IMDb रेटिंग
5.8/10
14 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe enduring friendship between the Walling and Ostroff families is tested when Nina, the prodigal Ostroff daughter, returns home for the holidays after a five-year absence and enters into a... सभी पढ़ेंThe enduring friendship between the Walling and Ostroff families is tested when Nina, the prodigal Ostroff daughter, returns home for the holidays after a five-year absence and enters into an affair with David, head of the Walling family.The enduring friendship between the Walling and Ostroff families is tested when Nina, the prodigal Ostroff daughter, returns home for the holidays after a five-year absence and enters into an affair with David, head of the Walling family.
- पुरस्कार
- 3 कुल नामांकन
फ़ीचर्ड समीक्षाएं
This movie is categorized as comedy, drama and romance and fails in all three IMHO. Let's start with the tag lines: there's no sex whatsoever and it's about to get juicy but it never does, reckon that according to your preferences. As a comedy it delivers few smiles and even less laughs. The drama side goes a bit better if nothing else for the ever worried look of David (Laurie), a middle aged husband who could be attractive only to girls in desperate need of a father figure.Unfortunately the drama part is also predictable and without sparkles.Finally the romance: very little dwelled upon and without any surprise. If i haven't been harsher in voting it's because of the actors' effort, in particular Alia Shawkat (perfect in the role of the incredibly obnoxious Vanessa) and Adam Brody (my favorite scene is when he's back from China and discovers the "scandal")
"The Oranges" centers on two families, each with mom and dad and former teenage daughter (now a twenty-something daughter), living across the street from each other in West Orange, New Jersey. It's kind of like a dysfunctional family dramedy except the families really do function normal enough and well enough prior to the beginning of the plot. And also it's a comedy. It poses some fairly serious questions but presents them all in a light-hearted, humorous fashion.
Paige Walling (Catherine Keener) and David Walling (Hugh Laurie) still have their adult daughter Vanessa (Alia Shawkat) living at home, unable to let go of some hostilities from her teenage years. Carol Ostroff (Allison Janney) and Terry Ostroff (Oliver Platt) are trying to control their daughter Nina (Leighton Meester) but she's off on the other side of the country still acting like a teenager. But after a perceived personal tragedy, Nina comes home. And then comes home Paige and David's successful son Toby (Adam Brody) who's in love with Nina.
Two individuals choose to commit, or almost commit, a morally repugnant act. The good thing is, everything is still funny. In the aftermath though, they decide that they're adults, and choose to question the line of morality. Not only is the audience not expecting that, and thus we're forced to start questioning, or stop judging, but the other characters definitely weren't prepared for it, and they start questioning the directions of their own lives. While of course keeping it funny.
Another interesting choice the film made was to make Vanessa (Shawkat) the narrator. She is not directly involved in the action, she's only involved in the repercussions, but she's also the type of character that we normally don't think about how she would be affected, but now we're forced to. The character that we would normally associate with in the aftermath is Paige (Keener) but here she puts herself on the sidelines.
The highlight of the film, of course, is the incredible cast. The reading of the credits goes something like this: Alia Shawkat – oh, yeah, the girl from Arrested Development, she has some decent comedy skills; Leighton Meester – a new Hollywood "it" girl, let's she what she's got; Hugh Laurie – he's always fun and straight from a string of well-deserved Emmy nominations; Allison Janney – awesome (!); Catherine Keener – awesome (!); Oliver Platt – really?! He's a comic genius, this is doubly awesome (!!); and Adam Brody – well, now we've just topped off a dream come true.
The best news is that the cast completely delivers. Meester and Laurie are expected to carry the majority of the film, and both do it by playing characters that they've never really played before. Laurie pulls of sympathetic so well and Meester goes a little more subtle to be able to show us what her character is thinking and show us what her character wants people to see. Janney is her usual funny self, so is Brody, while Platt is again at top form delivering some hilariously subtle facial reactions and some comic gold physical comedy.
The least famous actor of all of them, Sam Rosen, threatens to steal the whole show as Ethan, Nina's hilariously sympathetic fiancé turned ex-fiancé turned super-apologetic-ex-fiancé. He's relegated to a pretty small role, otherwise the movie would have been about Ethan. And it's not supposed to be.
