Strella

Movies like this always confirm that the long hunt for good foreign cinema is always worth it in the end. It always helps to enter the world of film with an open-mind in order to truly appreciate what you're being shown.

Don't limit yourself to a certain type of movie trope or genre, experience the more abstract and see the beauty (if you can) in the flexibility of cinema.

I think it is a great movie and a very important piece in Greek cinematography and not only Greek, in the global context as well. The way the movie ends is also very important towards creating a better climate and alternative solutions for trans gender people. It breaks the usual pattern of ends that are common to the movies related with LGBTQI people, and I think it's very healthy. A lot of familiar faces, the stars of Koukles, Yannis Kokiasmenos' and Mina Orfanou's acting was a blast! Good luck to the director, the crew and actors, hope to see more great movies made by them. Big thanks! And p.s. to the puritan who says he is not one:)there is something more important than the so called hubris, and that is what they wanted to portray, I guess.

I'm not conservative, I'm not a puritan, I'm tolerant and liberal, but I do have some limits and this film surpassed them.

I want to emphasize I do not mean the transsexual theme, which is absolutely fine, after all I did enjoy The Crying Game. I mean the twist in the plot, which I do not want to reveal for those who haven't seen the movie but it did make a very bad impression to me. This was WAY too much and spoiled my movie experience. This was bordering sickness. I can't believe such a sick twist was airbrushed in all the reviews I happened to read about this movie. And for what is worth, I also enjoyed Oldboy.

Anyway, art is art, but be prepared. For me only redeeming aspects if you manage to take the scenario out of the picture is Mina Orfanou's performance and the competent direction.

despite the fact that the film caused a huge commotion in it's native country shocking the puritans, right wing bigots into a fury, Strella is not at all a shocking film.

It's not a "film by an oppressed director trying to glorify his sexuality" but rather, a bold statement about love, family and about "normal" not existing anymore (if it ever was).

The only shocking thing about it is how low key it is, creating a loving picture out of characters and a social milieu that has often been the subject of cinematic exploitation, or ridicule.

Coutras makes magic out of the simplest materials and his two main actors perform with astounding truth a story that can only be shocking or insulting to narrow minded, hateful people.

Nevertheless, the film does get a strong social, sexual, political point through, but it's not one of anger, or hate, but one of love and acceptance. and that unfortunately, is still too much for some to take...

This is the story of Giorgos, an ex-convict who has spent more than fifteen years in prison, sentenced for a crime of honor, and Strella, a transsexual call girl. The opening scene, as Giorgos kisses good-bye his cellmate, is when the viewer is prepared for macho-looking Giorgos' sexual orientations or –if you want- his upcoming "tolerance" to the fact that Strella is not a common girl. Giorgos wouldn't possibly react the way Fergus reacted in Neil Jordan's "Crying Game". As Giorgos is set free to "live his myth" in the dirty city, walking among the human and the urban garbage, one can smell the urine in the narrow mean streets, downtown Athens. Soon, as Giorgos attempts to find more about the whereabouts of his long lost son, one suspects that the film is intended to be a modern version of a Greek tragedy, except it will not be, because Strella knows better! Fortunately, "deus ex machina" will not be required. Humans ought to deal with their issues by themselves, this time. The supporting characters are never becoming grotesque despite the fact that they are queer and that Death is flirting with them throughout the film. Even Strella's impersonation of Maria Callas in its falseness has a bizarre dignity and proves to be a successful tightrope walking mainly –in my opinion- because it has nothing in common and at any time with any of the Almodόvar's transvestite characters. All in all, "Strella" is a worth seeing film and one of those every so often moments the Greek cinematography surprises pleasantly.