Hinterland

Hinterland is a typical European-made drama. I didn't see much Aavstrian film at all, but Hinterland left a positive emotion. An interesting era of the "lost generation," about which so few films are made and so many beautiful literary works. The film has an interesting artistic style of espressionism, which conveys the entire curvature of the state of society and the main character of those years. In Hinterland, human psychology and human relationships are brought to the first place, there is no Hollywood gloss. The film will appeal to all lovers of detective stories and European cinema.

What I really liked about the film was the background story (espeacially the time frame) and the choice of the cast.

The plot itself sometimes feels draggy and some parts are completely unnessecary, whereas other fragments are not logical or didn't got enough of attention/development

The art style (or should I say the CGI) in the background sometimes is very distracting or doesn't mix well with the real life elements of the scene.

The last thing I want to mention is, that many aspects of the film feel very forced. Either the director/screenwriter didn't believe in his own creation/the cast or the producers were interfering in his work. What do I mean by that?

Giving or showing the audience extra scenes for things should've already figure out themselves (if they were paying attention) and the name dropping typical austrian/vienesse culutural speacialties, like locations, food or local terms.

All in all, it was an average film experience. Not very entertaining but far from bad.

I have seen this movie in a Sneak Preview.

What I really liked was the mask and the sound. Well done! Also Murathan Muslu was convincing in his role.

Although there are a couple of reason why I'm giving it only 6 stars.

The very special Art Style with a lot of tilted shots and all the inclined houses was just too much and sometimes distracting. Some people may like that, but I don't.

Another reason is story related. I won't spoil anything, but there are at least 3 annoyingly unrealistic scenes (in terms of reactions in specific situations).

First off the visuals are remarkable. Yellowish colour tone used for daytime scenes adds a comic book like character and has a gloomy nature at the same time. This goldy skies and the gloomy buzzing streets of the post-war Vienna is shown as a beast waiting to swallow the defeated soul of Perg. More than just a murder mystery Hinterland succeed in becoming a commentary on the society that any soldier is forced to encounter and the unjust treatments in society. Chilling and graphic imagery adding some edge to the movie. Great performances by the cast with a lot of solid personalities. A movie with a freshness to it that's easily make it worth watching.

A POW and his comrades return home to defeated and depraved Vienna immediately at the end of World War I. Everything has changed, and for the worse, in his eyes.

Since Expressionism was still big by 1918, the movie's skylines and buildings are deliberately distorted to reflect the feelings of the protagonist. It's ugly and a bit distracting, but for me, it worked. It was one of the more original and interesting things about the movie.

The main plot line revolves around the hunt for a sadistic serial killer, but this was neither particularly interesting nor credible. It was no worse than in many movies, but no better.

The main actor is big and very charismatic, dominating every scene. I hope we see more of him.

Questions remain. If they were POWs on the Russian front, wouldn't they have been home sooner, after the Bolsheviks made a separate peace with Germany? And why is a movie set entirely in Vienna called 'Hinterland'?