Now that the highlights are all uncovered, it's time for some warnings. The plot is exceedingly simple and we have to wait for each character to catch up to it before the next turn can proceed. For those that are completely invested in each character, this won't be a problem. For those that like fewer characters, this will be a problem. Also depending on where your moral center lies, you could have a conflict with the film's decidedly ambiguous morality. For all the lines the film attempted to cross they went for a much simpler, more dramatic ending, never crossing into the dark comedy territory. That might stop it from reaching more brilliant heights, but it also keeps "The Oranges" more consistently enjoyable.
Who Might Like This: People who like dysfunctional family dramedies; anybody looking for a comedy that questions some of society's morals; fans of anybody in the main cast.
Paige Walling (Catherine Keener) and David Walling (Hugh Laurie) still have their adult daughter Vanessa (Alia Shawkat) living at home, unable to let go of some hostilities from her teenage years. Carol Ostroff (Allison Janney) and Terry Ostroff (Oliver Platt) are trying to control their daughter Nina (Leighton Meester) but she's off on the other side of the country still acting like a teenager. But after a perceived personal tragedy, Nina comes home. And then comes home Paige and David's successful son Toby (Adam Brody) who's in love with Nina.
Two individuals choose to commit, or almost commit, a morally repugnant act. The good thing is, everything is still funny. In the aftermath though, they decide that they're adults, and choose to question the line of morality. Not only is the audience not expecting that, and thus we're forced to start questioning, or stop judging, but the other characters definitely weren't prepared for it, and they start questioning the directions of their own lives. While of course keeping it funny.
Another interesting choice the film made was to make Vanessa (Shawkat) the narrator. She is not directly involved in the action, she's only involved in the repercussions, but she's also the type of character that we normally don't think about how she would be affected, but now we're forced to. The character that we would normally associate with in the aftermath is Paige (Keener) but here she puts herself on the sidelines.
The highlight of the film, of course, is the incredible cast. The reading of the credits goes something like this: Alia Shawkat – oh, yeah, the girl from Arrested Development, she has some decent comedy skills; Leighton Meester – a new Hollywood "it" girl, let's she what she's got; Hugh Laurie – he's always fun and straight from a string of well-deserved Emmy nominations; Allison Janney – awesome (!); Catherine Keener – awesome (!); Oliver Platt – really?! He's a comic genius, this is doubly awesome (!!); and Adam Brody – well, now we've just topped off a dream come true.
The best news is that the cast completely delivers. Meester and Laurie are expected to carry the majority of the film, and both do it by playing characters that they've never really played before. Laurie pulls of sympathetic so well and Meester goes a little more subtle to be able to show us what her character is thinking and show us what her character wants people to see. Janney is her usual funny self, so is Brody, while Platt is again at top form delivering some hilariously subtle facial reactions and some comic gold physical comedy.
The least famous actor of all of them, Sam Rosen, threatens to steal the whole show as Ethan, Nina's hilariously sympathetic fiancé turned ex-fiancé turned super-apologetic-ex-fiancé. He's relegated to a pretty small role, otherwise the movie would have been about Ethan. And it's not supposed to be.
Now that the highlights are all uncovered, it's time for some warnings. The plot is exceedingly simple and we have to wait for each character to catch up to it before the next turn can proceed. For those that are completely invested in each character, this won't be a problem. For those that like fewer characters, this will be a problem. Also depending on where your moral center lies, you could have a conflict with the film's decidedly ambiguous morality. For all the lines the film attempted to cross they went for a much simpler, more dramatic ending, never crossing into the dark comedy territory. That might stop it from reaching more brilliant heights, but it also keeps "The Oranges" more consistently enjoyable.
Who Might Like This: People who like dysfunctional family dramedies; anybody looking for a comedy that questions some of society's morals; fans of anybody in the main cast.
Says "comedy, drama, romance" in the header, but I'm not sure it was really any of them. Wasn't funny enough at any point, the "romance" was semi-sordid and very awkward and led to the "drama" which was mostly contrived and uncomfortable. All that said, it wasn't horrible, whatever it was. It just didn't seem to know.
