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The Last Exorcism

  • 2010
  • PG-13
  • 1 घं 27 मि
IMDb रेटिंग
5.7/10
54 हज़ार
आपकी रेटिंग
The Last Exorcism (2010)
The Last Exorcism: :60 TV Trailer
trailer प्ले करें1:01
7 वीडियो
30 फ़ोटो
Body HorrorFound Footage HorrorSupernatural HorrorHorrorMysteryThriller

एक परेशान इंजील मंत्री एक वृत्तचित्र चालक दल द्वारा अपने अंतिम भूत-प्रेत को फिल्माने के लिए सहमत हैं.एक परेशान इंजील मंत्री एक वृत्तचित्र चालक दल द्वारा अपने अंतिम भूत-प्रेत को फिल्माने के लिए सहमत हैं.एक परेशान इंजील मंत्री एक वृत्तचित्र चालक दल द्वारा अपने अंतिम भूत-प्रेत को फिल्माने के लिए सहमत हैं.

  • निर्देशक
    • Daniel Stamm
  • लेखक
    • Huck Botko
    • Andrew Gurland
  • स्टार
    • Patrick Fabian
    • Ashley Bell
    • Iris Bahr
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.7/10
    54 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Daniel Stamm
    • लेखक
      • Huck Botko
      • Andrew Gurland
    • स्टार
      • Patrick Fabian
      • Ashley Bell
      • Iris Bahr
    • 361यूज़र समीक्षाएं
    • 220आलोचक समीक्षाएं
    • 63मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 7 जीत और कुल 10 नामांकन

    वीडियो7

    The Last Exorcism: :60 TV Trailer
    Trailer 1:01
    The Last Exorcism: :60 TV Trailer
    The Last Exorcism: :30 TV Trailer
    Trailer 0:30
    The Last Exorcism: :30 TV Trailer
    The Last Exorcism: :30 TV Trailer
    Trailer 0:30
    The Last Exorcism: :30 TV Trailer
    The Last Exorcism
    Trailer 2:12
    The Last Exorcism
    The Last Exorcism: "Brother"
    Clip 0:58
    The Last Exorcism: "Brother"
    The Last Exorcism: "Motel"
    Clip 0:52
    The Last Exorcism: "Motel"
    The Last Exorcism: Brother
    Clip 0:57
    The Last Exorcism: Brother

    फ़ोटो30

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 24
    पोस्टर देखें

    टॉप कलाकार22

    बदलाव करें
    Patrick Fabian
    Patrick Fabian
    • Cotton Marcus
    Ashley Bell
    Ashley Bell
    • Nell Sweetzer
    Iris Bahr
    Iris Bahr
    • Iris Reisen
    Louis Herthum
    Louis Herthum
    • Louis Sweetzer
    Caleb Landry Jones
    Caleb Landry Jones
    • Caleb Sweetzer
    Tony Bentley
    Tony Bentley
    • Pastor Manley
    John Wright Jr.
    • John Marcus
    Shanna Forrestall
    Shanna Forrestall
    • Shanna Marcus
    Justin Shafer
    • Justin Marcus
    Carol Sutton
    • Shopkeeper
    Victoria Patenaude
    Victoria Patenaude
    • Motorist
    John Wilmot
    John Wilmot
    • Spindly Man
    Becky Fly
    Becky Fly
    • Becky Davis
    Denise Lee
    Denise Lee
    • Nurse
    Logan Craig Reid
    • Logan Winters
    Sofia Hujabre
    Sofia Hujabre
    • Cafe Manager
    Adam Grimes
    Adam Grimes
    • Daniel Moskowitz
    Cy Fahrenholtz
    • Churchgoer
    • (बिना क्रेडिट के)
    • निर्देशक
      • Daniel Stamm
    • लेखक
      • Huck Botko
      • Andrew Gurland
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं361

    5.753.5K
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    फ़ीचर्ड समीक्षाएं

    chaos-rampant

    The trickster

    The whole setup here is that we have a professional actor - paid to put on shows about fire and brimstone - who will need to discern over the course of the film who is putting on the show he finds himself in. A film crew is turning this into a movie, presumed to reveal hidden mechanisms that move spectators. Turns out something else is controlling the thing and moving parts we thought we knew all about and possibly us. This will test his mettle as a showman himself, let's say his faith in the healing power of his act (art?). Is the girl acting out some repressed sexual trauma? Is the father, at the same time covering his tracks with Jesus babble? Or is the demon, the great trickster? (a mild problem here is that, the film being what it is, we never really wonder, do we?)

    This is excellent stuff and could have worked as more than horror. Indeed, until the last part horror is intermittent here. Our focus is on juggling one show as part of another while getting to decide which one horrifies more. The choice for 'found footage' is one of the better applications I've seen in terms of structure; it means we have one more show running behind the other two, and one that we use to look for the real root of horror. There are many dramatic shots in the flow, but we can chalk these to the presence of a professional cameraman.

