IMDb रेटिंग
8.3/10
19 हज़ार
आपकी रेटिंग
आपराधिक व्यवस्था के बारे में अपनी धारणाओं के बारे में एक पुलिस वाले और एक अपराधी का आमना-सामना होता है.आपराधिक व्यवस्था के बारे में अपनी धारणाओं के बारे में एक पुलिस वाले और एक अपराधी का आमना-सामना होता है.आपराधिक व्यवस्था के बारे में अपनी धारणाओं के बारे में एक पुलिस वाले और एक अपराधी का आमना-सामना होता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 6 कुल नामांकन
फ़ीचर्ड समीक्षाएं
Watched JGM on Netflix in orig. Malayalam w/Eng. Subs. Several audio portions are in multiple languages like Tamil / English / Kannada.
10 Stars for the important, disturbing mainstream current issues that are "loudly" propounded by Prithviraj as Adv. Aravind in the courtroom scenes ... with the 7-8 star rider that the courtroom scenes are far removed from actual courtroom reality! This is not important if you watch the film as fiction as indeed the Disclaimer proclaims. Nowadays one is used to expecting heavy doses of realism in Malayalam films so in that sense the courtroom scenes are a deviation.
JGM is a crime thriller that starts with a murder of a lady professor. The narration has multiple layers veering towards the convoluted and nothing is prima facie what it appears to be.
I was a tad confused with so many languages in the orig. Audio. In my understanding the film is set in Bangalore where Tamil and Malayalam are also commonly spoken.
As its a thriller, it would not be right in this review to spoil the suspense for other viewers. Suffice it to say that the film is very watchable and rivetting especially once the courtroom dramatics begin.
10 Stars for the important, disturbing mainstream current issues that are "loudly" propounded by Prithviraj as Adv. Aravind in the courtroom scenes ... with the 7-8 star rider that the courtroom scenes are far removed from actual courtroom reality! This is not important if you watch the film as fiction as indeed the Disclaimer proclaims. Nowadays one is used to expecting heavy doses of realism in Malayalam films so in that sense the courtroom scenes are a deviation.
JGM is a crime thriller that starts with a murder of a lady professor. The narration has multiple layers veering towards the convoluted and nothing is prima facie what it appears to be.
I was a tad confused with so many languages in the orig. Audio. In my understanding the film is set in Bangalore where Tamil and Malayalam are also commonly spoken.
As its a thriller, it would not be right in this review to spoil the suspense for other viewers. Suffice it to say that the film is very watchable and rivetting especially once the courtroom dramatics begin.
Powerful script make movies powerful , this one is finest example in that list.
Sharpest dialogues , remarkable direction and collective performances , each and every actors and actress show their worth Vincy Aloshious , shari , mamtamohandas and many new comers all did a fantastic job ,excellent direction by Dijo Jose Antony
Suraj Venjaramoodu is brilliant ,outstanding performance and Prithviraj Sukumaran is awesome , tremendous performance !
Technical side is top notch ,back ground score is effective and songs are good !
Editing is outstanding !
And many may say first half is slow and compare to second and all ,i would say , see the whole picture and review as whole movie , for me first half of this one is the base or root of what comes later !
Over all JanaGanaMana is emotional ,social- political and Dialogue driven thought provoking movie to enjoy it in theater !
And super excited for the 2'nd part !!!!!!!!!!!!!!!!!!!!!!!!!!!!
And my rating is 9.4 i will watch it again.
Sharpest dialogues , remarkable direction and collective performances , each and every actors and actress show their worth Vincy Aloshious , shari , mamtamohandas and many new comers all did a fantastic job ,excellent direction by Dijo Jose Antony
Suraj Venjaramoodu is brilliant ,outstanding performance and Prithviraj Sukumaran is awesome , tremendous performance !
Technical side is top notch ,back ground score is effective and songs are good !
Editing is outstanding !
And many may say first half is slow and compare to second and all ,i would say , see the whole picture and review as whole movie , for me first half of this one is the base or root of what comes later !
Over all JanaGanaMana is emotional ,social- political and Dialogue driven thought provoking movie to enjoy it in theater !
And super excited for the 2'nd part !!!!!!!!!!!!!!!!!!!!!!!!!!!!
And my rating is 9.4 i will watch it again.
