The Critic

It's 1934, you're in London. You go see a play in a theatre. You see an old man writing vigorously in a notebook. This man is a critic, somebody with the power to raise an actress's career to stardom or send it crashing down around them. This is the premise of the newly released British period drama called THE CRITIC. Jimmy Erskine (Ian McKellan) is a gay theatre critic for the Daily Chronicle, which is undergoing drastic changes since its leader passed away, giving the reigns to the son, David Brooke (Mark Strong). Worried about the old guard being fired, Jimmy does everything he can to keep his job. Actress Nina Land (Gemma Arterton) gets caught up in his schemes, forming a strange relationship. Escalation ensues! In an interview, McKellan has described his character perfectly using only one word, curdled. Jimmy has become rotten to the core, brutally mean in his critiques, manipulative and selfish to the people around him. McKellan does such a great job in the role he made me hate Ian! This movie has some pacing issues for me. It's a very slow burn, and then it rushes too fast near the end. They also don't do a good enough job in establishing the relationships between certain characters. Sometimes I didn't know who was who to who. I heard from somewhere that they had done some rewrites and reshoots, which might explain some things, I just didn't get enough payoff from the slow burn. I still highly recommend this movie simply for seeing Ian McKellan in a very interesting role and having a very fun time doing it.

London, 1934 - Arch vicious theatre critic Jimmy Erskine (Ian McKellen) is a homosexual and is forever close to being arrested either with his current live in lover and secretary, Turner or when picking men up in the park. Eventually caught, he is fired from his job by his boss Viscount Brooke (Mark Strong) and so looks for revenge by getting up and coming actress Nina (Gemma Arterton) to seduce the married and famous Brooke in exchange for good reviews, so that Erskine can blackmail him into getting his job back. Complications ensue.

Very dark and occasionally wry look at the role of this powerful critic and his desperation to cling on to power and notoriety whatever it takes, which McKellen, sneering playfully throughout, obviously thoroughly enjoys playing. Overall, it is a little too relentlessly dark and the notion of Erskine convincing Nina to seduce Brooke doesn't wholly stacks up. That said it's well put together, has a nice score and McKellen is inevitably rather good.

Ah, a movie about a theater critic from film producers, not hard to guess where that will lead us. The script for the most part is well conceived and it will hold your attention throughout. Sadly some of the plot devices are 1.) unnecessary and 2.) just plain old cheesy. And that is most unfortunate. The main character is venal, craven, self interested and most certainly immoral (and I am not referring to any sexual orientation) which would easily describe one half of the people in the entertainment business. Ian McKellen was just devastating in his 'deliverance' of the role of the critic and the supporting cast did him justice . My criticism is the unnecessary elements in the plot and how they don't really fit , IE you could have just as easily told the story without them. I recommend the movie without reservation ,(it isn't action or fantasy) McKellen's performance alone along with the witty dialogue from his character make the movie highly entertaining and I promise you will not be bored or impatient watching this movie.

Unlikely the movie's titular character, Jimmy Erskine, played deliciously by Ian McKellen, I am not a professional critic/judge/reviewer.

I am, however, someone who enjoys a good story. Alas, "The Critic" baffles me. On the one hand, it had the potential of good mystery, but it didn't choose to go that way. It also had the potential to be a good revenge caper. Sadly, it also didn't go that way.

Instead, we get in a quick run-time of 1 hour 40 minutes in which we don't really get good characterization, a good plot, or even a good crime story. Instead, we get a hurried and inadequate portrayal of a desperate man.

And why is he desperate? That's not really the right question. If you do decide to watch this movie, you'll know what I mean.

The director, fully aware of how bad the movie is, had 350 people from the Philippines give it a 10/10 rating (check the voting statistics if you like).

The Critic keeps a respectful distance from its material, favoring neat dramatic ironies over shocking twists or raw, anguished revelations. Perhaps the harshest criticism one could level against it-something Jimmy, the self-proclaimed judge of creative genius, might find particularly insulting-is that the film is far too polite and cautious for a portrayal of such a ruthless character.

Movie is thankfully short, yet it still feels drawn out. Its appeal will likely be limited to older audiences drawn by McKellen's name and the subject matter, offering them mildly engaging streaming content.