It's an unimaginable situation, so there really aren't many templates to work off. "Blame it on Rio" walks a similar path, and does it with far more laughs and absurdities... but it's borderline gross... at least in "The Oranges," the girl at the center of the crises is 24 and not 16... and the actress involved here CAN actually act. In both films, the whole midlife crisis situation is (of course) hopeless, ill-advised, and too destructive to even remotely work... at least "Rio" sees itself as a total farce, while this film takes itself too seriously.
So yeah, an unfocused and awkward drama, that seems to want to be more. That's about right. I'll round my 5.5 up to a 6 because it has a great cast... but if you miss this one, you needn't lose any sleep over it.
It's an unimaginable situation, so there really aren't many templates to work off. "Blame it on Rio" walks a similar path, and does it with far more laughs and absurdities... but it's borderline gross... at least in "The Oranges," the girl at the center of the crises is 24 and not 16... and the actress involved here CAN actually act. In both films, the whole midlife crisis situation is (of course) hopeless, ill-advised, and too destructive to even remotely work... at least "Rio" sees itself as a total farce, while this film takes itself too seriously.
So yeah, an unfocused and awkward drama, that seems to want to be more. That's about right. I'll round my 5.5 up to a 6 because it has a great cast... but if you miss this one, you needn't lose any sleep over it.
Not my favourite film, but I was expecting something worse, to be honest. What I saw:
An enjoyable Hugh Laurie, as usual (yet not exceptional). Funny moments, at times. Some cringe-worthy dialogues. Nice directing. Impressively realistic. Thoughtprovoking, which certainly is its strongest feature.
I guess one of the main goals of a filmmaker is to make their audience FEEL things. Well, I honestly can say they did it. Most of them were awkward and negative feelings towards the relationship between these two, but they were there. Is that what they were aiming at? I don't know. I was disgusted by them, and angry. How can you so selfishly base your every decision on whatever seems to make you happy? And by the way, what's with the meddlesome mother? Your daughter's 24 not 18. Anyway, it's only 90 minutes long. Watch it if you have some free time and nothing else worth pressing play on.
An enjoyable Hugh Laurie, as usual (yet not exceptional). Funny moments, at times. Some cringe-worthy dialogues. Nice directing. Impressively realistic. Thoughtprovoking, which certainly is its strongest feature.
I guess one of the main goals of a filmmaker is to make their audience FEEL things. Well, I honestly can say they did it. Most of them were awkward and negative feelings towards the relationship between these two, but they were there. Is that what they were aiming at? I don't know. I was disgusted by them, and angry. How can you so selfishly base your every decision on whatever seems to make you happy? And by the way, what's with the meddlesome mother? Your daughter's 24 not 18. Anyway, it's only 90 minutes long. Watch it if you have some free time and nothing else worth pressing play on.
What you have to be clear about, is that this movie is about perception. How do people perceive things, how does society judge and how do we know what is wrong and right? While I admit that especially later on, this movie lacks a bit of attachment to some of the characters, in never feels like they are cardboard cut outs. And while it might seem that passion is missing, just acting wild is not the definition of going through things. Sometimes a more subtle approach can work better.
If you feel, the movie should have been more aggressive in that case, that is a fair point, but you either accept that it didn't take that route or you are condemning it to lose from the start. The actors are incredible, but reading their names alone should tell you that. Their interactions and connections seem to work perfectly. Even the ending is nicely done, although as always it won't satisfy everybody of course. A family drama/comedy that is by definition not a family film, but a look into guilt, responsibilities, growing up and (as mentioned above) perception
If you feel, the movie should have been more aggressive in that case, that is a fair point, but you either accept that it didn't take that route or you are condemning it to lose from the start. The actors are incredible, but reading their names alone should tell you that. Their interactions and connections seem to work perfectly. Even the ending is nicely done, although as always it won't satisfy everybody of course. A family drama/comedy that is by definition not a family film, but a look into guilt, responsibilities, growing up and (as mentioned above) perception
क्या आपको पता है
- ट्रिवियाLeighton Meester (Nina) and Adam Brody (Toby) are married in real life.
- गूफ़When David is talking to Nina in the coffee shop, the level of Nina's coffee does not remain consistent.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Oranges?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- La hija de mi mejor amigo
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,66,377
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,98,461
- 7 अक्टू॰ 2012
- दुनिया भर में सकल
- $23,16,971
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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