Demonic

Nah...couldn't have been...this was low budge messiness...rushed ideas, no vision and some silly dialogue....or better yet what I like to call "nothing talk"...it's almost as if he was contracted to make a movie to pay back the studio ??

WTF did I just watch? This isnt the Neil I remember. It felt like watching a low quality horror sci fi flick. Every Neil short movie and movie shows all the violence and chaos but this just skips over everything. The acting was good but this just isnt it. Very disappointing.

Oh dear me , was interested in this film because I'm a big fan of blomkamps other work but this is so dull and boring , the effects are pretty poor as well , ok gutted someone who brought us district 9 and elisium has fallen so far from grace , his oats studio work was better than this , a film from the short rakka could of been great , this film is not scary nor sci fi it's just stupid and boring .

A decade ago I loved South African director Neill Blomkamp for his wonderful sci-fi movie DISTRICT 9, and I thought ELYSIUM was pretty good too (although CHAPPIE not so much). The last I heard of him was of his thwarted idea for an ALIENS sequel with not only Ripley but Hicks and Newt returning alive and well too; I thought that sounded like a great idea, but alas, it wasn't meant to be. So out of nowhere comes DEMONIC (2021), Blomkamp's newest movie as director, but watching this very ordinary possession movie you wouldn't notice his presence.

The first thing apparent is that this was shot on a very low budget during the pandemic, so expect closed sets and a small cast. The second thing is that it simply isn't very good. Possession flicks are ten-a-penny these days and all kind of roll into one, and this one goes through the same motions with contorting bodies and histrionics. I found it very tiresome, and to try to make it different they add in a load of CGI effect "dreamscape" stuff, but that bored me too. Let's hope Blomkamp bounces back from this misfire and gets some of the old magic back.

Beneath the glossy surface of unique visual ambition and a slew of intriguing, potential-filled ideas and concepts, this is unfortunately just 100 minutes of more of the same nonsensical writing, weak characters, and unbearably stupid dialogue and clichés that have plagued the horror genre for decades.

How is this the same filmmaker behind District 9?