JanaGanaMana ~ Dijo & Sharis created a good theme which is enacted well by Prithiviraj
. His Powerhouse perfomance is the backbone of the film. Suraj & Mamtha supported well with their roles. BGM by JakesBejoy is apt for a commercial
thriller. Awaiting for the sequel
Good 1st half with a relevant theme. Solid Interval block!, Looking forward for a great 2nd Half 😃🔥 Jakes Bejoy, Take a bow 🙏Too much Dramatic portion! Last 30 min falls flat!
JanaGanaMana marks another fantastic achievement in the filmography of Prithviraj and Suraj. Many clap-worthy moments, unpredictable plot twists, piercing questions about the raging issues in the country raised, and the promise of an exciting sequel.
Gives the feel of scattered first half but the wait is worth...Prithvi enters at the crucial juncture. Suraj's character!!
An astutely crafted gripping political-crime thriller drama 3.5/5.
Good 1st half with a relevant theme. Solid Interval block!, Looking forward for a great 2nd Half 😃🔥 Jakes Bejoy, Take a bow 🙏Too much Dramatic portion! Last 30 min falls flat!
JanaGanaMana marks another fantastic achievement in the filmography of Prithviraj and Suraj. Many clap-worthy moments, unpredictable plot twists, piercing questions about the raging issues in the country raised, and the promise of an exciting sequel.
Gives the feel of scattered first half but the wait is worth...Prithvi enters at the crucial juncture. Suraj's character!!
An astutely crafted gripping political-crime thriller drama 3.5/5.
The story is all about depiction of what is happening in today's India. Screenplay was very good. Then and there lag is there but overall the movie is good. Actors acted so well. Movie exactly shows how police, press and the judiciary system in India brainwash lower class people. Young people must watch the movie.
Young gun Dijo Jose Antony is only one film old in the Malayalam film industry but managed to give new meaning to the campus movie genre with his debut effort "Queen (2018)", which, despite featuring a fresh cast of newcomers, managed to smartly blend college life with a strong social message and the thrills of a legal procedural. In "Jana Gana Mana" the director has established stars to work with and leverages them to the best possible extent, delivering a strong, message-oriented thriller that balances massy moments with unexpected twists to keep the audience hooked for its entirety.
"Jana Gana Mana" arrived in theatres having already veered delectably off the beaten path, having released its teaser and trailer with scenes not from the movie but from its upcoming sequel, in what is surely a first of its kind promotional stunt in world cinema. The trailer especially featured a 4-minute awe-inspiring one-shot action sequence that had captured the imagination of Malayali audiences and it was with this burden of expectations that the movie premiered across screens worldwide today.
We follow the story of ACP Sajjan, played by the ever-dependable National Award winner Suraj Venjaramoodu, who is assigned the sensational case of the brutal murder of a college professor who was adored by her students and was known for her staunch political stands. As the student protests build due to political interference and constant hurdles being placed in the investigation, the case moves to a tense courtroom drama, where the pace becomes breakneck, and the stakes become monumental.
Despite a sluggish first half laced with some cringe-worthy moments of excess melodrama and misplaced songs, the introduction of Prithviraj's character and the inflexion points in the plot at the onset of the second half more than makes up for it. Vincy Aloshious is especially on-point in her supporting role as a student leader while Pasupathy Raj, Mamtha Mohandas, GM Sundar and Shari also deliver convincing performances. Jakes Bejoy's background score is a rousing companion to the narration throughout the length of the film, providing emotion and stimulation in equal measure, making the punch dialogues whistle worthy and generating goosebumps in the mass elevation scenes.
Prithviraj and Suraj Venjaramoodu deliver another brilliant lead-duo combination hit after the blockbuster "Driving License (2019)", albeit with few scenes together. With a lingering promise of more back-and-forth between these two captivating actors in the sequel, I can't wait to see how their sparkling chemistry is carried forward. Without giving too much away about Prithviraj's character, he is enigmatic and powerful in equal measure and delivers strong messages about many of the societal evils we are facing in the world around us.
The plot of the movie would have seemed ludicrous about 5 years ago but having seen and heard about incidents like the 2020 Jawaharlal Nehru University Attacks and false-flag operations and co-ordinated cyber-attacks deliberately set up by governments to sway voters as elections approach, truth is stranger than fiction in the world we live in today where right-wing fundamentalists have overrun our polity and have made extraconstitutional and extrajudicial decisions their second nature. While the messaging tends to get a bit loud and the storyline is sometimes spoonfed to the audience without much subtlety, one can forgive the makers as such is the importance of the messages they are trying to put out with this earnest project.
