The Butler

There are, undoubtedly, scenes in Lee Daniel's The Butler that made me feel quite uncomfortable. Most certainly, many other viewers will echo similar discomfort experienced while watching this near great movie. Unfortunately, the existence of atrocities and flagrant injustices in our not too distant past doesn't mean that they should be whitewashed or airbrushed out of our collective memories! (Absolutely no pun intended here)

Don't let me give you the wrong impression about The BUTLER. In just over 2 hours until end credits, there are but a scant few minutes of images that some of us would, perhaps, just as soon forget. At the heart of this remarkable film, is a tale of a great generational divide between estranged father and first-born son; redemption, change, forgiveness, repentance and catharsis are also pivotal elements in this "Inspired by a True Story" drama painted on a historical backdrop canvass.

Although The BUTLER does highlight the tremendous progress our society has made in the past century toward fulfillment of Dr. Martin Luther King's "Dream", obviously, there is an undercurrent underscoring the fact that this area is one that involves constant self-reinvention to ensure continued improvement.

There are multiple noteworthy elements here. First, Oprah Winfrey's triumphant return to an on-screen leading role. Despite having done numerous voice-overs in recent years, BUTLER represents the end of a 15 year hiatus, when she participated in the ill-fated BELOVED. Her performance, although not quite Oscar nomination caliber, would win, without a doubt, an Academy Award for best "Billionaire Female Actor on the Planet", if such a prize existed! Accepting this role surely resulted in reduced income for Oprah in 2013. If that doesn't make her participation in this project a "Labor of Love", what would?

BUTLER is my pick for 2013 Best Ensemble Performance Golden Globe. Cast Credits give the impression of a page lifted directly from a Who's Who in Acting & Entertainment! Cuba Gooding, Jr.; Robin Williams, in a refreshing, but brief, appearance as a pensive and soft-spoken President Eisenhower; Vanessa Redgrave; Clarence Williams III; James Marsden as President Kennedy; John Cusack, as an ever brooding and duplicitous President Nixon; David Oyelowo, as the rebellious prodigal son; Terence Howard; Lenny Kravitz; Mariah Carey; Jane Fonda, who sparkled as Nancy Reagan and Alan Rickman as her careful-not-to-step-on-her-toes husband, Ronald! The only weak link, in my opinion, was Liev Schreiber as President Lyndon B. Johnson. His portrayal just did not resonate with me.

Quite frankly, despite analyzing carefully for any historical missteps, there were only a couple rather minor ones that were noticeable. About three-quarters into BUTLER, the story-line, focus and viewer interest level seemed to sputter a bit, but then, managed to get right back on track rather quickly.

The film did attempt to provide moments of comic relief from the oftentimes somber on-screen events, most of them evoking healthy laughter but a handful of them kind of fell flat. If it weren't for these few mentioned flaws, BUTLER most definitely would have been rewarded with a 10*Star* rating! When released on DVD, rest assured it will be added to my 800+ collection!

ENJOY! / DISFUTELA!!!

A great and talented cast is largely thrown away on a script that starts and stops relentlessly. As one who has lived through all the historical periods portrayed, I was regrettably bored by large segments of the narrative, which seemed didactic in the extreme. That is not to diminish its important social and cultural significance to a younger audience, only that I personally found all the Presidents as played much smaller than in life than I remember them. Robin Williams as Eisenhower and Alan Rickman as Reagan seemed oddly miscast, though John Cusack as Nixon caught the essence of the man nicely. The parts showing home life among the main characters was a highlight, however.

In short, a good but not great film, perhaps better with fewer intrusive star-studded cameos and less overt moralizing.

I am an educator and the theme in the "Butler" is another piece of history which should be edified and enjoyed by everyone, especially the next generation. Most of the respondents so far seem to have lost sight of the fact that our American history must constantly be told and retold since the contributions and sacrifices of many minorities have previously been distorted or omitted. An appreciation of the cause and affect of historical events is always empowering and it should teach us all to be more tolerant and understanding of others in the future. A good analogy is that as an African American child growing up in the 1950's Charles and I always rooted for the cowboys in the movies to defeat those "savages" known as Indians. In truth, Native Americans were forced from their land, their families separated, many killed and placed on reservations where some remain today living in poverty. Does this sound anything like Nazi Germany? When we see the "Butler" we should all say "wow" I never knew that; I hope our young people understand that becoming and maintaining a great Nation and living in a democracy requires sacrifice and hard work constantly. Remember, "Those who have no knowledge of history, are destined to repeat it." Not my words.

This film is about the life of a White House butler (Forrest Whitaker) from the Eisenhower era through the Reagan era. During this time, lots of changes occur in America--particularly in regard to civil rights. This is seen in snippets as well as its effect on the butler's family.

"The Butler" made a lot of money and a lot of folks enjoyed it--so it was clearly successful. However, as I watched the film, I kept thinking how much better it all could have been had it been a mini-series. After all, about 25 years pass in the film and a HUGE amount of important history transpire....and it's all crammed into only a little more than two hours. As a result, it seems a bit episodic and disconnected--plus a couple presidents weren't even mentioned. The characters, at times, seemed a bit one-dimensional. Plus, an infusion of energy sure would have been appreciated. However, overall, it IS worth seeing but also could have been better. My guess is that some of these factors might be why this odds-on favorite for the Oscars eventually ended up being skunked. Good but not great. For a more detailed look at much of this same material, try watching the great 9-hour mini-series "Backstairs at the White House" from 1979.

By the way, I do think this film SHOULD have received an award. So, I am awarding it the 2014 Planktonrules Award for the stupidest casting of US presidents. Who thought having John Cusack playing Nixon made any sense at all? It was so badly miscast that it made Robin Williams as Eisenhower seem almost plausible!

The Butler is a very earnest and well intentioned attempt to do two things at once. One is to tell the story of Cecil Gaines, a character based on the real life Eugene Allen, who served as butler to US presidents from Eisenhower to Reagan. The second is to relate the story of the US civil rights movement through the eyes of Gaines' son Louis. Both are stories worth telling in their own right. Combining them into one movie means that neither story is told as well as it could be. I guess to be fair, it would be hard to do justice either story in a two-hour movie. These are stories crying out for their own TV miniseries.

This movie boasts a wonderful cast and great locations. It's a real pleasure seeing people like Robin Williams and Alan Rickman playing different US presidents and other famous faces popping up in small roles. Ultimately though, this movie becomes a bit tedious. I enjoyed it, but I will be waiting a good long while before I think of seeing it again.