[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

The Turin Horse

ओरिजिनल टाइटल: A torinói ló
  • 2011
  • Not Rated
  • 2 घं 35 मि
IMDb रेटिंग
7.7/10
20 हज़ार
आपकी रेटिंग
The Turin Horse (2011)
A rural farmer is forced to confront the mortality of his faithful horse.
trailer प्ले करें2:36
1 वीडियो
61 फ़ोटो
ट्रेजेडीड्रामामनोवैज्ञानिक ड्रामा

एक ग्रामीण किसान को अपने वफादार घोड़े की नश्वरता का सामना करने के लिए मजबूर होना पडा.एक ग्रामीण किसान को अपने वफादार घोड़े की नश्वरता का सामना करने के लिए मजबूर होना पडा.एक ग्रामीण किसान को अपने वफादार घोड़े की नश्वरता का सामना करने के लिए मजबूर होना पडा.

  • निर्देशक
    • Béla Tarr
    • Ágnes Hranitzky
  • लेखक
    • László Krasznahorkai
    • Béla Tarr
  • स्टार
    • János Derzsi
    • Erika Bók
    • Mihály Kormos
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    20 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Béla Tarr
      • Ágnes Hranitzky
    • लेखक
      • László Krasznahorkai
      • Béla Tarr
    • स्टार
      • János Derzsi
      • Erika Bók
      • Mihály Kormos
    • 100यूज़र समीक्षाएं
    • 182आलोचक समीक्षाएं
    • 80मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 7 जीत और कुल 15 नामांकन

    वीडियो1

    U.S. Version
    Trailer 2:36
    U.S. Version

    फ़ोटो61

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 55
    पोस्टर देखें

    टॉप कलाकार5

    बदलाव करें
    János Derzsi
    János Derzsi
    • Ohlsdorfer
    Erika Bók
    Erika Bók
    • Ohlsdorfer's daughter
    Mihály Kormos
    Mihály Kormos
    • Bernhard
    Ricsi
    • Horse
    Mihály Ráday
    • Narrator
    • (वॉइस)
    • निर्देशक
      • Béla Tarr
      • Ágnes Hranitzky
    • लेखक
      • László Krasznahorkai
      • Béla Tarr
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं100

    7.720.4K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    10bananasandtomatoes

    A review

    It is very hard to review a film like this.

    It's one of the films that leaves a permanent mark on you. You think about it for days and days, and even after several months or years you remember it, and remember how it made you feel. And it made you feel bad. A feeling of impeding doom.

    One of the films that are so magnificent, but are so hard to watch, that you're never gonna watch it again.

    The ending is so powerful, that I set there as it ended and wept for a while without even knowing why I was weeping.

    In short, it's a story about creating of the world, but in reverse - the destruction of the world through the eyes of two people.
    9dtopuz

    A moving piece, I would give a 10 if there was a 7th day

    I watched Turin Horse the very day (2.April.11) and heard the director warning the already clapping audience "do not before you watch the movie". I was among the ones who were moved by the piece, not just because its originality, excellent cinematography, impressive music, the acting but because it really touched me from the very heart. I am not a fan of Nietzsche or literate on his works but probably I was in the right state of mind to get a meaning out of the movie in my life. Two main characters were holding on to life, in a loop-like setting. Despite the desperation of the situation, they were carrying on almost mechanically or instinctively to survive. The horse was everything for a living and when the horse was no longer, the universe would fall apart.

    Special thanks to the director and the ones who financially supported this piece because it is one of rare films with originality value. And a comment for Ms. Alvarez's review, with respect to his opinion, it is clearly a flaw, his generalizing his point of view to majority of the audience in that theater. And where else audiences be able to see such films if not even at film festivals. If there are people seeing this movie as a torture they are always free to leave the theater.

    While the director humbly accepts the existence of second opinions, why some audiences can't?
    9treywillwest

    Two people pretend the world isn't ending.

    Bela Tarr claims this will be his last film, and damn does it have finality written all over it. I guess there's few ways to be more final than to devote a work to the end of humanity. And I've never seen a film that struck me as more authentically apocalyptic than this one. It is immediately strange to say then, that one of the things that most impressed me about this juggernaut is its ultra-sly humor. Tarr really is a nihilist and a misanthrope, at least philosophically. The fall of our silly little species really is funny to him, in the darkest way possible, and in half audible beats he makes it funny for us too. All of the other species have sensed the death of the world and have, reasonably, stopped trying to survive. Only homosapiens, represented by a half-functioning horse-carriage driver and his daughter, are clueless enough to continue their wretched routine in the face of a blatant apocalypse. We, along with Tarr, laugh at, pity, and admire the duo for this all at the same time. This is why I call Tarr a misanthrope in philosophy only. In practice, he has love for his fools, even as he leads them towards annihilation. The film includes many references to cinematic finality as well. Fading lanterns, windows that show a world that is becoming not, opaque, all suggest an abandoned cinema. The empty shell of a cinematic artist imagining his own abandoned corpse.
    10labanchrist-545-334368

    'Visionary Miserablism'

