Loving Leah

"Feel-good" movies are much like the classic pop love songs of the 30's & 40's: they're aspirational---that is, such depth/perfection of love is probably not achievable, but we'd like to believe it is. Hence, why complain about realism and accuracy, as though Hollywood routinely trades in those commodities and "Loving Leah" is an exception. We want to believe it's possible and there is no harm in doing so.

That being said, this is about as well-acted a TV movie as you're likely to see: Harris Yulin as the Rabbi, Susie Essman & Mercedes Ruehl as the stereotypical yet lovable Jewish mamas, Natasha Lyonne as Leah's older sister (her wide-eyed look from the cab at the film's end is classic), Christy Pusz as Jake's girlfriend (the look on her face when she first meets Leah at the party perfectly communicates that she suddenly understands why Jake refused to let her go...), Tonye Patano cute-as-the-dickens in her small role as Emily, and, of course, Adam Kaufman terrific as Jake.

However, Lauren Ambrose IS this movie, appropriate since she plays the title character. Possessed of what my late mother called "natural beauty" (i.e. a haunting combination of outer & inner beauty), those incredible eyes communicate at least as much as her spoken lines. She is that captivating (to men) combination of fire & ice: (Jake: "You're not what I expected...'Ya got sh-punk, Kid'...Bogart"), formidable yet breakable, assertive yet unsure, a budding feminist yet desiring the love of a man. Her facial expressions when Jake first introduces her as "my wife, Leah", when she gives him that "come hither" look as they're silently standing in the doorway, at the very end when he places the ring back on her finger---all are testimonials to her superb acting ability. She is the quintessential Jewish (or Gentile, for that matter) "girl next door".

And, as an aside, the two kissing scenes between Leah & Jake are among the most tender I've ever seen---passionate yet non-sexual (yes, I realize that their first sexual encounter followed the first scene). It's so refreshing to see kissing express love rather that merely lust, where the characters start ripping one another's clothes off. None of that here---what happened in the bedroom is left to one's imagination, just as it used to be when Hollywood had a measure of restraint.

And Jeff Beal's musical score (complete with klezmer clarinet at times) adds a great deal to many scenes, even though for my tastes it is just a tad too much reminiscent of Schindler's List...

In short, feel-good movies are feel-good movies, but some are memorable and should stay around while others should not only be quickly forgotten but never should have been made in the first place. This one belongs firmly if the former category...

Jake is a Washington, D.C., physician who has been accepted into a fellowship program. He is engaged to Carol, who he met at the hospital when they were having lunch at the same time. Carol is pretty and seems to work at the hospital, but I'm not sure what she does.

Jake, who grew up Jewish but is no longer observant, dreams that he sees his brother Benjamin, a rabbi who he has not kept in touch with, telling him everything is now all right between them. They used to be close, as shown in flashbacks. Jake then finds out Benjamin is deceased.

Jake goes to Brooklyn to attend the funeral. He finds out that he obligated by scripture (Deuteronomy 25:5) to marry Benjamin's widow Leah. Neither Jake nor Leah wants to do this, but a halizah ceremony is required to release Jake from his obligation. The words Jake is forced to say would require him to denounce his brother, which he can't do. So he goes through with a sham marriage and moves Leah into his very masculine Georgetown apartment, giving her the other bedroom. The two rarely see each other.

Still, you can imagine how this makes Carol feel. Meanwhile, there is an additional complication: the mothers of Jake and Leah don't know the marriage is fake. So they have to go through the motions to keep up the charade.

Leah wanted to leave Brooklyn anyway; she wants to go to college and investigates the possibility. Very devout and conservative, she also seeks out a place of worship. The one she finds is very different from the one in Brooklyn; instead of lots of men with black hats and beards, this temple has a female rabbi.

The "marriage" appears unlikely to succeed. But wait: why does this movie have the title that it does? Maybe there is hope after all.

The leading actors in this movie all do a good job. Lauren Ambrose is pleasant enough, and she is attractive but very plain, though she has beautiful hair (it's actually a wig). I especially liked Ricki Lake as the female rabbi who helps Leah find answers in a new community of faith. Susie Essman plays Leah's mother as abrasive (but in New York City, that's actually love) and intolerant (would an on screen Jewish mother be anything else?). Mercedes Ruehl does an especially fine job as Jake's mother.

It is rare to see this much detail about the Jewish faith. Most movies and TV series show Jewish people as non-observant or, where they are faithful, we often don't see the details of what is required of them. The Brooklyn Jews in this movie are the most conservative Jews I have ever seen portrayed. And yet the female rabbi teaches Leah a lot about how all the requirements may not be necessary. Leah and Jake have a lot to teach each other as well.

It was worthy of the name "Hallmark Hall of Fame".

My wife and I are Orthodox Jews addicted to the Perry Mason of our childhood. We couldn't resist watching Hallmark's presentation of levirate marriage, or yibum, but never expected we could stomach more than 20 minutes of it.

The writers and directors certainly get credit for coming up with an original plot device to create romantic tension and resolution. This is Hallmark, after all, and we didn't expect all the dramatic unities to be observed, but we were pleased at the overall high quality of the research, writing and acting. There are Orthodox men who make a living outside the rabbinate, and non-Orthodox Jewish men who aren't cardiac surgeons, but avoiding these clichés might been too distracting.

The mystical / romantic motivation was never made quite reasonable, but much worse was the simple fact that marriages religious and secular require sexual consummation in order to be valid. The whole point of yibum is that the wife should get pregnant with her brother-in-law's child and therefore continue her dead husband's family and name. Such a beginning would have ruined the plot and perhaps run afoul of Hallmark's standards and practices.

One may quibble about this or that presentation of Jewish religious practice, but on the whole this movie did a good and conscientious job with remarkable few cringe-inducing mistakes. In the end it worked as a romantic comedy/drama which held our attention to the end.

So "Loving Leah" is a little schmaltzy, even for a love story. I loved it anyway. It's a real pleasure to watch a movie that is respectful of Jewish customs and presents a non sensationalized, exploitative, or prejudiced view of Jewish religious practice. Usually the only portraits of Jewish life I see on TV are tragic stories set during the Holocaust or comedies. I appreciated that Leah's mother was strict and scared her daughter enough for her to put up a show of the pretend marriage, but ultimately she cared for Leah, wanted her to be happy, and encouraged her to go back and make up with Jacob, even if he wasn't Orthodox, and even if he and Leah would attend a Reform Temple with a woman rabbi. I appreciated that none of the characters were stereotypes or played for laughs. Well done Hallmark!

First, I would like to thank Hallmark for putting on this movie because in doing so they took a chance that people could actually relate..and not be afraid to throw in a story with a religious element..the old adage is never talk about politics or religion. While it is true that we delve into some fundamental issues of the Jewish faith, this is first and foremost a story of friendship offered and love found. One review called this a romantic comedy..others found faults here and there but there will always be those that look for some shortcomings. I see this as a tender story of two people discovering that they have much to offer each other after Jake's brother dies leaving a widow. She has her ways steeped in tradition and Jake has his ways..not being home much and a girlfriend and working long hours at the hospital..did I mention that his girlfriend initially encouraged Jake (Adam Kaufman) to befriend the young widow (Lauren Ambrose)?After all, she's family. The first days and weeks thrown together as "roommates" are played in such a realistic and touching way, you are drawn into "their" story..and it is theirs and the memory of his dead brother..and mothers wanting what's right for their kids..this is a sweet, innocent and tender. Telling of simple love..there's no comedy here..but the facial expressions and the eyes say this is really some fine acting..I waited for this to come on and was not disappointed. And neither will you.It's that good.