    The ending has been reported as problematic. Oh, it is graphic but in ways that have become a staple in films dealing with some extraordinary demonic darkness; Polanski, Rosemary as well as Ninth Gate, the Hammer shocker The Devil Rides Out, Night of the Demon, recently Drag me to Hell. Many viewers bemoan the revelation and tend to prefer the whole thing coated in whispers and rumors. Fair point.

    It works for me because it allows us to recast evil as another staged trick. Another group of people are brought in at the last moment to enact a show, the real deal this time. Real fire and brimstone. Death comes as storyboarded earlier.

    If you're interested in the scam priest angle, it's only a light-hearted jab at faith here. Watch Marjoe for a more chilling portrait, the '72 documentary on the "World's Youngest Ordained Minister".
    6MosHr

    More of a scared movie than a scary movie

    This is Hollywood storytelling at its frustratingly safest; an attempt to appease everyone and but in the end not pleasing anybody. It will not please horror fans because of the lack of scares and gore; it will not please the general audiences looking for a thriller because of its logic defying supernatural events that muddles up the storytelling and I suspect it will not appease the religious audiences since it takes a bit of negative view of exorcism and preaching. I think part of this is the reason that the pacing of the story is completely off; it builds up slowly and then bam, it's completely over the top.

    The movie starts off rather well with the pastor looking to expose exorcism as a hoax with a documentary team that lands them in a perfect breeding ground for the possessed. It is at its best when it slowly builds up the situation careening out of control, not by supernatural forces but by the characters themselves. However, at this point the movie itself gets too scared to make its way to a conclusion and takes the way out via ambiguity trying to appease as broad an audience as possible. The end is so rushed and muddled that it just ends up as confusing and unfinished; someone in the audience actually said that a sequel better be made, mistaking the ending for a cliffhanger.
    5meininky

    An underwhelming effort

    Ambiguity is a powerful tool for a writer, filmmaker, or any creative person. But there's a fine line between ambiguity and lazy storytelling. The Last Exorcism, unfortunately, makes use of the latter. The film poses many questions but doesn't feel the need to answer most of them, meaning at the end of the film, the audience isn't so much pondering the themes of religious doubt and the adverse effects of shame so much as wondering what the hell just happened.

    The lack of clarity is only made more frustrating by the overly shaky handy-cam cinematography. I normally enjoy this mode of filmmaking, and it was proved to be effective for horror films in last year's phenomenal breakout Paranormal Activity, but Daniel (the cameraman) has a bit too shaky of a hand for the style to work well here. I actually got a headache from some of the later, jumpier scenes.

    It's a shame the film meanders to such a laughable conclusion, because it starts with such promise. The first half hour or so is surprisingly funny, effectively parodying the genre (specifically exorcism-based horror films) and presenting a religious slant to the proceedings that makes things interesting initially but ultimately seems cheap and even stupid. Two fine performances from Patrick Fabian and Ashley Bell are wasted as the material goes from subtly self-reflexive to blatantly generic. The horror that unfolds along the way rarely generates any real scares, settling instead for bursts of weirdness, cheap jumps, and ultimately, an unattractive mixture of stupidity and discomfort.
    7moviexclusive

    A solid frightener for Halloween, if you let the film take you where it wants to take you

    Taking the pulse of a horror-loving film community in 2010, "The Last Exorcism" is like a document of pop culture history in its mix of marketing and aesthetics. Trying to out-Paranormal-Activity "Paranormal Activity 2" this Halloween will be a genuine challenge for the Eli Roth produced film, but the fauxumentary's premise does have a few genuine thrills and chills going for it, making it a decent double-bill screening for game fans of the genre. Appropriating the best narrative and visual tropes from its direct influences, namely "Marjoe", "The Exorcist" and even the recent "The Exorcism of Emily Rose" in how it wrenches out a mystery element, director Daniel Stamm uses the newly fresh-again format of documented horror to elevate the drama inherent in an exorcism's taut chamber piece setting. There is a good chance here of being firmly disturbed, if you let the film take you where it wants to take you.

    Armed with a genial personality and powerful charisma, Louisiana's Reverend Cotton Marcus (Patrick Fabian) goes around the country performing fake exorcisms on the believing. Tired of his lifestyle, he enlists a filmmaker, Iris Reisen (Iris Bahr) and her unseen cameraman (Adam Grimes) to document his final foray into the fraud as he prepares a venture into real estate after a personal tragedy. Following the reverend's exposé on the sham rituals of exorcisms, the film crew finds the beginnings of a real case of demonic possession in Nell Sweetzer (Ashley Bell), a shy and gentle girl with a shotgun-toting, fundamentalist father (Louis Herthum) worried about the dark and heinous things occurring on the farmhouse.

    Fabian's depiction of the Reverend is terrific fun. He brings out so much of the character that it only enlivens the film and makes it feel all too real while newcomer Bell also shows some strong chops (and flexible limps) for this genre. The film takes its settings seriously and Stamm builds the foundation cleverly and patiently for powerfully unsettling moments. There's a good sense about the screenplay -- not exceedingly smart for its good but not too detached from its conceit that the illusion is never broken. The single perspective thorough the documentarian's lenses helps focus the story into the visceral and direct scenes of terror, almost taking on a life of its own. While the story does tend to falter till the end, the strength of its conviction to juggle the various layers apparent makes its intrigue palpable.

    While never being a thrill-a-minute fright-fest on the level of "Rec 2", "The Last Exorcism" is a sophisticated and confident manipulation of the format is a treat. Its mockumentary aesthetics are refined and brought into fruition well enough to tell a tale of faith and disbelief, the unknown and unknowable darkness that exists beyond our rationalities.
    7matt-s-switzer

    Last Exorcism-- it worked for me

    If you've seen this film, you have an opinion on it. And this is natural given the open ended finale of the movie. For those who haven't seen the movie--don't worry--I don't plan on ruining it by saying anything in this review that you wouldn't know by seeing the preview or anything that would detract from your viewing experience? at least I'll try not to.

    The highlight of the movie for me was Pastor Cotton Marcus (Patrick Fabian). He succeeded in weaving together a layered, complex character which is rare for the horror genre. He plays a southern Baptist minister who grew up in the church. As a PK, he was bred to be on the pulpit. One would think that with a lifetime spent in the church, his faith would be devout--quite the opposite. As years have passed, his faith has weakened to a point where now even he doubts.

    Another huge plus for me in this film are the ups and downs--one minute your knees are at your chest and you're on the verge of covering your eyes, and the next you're lost in the development of the plot.

    No matter what your thoughts on the end of the movie, I challenge someone to dispute the merits of a scary movie to put more emphasis on character development to further the suspense than the typically cheap thrills.

    इस तरह के और

    The Last Exorcism Part II
    4.0
    The Last Exorcism Part II
    The Possession of Michael King
    5.7
    The Possession of Michael King
    Snuff: A Documentary About Killing on Camera
    5.4
    Snuff: A Documentary About Killing on Camera
    Hollow
    4.7
    Hollow
    Butterfly Kisses
    5.9
    Butterfly Kisses
    The Possession
    5.9
    The Possession
    The Taking
    6.0
    The Taking
    Home Movie
    5.5
    Home Movie
    Death of a Vlogger
    5.6
    Death of a Vlogger
    Grave Encounters
    6.1
    Grave Encounters
    The Borderlands
    5.8
    The Borderlands
    The Tunnel
    5.8
    The Tunnel

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The scene in which Nell is given a pair of red Doc Marten boots stemmed from the fact that the insurance company refused to cover Ashley Bell for her exorcism scenes if she was running around barefoot.
    • गूफ़
      At 9:51, there is a shot of a newspaper article about the death of an autistic boy. The article is in three columns. Half way down the third column, the article repeats, starting from the beginning again.
    • भाव

      Cotton Marcus: Do you believe that if you go ahead and allow the Holy Ghost into your heart, you can be cleansed of all your sins and sit in the Kingdom of God?

      Congregation: Amen.

      Cotton Marcus: That is what I'm talking about. Can I get an amen?

      Congregation: Amen.

      Cotton Marcus: Can I get a hallelujah?

      Congregation: Hallelujah!

      Cotton Marcus: Can I get a hallelujah and an amen?

      Congregation: Hallelujah, amen!

      Cotton Marcus: Do you know if you take two ripe bananas, you put them in a bowl, and you put some sugar and you go ahead then bake it for 400, you can go and pull it out and have yourself banana bread? Hallelujah!

      Congregation: Hallelujah!

    • कनेक्शन
      Edited into The Last Exorcism Part II (2013)
    • साउंडट्रैक
      Black Paws, Snow Deep
      Written by Caleb Landry Jones (as Caleb Jones)

      Performed by Caleb Landry Jones (as Caleb Jones)

      Courtesy of Caleb Landry Jones (as Caleb Jones)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल36

    • How long is The Last Exorcism?Alexa द्वारा संचालित
    • What is "The Last Exorcism" about?
    • Is "The Last Exorcism" based on a book?
    • Why does Caleb write the note telling Cotton not to leave Nell alone with Louis?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 21 सितंबर 2021 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • Official site
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    • भाषाएं
      • अंग्रेज़ी
      • लैटिन
    • इस रूप में भी जाना जाता है
      • El último exorcismo
    • फ़िल्माने की जगहें
      • St. Bernard Parish, लुइसियाना, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Strike Entertainment
      • StudioCanal
      • Arcade Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $18,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $4,10,34,350
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,03,66,613
      • 29 अग॰ 2010
    • दुनिया भर में सकल
      • $6,94,32,527
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 27 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

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    What is the Japanese language plot outline for The Last Exorcism (2010)?
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