Girl Picture

It doesn't do anything radically different; it's pretty much your standard coming of age movie... but by the end, I'd bought into, believed and come to love these characters - just as much as they loved each other, when all was said and done... Girl power.

There's nothing wrong with clichéd teen movies; I often enjoy such films. However, the screenplay is quite poor. Somehow, the plot feels rushed yet dull. The character development is very shallow.

Just with a quick shallow hasty conversation, you managed to win the heart of someone who didn't like you at the first meeting, leading to an intimate relationship with them. After that, you both became a couple in deep love and inseparable from each other. Like????? What just happened?

I had to rewatch some parts because I thought I missed some important scenes. But no, I didn't miss any important parts but this is what the story looks like. It's very fast-paced without strong character development.

Screenplay 4/10 Scoring 6/10 Acting 7/10.

A rather frank Finish feature of girls deciphering hormonal urges as they mature into adulthood. The matter of fact sex talk is blunt, refreshing, insightful and often funny, as director Alli Haapasalo avoids the sensationalistic and exploitative Hollywood pratfalls of bedroom romps. These are kids, experimenting, exploring, learning, fumbling, growing and most importantly, discussing. A talkie, not a humpy.

Mimmi and Ronkko swap sex tales whilst serving up ridiculously named smoothies ("It Takes Two To Mango") at the local food court, when clique preppie figure skater Emma disrupts their world. The punky, cynical and rebellious Mimmi (Aamu Milonoff) argues with, then falls for the forbidden fruit, and we have story. A story that feels natural, flows true, views like a diary.

Milonoff is sensational in the lead, owning the screen at every emotional turn: burning embarrassment at her mother's neglect, seducing her target on the dance floor, and lashing out physical for attention. Though this is a three girl story across three Friday nights, and Haapasalo splits the plot pie in equal portions, Milonoff as Mimmi steals the show. "Girl Picture" is her movie.

Watch out!

• hipCRANK.

Movies about teenagers are difficult, since adults make them and commercial distributors are part of the financial decisions. So, they can tend to be exploitative or even just adults imposing their own perceptions of what it means to grow up. Not this film. It's really brilliant and reminds me of John Hughes' groundbreaking THE BREAKFAST CLUB. Each of these three girls are flawed in her own way, but all remain relatable throughout the movie. The dialogue is often startling in its candor and performances are passionate, poignant--especially when the girls are confused or mistaken, which I think is the point of the movie.

This film depicts three affluent European high school girls in the middle of some coming of age issues - I would not go so far as to call it problems.

The structure and the feel is a derivative of the Norwegian Internet series SKAM, which was made on a string budget with authentic real aged teenagers.

In SKAM, characters were balanced, multi layered and above all believable, while the characters here are quite shallow and, for that matter, portrayed by over age women. This gives it a somewhat awkward feeling at times, especially when it comes to portraying first sexual encounters. It is worth noting that Aamu Milonoff is 23, Eleonoora Kauhanen is 24 and Linnea Leino is 30 when the "girls" keep on experiencing these first (random) sexual encounters and discuss them on their job in a fruit juice stand, usually right after high school classes.

There is an abundant supply of cliches, like singing to random music playing on the car stereo while driving to parties or bouncing around each other in luxury apartments like happy young kittens.

All characters, even more so the male characters, feel constructed with a need to cover cliches. For the sake of comedy this is okay and at times it is entertaining. Anything beyond that feels contrived. The teenage love stories do not have the kind of pull that some teenagers actually feel when they are in it, thinking they experience the end of the world.

There is a lot of sexuality in this film that obviously comes from teenagers watching too much pornography. While it is true that European teenagers are highly exposed to pornography, portraying this issue with over aged actresses playing teenagers recreates a feeling of sexual exploitation that was declared as the arch enemy in feminist film making. In this aspect the film has failed. It could have been a chance to authentically rewrite the way teenage girls are portrayed in modern cinema.