IMDb रेटिंग
4.3/10
6.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA young woman unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.A young woman unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.A young woman unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.
- पुरस्कार
- 2 कुल नामांकन
Michael J Rogers
- Michael
- (as Michael J. Rogers)
Christopher Wardrop
- Detective
- (as Chris Froese)
Andrea Agur
- Cashier
- (बिना क्रेडिट के)
Nelson Conway
- Venatores soldier
- (बिना क्रेडिट के)
Emma Jonnz
- Dominique
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Oh dear me , was interested in this film because I'm a big fan of blomkamps other work but this is so dull and boring , the effects are pretty poor as well , ok gutted someone who brought us district 9 and elisium has fallen so far from grace , his oats studio work was better than this , a film from the short rakka could of been great , this film is not scary nor sci fi it's just stupid
and boring .
Beneath the glossy surface of unique visual ambition and a slew of intriguing, potential-filled ideas and concepts, this is unfortunately just 100 minutes of more of the same nonsensical writing, weak characters, and unbearably stupid dialogue and clichés that have plagued the horror genre for decades.
How is this the same filmmaker behind District 9?
How is this the same filmmaker behind District 9?
I like Neil's films and unique takes on existing genres. However this movie was much more bland then the trailers make you believe. Literally every cool idea and scene was shown in the trailer. Wanna see how black-op military priests sent by the vatican combat demons...... yeah that never happens. Could have been cool, but nah, no budget for that! Of the 3 V. R. scenes there was only one interesting moment when they kinda reveal the demon. This movie had lots of promise but went nowhere with it, was not scary enough to be called horror, and inspite of its one or two unique ideas, it did not push them far enough.
Carly (Carly Pope) is estranged from her mother Angela who was convicted of burning down her care home workplace and killing some 21 people some twenty years ago. She further poisoned another five. Carly is haunted by nightmares of Angela. She has also been estranged from longtime friend Martin after those events and then he contacts her with news about her mother.
When this popped up, I didn't realize that it's a new Neill Blomkamp film. I figured it to be another low budget inconsequential B-horror movie. The initial assumption is not far from the reality. The premise is similar to Jennifer Lopez in The Cell except its visuals are nowhere near as imaginative nor compelling. This story needs something much more basic than that. It needs a ticking clock and stakes and motivation for Carly. If an evil corporation is going to all that trouble, it should do something much more coercive to bring her into the experiment. It has non of that. She just agrees to join this weird experience for no apparent reason. At least give her a beat and a nightmare in between the asking and the doing. She could do the procedure to confront her nightmarish visions and her mother. There is a clear deterioration in Blomkamp's writing and his visual style has stalled at best. There are basic concepts of motivation and characterization that are missing.
When this popped up, I didn't realize that it's a new Neill Blomkamp film. I figured it to be another low budget inconsequential B-horror movie. The initial assumption is not far from the reality. The premise is similar to Jennifer Lopez in The Cell except its visuals are nowhere near as imaginative nor compelling. This story needs something much more basic than that. It needs a ticking clock and stakes and motivation for Carly. If an evil corporation is going to all that trouble, it should do something much more coercive to bring her into the experiment. It has non of that. She just agrees to join this weird experience for no apparent reason. At least give her a beat and a nightmare in between the asking and the doing. She could do the procedure to confront her nightmarish visions and her mother. There is a clear deterioration in Blomkamp's writing and his visual style has stalled at best. There are basic concepts of motivation and characterization that are missing.
A decade ago I loved South African director Neill Blomkamp for his wonderful sci-fi movie DISTRICT 9, and I thought ELYSIUM was pretty good too (although CHAPPIE not so much). The last I heard of him was of his thwarted idea for an ALIENS sequel with not only Ripley but Hicks and Newt returning alive and well too; I thought that sounded like a great idea, but alas, it wasn't meant to be. So out of nowhere comes DEMONIC (2021), Blomkamp's newest movie as director, but watching this very ordinary possession movie you wouldn't notice his presence.
The first thing apparent is that this was shot on a very low budget during the pandemic, so expect closed sets and a small cast. The second thing is that it simply isn't very good. Possession flicks are ten-a-penny these days and all kind of roll into one, and this one goes through the same motions with contorting bodies and histrionics. I found it very tiresome, and to try to make it different they add in a load of CGI effect "dreamscape" stuff, but that bored me too. Let's hope Blomkamp bounces back from this misfire and gets some of the old magic back.
The first thing apparent is that this was shot on a very low budget during the pandemic, so expect closed sets and a small cast. The second thing is that it simply isn't very good. Possession flicks are ten-a-penny these days and all kind of roll into one, and this one goes through the same motions with contorting bodies and histrionics. I found it very tiresome, and to try to make it different they add in a load of CGI effect "dreamscape" stuff, but that bored me too. Let's hope Blomkamp bounces back from this misfire and gets some of the old magic back.
क्या आपको पता है
- ट्रिवियाFilmed secretly in Canada over the course of the Covid-19 pandemic.
- गूफ़When Carly is shown back home after the first interlink with her Mother she is in the kitchen with her back to the kitchen bench. You then hear the kettle whistling to tell you it's at its boil. Only when Carly turns round you see that the kettle is electric. To have a whistling kettle it would have to be on a gas stove. Edit: There are electric kettles that do whistle. You've just never seen one until now. Furthermore; It does not matter if a kettle is on a gas or electric stove. The water boiling is what produces the whistle. Not what causes the water to boil.
- कनेक्शनFeatured in Half in the Bag: Demonic (2021)
- साउंडट्रैकPiano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight' I. Adagio sostenuto
Composed by Ludwig van Beethoven
Published by Flipper srl APM (ASCAP)
Appears courtesy of APM Production Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Demonic?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $71,334
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $40,683
- 22 अग॰ 2021
- दुनिया भर में सकल
- $3,66,656
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- पक्ष अनुपात
- 2.00 : 1
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