    Girl:What it is Papa? Father:I don't know.. It is my first Bela Tarr movie and I don't think that words can help me to write a review on 'The Turin Horse' and it is my first review. I have been watching movies since my childhood, reading literature and philosophy in order to understand human condition but the visual and sound sensation I have had with 'The Turin Horse' is matchless. There is a modern novel in which a girl commits suicide because she think that she had to brush her teeth everyday with the same brush. Bela Tarr's characters are eating raw potatoes everyday,fortunately they don't commit suicide but what is the point in living? Bela will compel you to think about it. Father: Eat. we have to... To be very honest 'The Turin Horse' is the most powerful work of cinematic art I've ever came across, it is not social but ontological rather cosmological. What it is to be human? Want to know? Go and watch it, the 'heaviness of human existence' to put it in Bela's words.
    7oOgiandujaOo_and_Eddy_Merckx

    Highly oblique existentialist parable

    Tarr's self-proclaimed last film is as open to interpretation as any movie ever was. The film follows a man, his daughter, and their horse as they struggle to survive during hard times in the late nineteenth century. It's a simple, practically minimalist movie with all the repetition that aesthetic implies, gradually coming to a crescendo that's somewhat reminiscent on a small scale of the disharmony the develops in a previous film, Werckmeister Harmonies.

    The idea for the movie came from an apocryphal story (Tarr doesn't label it as such) about Nietzsche's time in Turin, which relates how the philosopher broke down upon witnessing a carriage driver whip his horse. The filmmakers were interested to look at what happened next for the horse. They also see the incident as representing a sincere recantation of all his works by the philosopher (or heavily imply so). One can apprehend from listening to Tarr that he believes Nietzsche was little more than a psychotic, responsible for promulgating a decline in values. The film depicts such a decline, though any actual link to Nietzsche other than by free association and any substantive intellectual link to the Turin episode are tenuous at best.

    Tarr announced in the Q&A following the UK Premiere of Turin Horse at the Edinburgh International Film Festvial, that he felt "something's wrong", in a grand sense. The Turin Horse reflects this concern. What exactly is wrong is left almost entirely up to you as the viewer to determine. There's one clear allusion to watching television, but other than that the symptomatology and etiology of modern malaise is open to question. You could say that was a weakness of the movie, someone who believes that free migration and rights for gays are the cause for societal decay, would be equally at home watching this movie as someone who points towards revolutions in social media and the society of spectacle.

    Patricularly given that no root cause is identified, Tarr and co leave themselves open to charges of the familiar canard of archaism - supposing that the past was a safer more moral and ingenious place. The artist Jeff Koons has perhaps the best counterarguments to Tarr's perspective on modern life. His stated mission is to "remove bourgeois guilt and shame in responding to banality" (highlighting the snobbery of those who cling to traditional values), whereas Tarr's is perhaps to stoke it. I suppose what side you take depends on whether you see someone fragging on a PlayStation and think "good for them", or whether you bemoan their lack of appetite for self-improvement or meaningful interaction with others. In the Q&A at the Edinburgh Film Festival Tarr said that he thinks that people spend too much time stuck in front of screens waiting forlornly for something to happen, part of a sort of technological cargo cult if you will.

    On a gut level I felt the film went quickly; although empirically it's well over two hours long, it's definitely mesmerising. I've felt for a time that the best way to appreciate Werckmeister Harmonies is as narrative music, as a kind of prelude and fugue, similarly The Turin Horse works well simply in terms of rhythm and visual tone, as a meaningless sketch of the interaction of three hardy entities.

    इस तरह के और

    Werckmeister harmóniák
    7.9
    Werckmeister harmóniák
    Sátántangó
    8.2
    Sátántangó
    Kárhozat
    7.6
    Kárhozat
    The Man from London
    7.0
    The Man from London
    Hors Satan
    6.4
    Hors Satan
    Stellet Licht
    7.2
    Stellet Licht
    Zama
    6.7
    Zama
    Om det oändliga
    6.8
    Om det oändliga
    Moartea domnului Lazarescu
    7.8
    Moartea domnului Lazarescu
    Öszi almanach
    7.1
    Öszi almanach
    Ren xiao yao
    6.8
    Ren xiao yao
    Missing People
    7.2
    Missing People

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The movie consists of only thirty shots.
    • भाव

      Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid; on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.

    • कनेक्शन
      Referenced in Paul Schrader on Revisiting Transcendental Style in Film (2017)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is The Turin Horse?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 31 मार्च 2011 (हंगरी)
    • कंट्री ऑफ़ ओरिजिन
      • हंगरी
      • फ़्रांस
      • जर्मनी
      • स्विट्ज़रलैंड
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • Facebook
      • Official site (Japan)
    • भाषाएं
      • हंगेरी
      • जर्मन
    • इस रूप में भी जाना जाता है
      • Con Ngựa Thành Turin
    • फ़िल्माने की जगहें
      • हंगरी
    • उत्पादन कंपनियां
      • TT Filmmûhely
      • MPM Film
      • Vega Film
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $56,391
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $9,145
      • 12 फ़र॰ 2012
    • दुनिया भर में सकल
      • $1,62,088
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 35 मि(155 min)
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.66 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.