The director and writer Sharis Mohammed deserve all the praise in the world for performing a magician's sleight of hand in the final act of the film, ending this tantalizing first instalment on a knife-edge, with the unsaid promise of making the franchise a genre-bending, era-defining duology, With the trailer and the teaser apparently giving us only a glimpse of what Dijo, Prithviraj and this kickass team have planned for us in the second instalment, the anticipation is clearly through the roof as to what they will come up with, without the shoot restrictions enforced by Covid that they had to circumvent for the first part. "Jana Gana Mana" is a mandatory theatre watch that should open the doors to braver, more political thrillers in the future for Malayalam cinema! Recommended!
"Jana Gana Mana" arrived in theatres having already veered delectably off the beaten path, having released its teaser and trailer with scenes not from the movie but from its upcoming sequel, in what is surely a first of its kind promotional stunt in world cinema. The trailer especially featured a 4-minute awe-inspiring one-shot action sequence that had captured the imagination of Malayali audiences and it was with this burden of expectations that the movie premiered across screens worldwide today.
We follow the story of ACP Sajjan, played by the ever-dependable National Award winner Suraj Venjaramoodu, who is assigned the sensational case of the brutal murder of a college professor who was adored by her students and was known for her staunch political stands. As the student protests build due to political interference and constant hurdles being placed in the investigation, the case moves to a tense courtroom drama, where the pace becomes breakneck, and the stakes become monumental.
Despite a sluggish first half laced with some cringe-worthy moments of excess melodrama and misplaced songs, the introduction of Prithviraj's character and the inflexion points in the plot at the onset of the second half more than makes up for it. Vincy Aloshious is especially on-point in her supporting role as a student leader while Pasupathy Raj, Mamtha Mohandas, GM Sundar and Shari also deliver convincing performances. Jakes Bejoy's background score is a rousing companion to the narration throughout the length of the film, providing emotion and stimulation in equal measure, making the punch dialogues whistle worthy and generating goosebumps in the mass elevation scenes.
Prithviraj and Suraj Venjaramoodu deliver another brilliant lead-duo combination hit after the blockbuster "Driving License (2019)", albeit with few scenes together. With a lingering promise of more back-and-forth between these two captivating actors in the sequel, I can't wait to see how their sparkling chemistry is carried forward. Without giving too much away about Prithviraj's character, he is enigmatic and powerful in equal measure and delivers strong messages about many of the societal evils we are facing in the world around us.
The plot of the movie would have seemed ludicrous about 5 years ago but having seen and heard about incidents like the 2020 Jawaharlal Nehru University Attacks and false-flag operations and co-ordinated cyber-attacks deliberately set up by governments to sway voters as elections approach, truth is stranger than fiction in the world we live in today where right-wing fundamentalists have overrun our polity and have made extraconstitutional and extrajudicial decisions their second nature. While the messaging tends to get a bit loud and the storyline is sometimes spoonfed to the audience without much subtlety, one can forgive the makers as such is the importance of the messages they are trying to put out with this earnest project.
The director and writer Sharis Mohammed deserve all the praise in the world for performing a magician's sleight of hand in the final act of the film, ending this tantalizing first instalment on a knife-edge, with the unsaid promise of making the franchise a genre-bending, era-defining duology, With the trailer and the teaser apparently giving us only a glimpse of what Dijo, Prithviraj and this kickass team have planned for us in the second instalment, the anticipation is clearly through the roof as to what they will come up with, without the shoot restrictions enforced by Covid that they had to circumvent for the first part. "Jana Gana Mana" is a mandatory theatre watch that should open the doors to braver, more political thrillers in the future for Malayalam cinema! Recommended!
क्या आपको पता है
- गूफ़When Prithvi Raj is questioning the editor of the newspaper, on the back of the news paper, COVID-19 related incidents are present. Since the movie is taking place in June 2019 COVID would not have existed.
- भाव
Aravind Swaminathan: Instant tea, instant coffee, instant justice!
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Jana Gana Mana?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- ₹10,00,00,000(अनुमानित)
- दुनिया भर में सकल
- $31,35,150
- चलने की अवधि2 घंटे 42 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें