नेपोलियन

History is an undesired guest taking the backseat in Mr Scott's sprawling epic on Napoleon's life.

Mr Scott's craftsmanship is such that it's undoubtedly able to offer the viewer some unique experiences. But stunning battle visuals and great performances by the lead actors don't make up for gross historical approximation.

I have no doubt whatsoever that Mr Scott knows his history and, if he didn't, he surely has a fat staff of assistants to tell it to him; so what he does here (as he did already in Gladiator) is a very deliberate and blatant choice to bend historical reality to the purposes of his own art, which looks like an act of unforgivable artistic hubris.

The success of any film depends mostly on the script. Why Scott would initiate such an expensive project without ensuring a refined and sophisticated script is a mystery. I'm not convinced there is a single interesting scene that provides insight into the characters or captures through language the prevailing political ideas. Scott's frequent missteps as a director reflect a greater interest in the cinematic rather than in the dramatic. However, this seems inevitable when your priority is delivering a blockbuster that will have broad appeal instead of digging deeper into culture, society, or history. A colossal waste of an extraordinary opportunity to create an important film about a fascinating historical figure.

Back in 2005 Ridley Scott's 144 minute version of 'Kingdom of Heaven' premiered in theatres to somewhat mixed reviews. A couple of years later the vastly superior 190 minute director's cut version finally arrived, with the general consensus that the final product was a masterclass in storytelling, directing, acting and cinematography. - without doubt the best motion picture ever made about the crusades.

Almost 20 years later we are yet again treated with a compiled highlight reel of a Ridley Scott movie in the theatre, rather than a full-fledged historical epic, since it has already become official that 'Napoleon' will be released later on streaming with its entire runtime of almost four hours, which clearly is needed to flesh out many parts of the movie and fill in the emotional and historical blanks, because this - somewhat butchered cut - moves in a breakneck speed and feels too rushed.

Whereas the underappreciated 1970 movie 'Waterloo' starring Rod Steiger as Napoleon Bonaparte, featuring thousands of extras, portrayed events only during the 100 days campaign in 1815, Scott's 'Napoleon' takes us through decades of various major events and battles beginning with the siege of Toulon in 1793. In this version we never really learn why Napoleon was so powerful. Why did he win the admiration of so many? It's almost as if he stumbles through greatness. He was a great politician in real life, but here he is portrayed as a childish brute? It felt like the focus was more on setpieces and his troubled relationship with Josephine, than on him as a ruthless and cunning emperor, and in the theatre cut there really isn't a lot of places where Joaquin Phoenix truly shines as an Oscar contender. Maybe the director's cut will remedy that.

In spite of its shortcomings (no pun intended) 'Napoleon' is still one of the best movies I have seen this year, but I am baffled. Because if people can sit through 3+ hour box office hits like 'Avengers Endgame', 'Avatar 2' and 'Oppenheimer' - why the need to release just a very extended trailer of 'Napoleon' in the theatre, especially when everyone know that they can just wait a couple of months for it to arrive on streaming in its entirety? An attempt by Apple at a cash grab? "You need a subscription to our streaming service to watch the whole thing"?

With that being said, I do predict some Oscar nominations here. Ridley Scott yet again proves why he is one of the best filmmakers out there. But a word of caution: If you only plan to see this once, you might consider waiting for the director's cut.

There's so much available content to tell this story. Why the hell was it a 2.5 hour film rather than the multi part limited series it deserves to be? The film has over 20 years of history to cover but includes so many huge time skips that you can't help feeling that you're missing out on a huge amount. This should have been a series and given the writers and the actors the time they deserved to tell the story properly but instead we get something that seems rushed and has huge gaps in time where things are shunted forward just se we can reach the end of the story before time runs out. The acting is above par (Despite Phoenix mumbling through some scenes) and the action sequences are excellent but there is just a feeling that it could have been so much more.

This should have been called "Napoleon and Josephine" because, frankly, there's too much of Josephine in it, and not nearly enough of the brilliance and personality of Bonaparte. The historical inaccuracies are manifold. I read that director Scott says that "If you weren't there then you can **** off". Well I was not there, but the erroneous simplification of one of history's greatest characters shows Scott wasn't there either. The battle scenes are gaining accolades, but even they shouldn't. Wrong and over simplified. If you are going to make a movie about Napoleon, his generalship should have taken centre-stage, not his domestic tussles with the Missus. A grand disappointment. An artilleryman, as Napoleon was, taking part in a cavalry charge? I don't think so! Oh, how I wish Kubrick had carried through to make his version. I give this six stars, mostly for having the courage to take on such a mighty story. Too bad it fell far short of its subject matter.