Chatroom

One of the best aspects of this movie (which is NOT, as it has been marketed, a horror movie) is the depiction of the internet into a physical space. It is really, really well done, and anyone (even slightly) familiar with the world of chatrooms will be blown away by the realism.

The movie goes back and forth between "real life" (the outside world) and internet life (the conversations and chats of the protagonists, here represented into a physical reality, so as not to spend an hour and 46 minutes filming youth typing on a keyboard).

It is not a horror movie, but rather a good psychological thriller, with the story of a disturbed teen who tries to alleviate his own misery by making others miserable. It is also a good look into the seedier, sleazier parts of the internet, where anything can happen, and where violence (although entirely psychological) can be very, very real.

Before I set to record this film, that was shown on Film 4 last night, I presumed it'd be a trite U.S. comedy/horror, full of gross-out and stoned slackers.

How pleasantly surprised I was to find it to be a deep, unpredictable British psychological thriller that's high on design and imagination. Yes, the actors look like they've escaped off sets of U.K teen dramas such as Skins, but they are playing characters that that market already caters for.

It's quite neat how the protagonist, Aaron Johnson, (Will) is accessing the chat-room in question via his PC or smartphone but is also then seen within it. As we soon get to know, Will's psychological make-up and difficulties are complex and largely unexplained. Is the chat-room itself purely in his mind and is the labyrinth of other rooms that we see at the start also only in his imagination? If so, that's quite a neat way of adding extra texture and substance that's already there.

The challenging soundscapes and things like the animations add extra meat to the body of expression that director Hideo Nakata uses - and I personally liked them and thought they added to the film. Some of the discussions on serious emotional conditions and suicide may help those who are exposed to those feelings and experiences, or they may not - depending on how mentally well one is. But at least it raises them, which is quite brave.

I don't necessarily think that the "hammy" acting that many have criticised is out of place here - touching and nuanced performances would be out of place in this aggressively symbolic and stylised movie. And, when one types on Facebook, with modern, abbreviated cyber-speak and even more so with Twitter, then dialogue is even more stilted, with even less room for delicate expression.

The other characters add to the mixture of messed-up heads and some social comment on what is acceptable and what isn't gets some interesting airing. I think many viewers who've come back from the pub and expected a simple cat and mouse cyber-bullying flick may have well been unprepared for how deep and complex this thriller is and been put off by that. It's a brave and imaginative film; flawed, yes. A nice bonus for those of us who've visited the locations such as Camden Lock and London Zoo are indeed, the familiar locations.

Chatroom is a disturbing film about a young man named Will (Aaron Johnson from Kickass) who sets up a chat room called "Chelsea Teens!". Four other teenagers join this site and soon they begin exchanging information as though they where life long friends. The chat room is brilliantly shown in physical form and the "friends" effortlessly jump from real life to the chat room which is portrayed as a sleazy run down hotel where all chatrooms are represented by different rooms.

The film is stylishly shot and hats off to director Hideo Nakata for doing something bold and different. The film is most certainly not one to let the younger teens sneak into as they may be drawn by the young skilled cast; the film is a visceral work and will play with your mind. The main topic here is isolation, all these kids have problems and the forlorn Will manipulates them via the chat room. He gets into their heads and influences their lives with devastating effects.

All in all this is a good film, very well shot and well acted Imogen Poots who plays Eva in the film is simply divine and a name we will hear a lot more about.Go into this film knowing as little as possible about it and have an open mind it will pull at the strings in your head and it unearths a dark world that is out there.

Saw this at a London hotel preview screening today.

Top marks for effort in trying to translate internet chat rooms onto the screen. It did take me quite a while to adjust to the visual interpretations of online cyberworld chatting but having said that, it was very cleverly done if a bit stagy. This is not a horror film. Despite the surrealistic online interpretation, this was first and foremost a dark teenage drama that quite effectively highlights the dangerous mental traps that socially withdrawn youngsters can face online in real life. Maybe parents of teenagers who spends all their time on the internet, may well find this to be a horror film and start taking away their kids computers, then push a football into their hands.

Of course this being cinema, liberties need to be taken with plausibility to turn this intriguing drama into a dark thriller. But it works. Its just that it took a heck of a long time to really get going with the main plot. The dialogue also felt very sluggish. The young actors however, were very good and did well to emote their feelings convincingly.

I was very bewildered at the inclusion of a couple of stop motion animated cartoons which I get the impression were supposed to be darkly funny but I did not find it in the least bit amusing. Maybe that was the idea but it served no purpose in the flow of the movie for me. Also, this being a British Film Four production, it feels so, and you wont find any money spent on special effects apart from a change of wallpaper in the chat rooms.

Overall though, this is a very good thought provoking film with decent performances from the young cast. It is an effective thriller but very sluggish until it really picks up momentum in the 3rd act.

The concept of Chatroom is a really good idea: five teenagers join an online chatroom and the film portrays their conversations as if they are happening in the real world, in a physical room. I can see, with quite a bit of rewriting, this working as a very engaging stage adaption. However, this film doesn't deliver on the goods. If I could make some decisions here I would have kept the entire film surrealistic, keeping every scene in the virtual world instead of flashing back and forth from the online fantasy into the real world where the kids are typing into their laptops or phones. That would have taken quite a bit of more talent to write, however, as we'd have to stay engaged with a conversation in a My Dinner With Andre sort of way. Also, two of the characters are extremely neglected and their subplots are never carried through to fruition. I also have a hard time believing, even in the virtual world of the internet, that the villain here could actually manipulate everyone so easily without anyone really objecting. It would have been in that objection, in the passion of that debate, that this movie could have found its true energy. But unfortunately it relies too heavily on every parent's paranoid nightmare of the internet leading to suicide or a sexual predator. There are some novel ideas here but unfortunately this film does not realize the potential of those ideas.