Humpday

It's simplistic and inaccurate to say this is a movie about homophobia. The two guys are not homophobic in the least. If anything it's about peer pressure and machismo, albeit in an unconventional, post-feminist context.

The movie's framework, two straight guys considering whether or not to have sex with each other for an Art/Porn movie, generates an absurd dialog. Does Art justify a willful, forced, deviation from the norm, or is a willful, forced, deviation from the norm automatically Art? The subtext is about moving out of your comfort zone, and your motivation for doing so.

I went into this not knowing what to expect. As a gay man, I resisted it, finding the plot line forced. But as it went on, I bought into it. I think it was the two main actors who sold it, primarily.

The premise sounds comic and coarse, but the storyline is actually subtle and gentle. Not easy to sell that kind of bait and switch.

I know of a situation very similar to the one presented in the film. This two guys challenge the other about having sex with each other without changing their own perceptions about who they were. It became a big joke because although they got very near, apparently, never ever happened. Funnily enough they both had, separately, an homosexual experience with a stranger. It is absurd to think that two human beings could not make love if there is a minimum of attraction, physical, intellectual, emotional. We have been brain washed about this factor. Homosexuals have no fear, not really, about straight sex but heterosexuals have an irrational fear of gay sex because, I believe, they are terrified of the fact they may like it or feel comfortable with it and then a flood of insecurities will follow. Under that umbrella "Humpday" gets it absolutely right. They don't get to it because of fear of themselves, plain and simple. But the whole thing could have been told in 30 minutes. Improvisations are fun if one has the sense to administrate and cut. Edit, edit and edit leaving the surprises alive and "Humpday" spends an inordinate amount of time saying the same things. However I had fun and the three leads are terrific.

What a disappointment. This film started off promisingly, with a very funny premise that is established in a semi-believable way. Sadly, that is really all there is to the film. The funny premise leads nowhere, it is just milked and milked and milked until the audience is no longer laughing, but rather just waiting for it to end. Believability also starts going out the window about halfway through the film, with characters acting and reacting in ways that no human would, but are required contrivances to keep the story rolling along.

I too was not a fan of the overall aesthetic of the film, a sort of forced naturalism, with almost exclusively hand-held camera work, awkward quick focus and zoom changes, and an improvised feel to the dialog. I felt this sharply contrasted with the highly contrived nature of much of the script, and I also feel that it is generally unpleasant anyway.

Those thinking that "Humpday" is about any ordinary Wednesday are in for a rude awakening from this flick written and directed by Lynn Shelton. For everyone else, you know you're in for a brave and, at times, very funny account of two straight guys who decide to make a gay porno. The two guys are best friends Ben (Mark Duplass) and Andrew (Joshua Leonard), whose lives have taken very different directions since High School. Ben is married to Anna (Alycia Delmore) with a baby on the way and Andrew is an artist and world traveler spending time with different women and experiences. The night after Andrew just shows up at Ben's doorstep looking to reconnect, the two find themselves at a party (at a house called Dionysus) thrown by Andrew's friend. Alcohol and the bong get passed around, guards are let down, and the conversation turns to sexual pleasures such as letting the dog lick peanut butter off you. Andrew mentions that he'd really like to make an erotic art film and Ben thinks that porn is a dime a dozen and if you really want to make something memorable, it has to be unique. The combination of these ideas plus being intoxicated leads to a pact where the two agree to have sex with one another. Can they do it? Will the two figure things out about themselves? Will Anna go along with it? The later question presents some very funny dance-around-the-subject moments. The developments in this movie about breaking down the walls of male homophobia are interesting. Actual nudity or sex is never shown nor does the movie fall back on crude humor but there is a lot of talk. Both guys feel like they have something to prove; Andrew that he is an uncompromising artist and Ben that he is not the boring, buttoned down family man that people think. Yet both are threatened, Andrew at a dildo introduced during a three-way and Ben at having feelings for a video store clerk. A scene where a basketball game between the two turns into a wrestling match says something for comfortable vs. uncomfortable physical intimacy between men and an honest conversation where Ben and Anna talk of their multi-faceted sexual needs not being met in this relationship alone are nice additions. Of course in the final scene the big question is broken down and analyzed, and some of the funniest stuff the movie has to offer is introduced. Will the physical fear become too real for the guys once hump day finally comes? The film is very talky and the camera work is grainy and dull-looking but what keeps the movie rolling are two very good performances from Duplass and Leonard. Duplass as the buttoned down, responsible Ben and Leonard as the wild-eyed, energetic Andrew; both display a willing but anxious chemistry of two guys who desperately want to be braver than they actually are. "Humpday" isn't always fun to watch but it's brave, funny, and interesting.

Surprisingly good. The central plot was so bizarre and risque that I thought it shouldn't work, and would just come out as pretentious. In the end it does work, mostly, because of the wordplay, humour and natural feel to all the relationships and dialogue. The whole movie had this great home movie-type feel.

Great acting all round, especially by the two male leads, Mark Duplass and Joshua Leonard. Apparently a lot of the dialogue was ad-libbed, contributing to the "real" feel.