, not bound by time or space. It's a timeless story.

The movie is especially good because the storyline is disarmedly strong and honest, with restrained emotions.

The film is made even more beautiful and stronger by the many silent moments between the dialogues. There is also not too much talking, which I always like a lot.

The expression on Lea Seydoux's face, who plays Sandra (a widow and mother of one daughter), says a lot more than some emotional tantrum.

And then there is the wonderful music of Schubert and the recurring beautiful music of Jan Johansson. Many thanks to director Mia Hansen-Løve for letting me get to know this Swedish pianist, what a discovery!

In the small hall of the small cinema everyone sat full of admiration and listened to the music till the last letters of the final credits were gone.