Devil

Managed to intrigue you & create an atmosphere. A little harsh in some scenes!

The concept was intriguing, so I was very eager to watch Devil. And I did like it on the whole. I was dubious though seeing as M Night Shyamalan was producing and writing, now I loved The Sixth Sense and Unbreakable and Signs and The Village had some good things too, but after that his films had ranged from strange to dire.

I think it was a good thing that Shyamalan produced and wrote this movie rather than directed, that way we could see more of the promising story-telling that he proved he was capable of with The Sixth Sense and Unbreakable, and less of the trying to do too much notion that spoilt The Village for example.

Devil is not a perfect movie, it is too short, the ending was rushed and abrupt and the character of Ramirez was rather annoying with the unintentionally funny bit with the pizza slice really jarring with the atmosphere. However it is smartly directed by John Erick Dowdle, the atmosphere is spooky and tense and the cinematography and sound effects are really effective.

The music score is does enhance the mood mostly, but there are times when it does get rather obvious. The dialogue is apart from a couple of cheesy and out of place moments with Ramirez taut and the story complete with a great idea is well paced and works very well generally. The characters are not the most memorable but they are more than the stereotypes that we found in The Happening and Lady in the Water, and the acting while not award-worthy is good with Chris Messina and Bojana Novakovic particularly noteworthy.

All in all, a decent film that falls slightly short of what it could've been, but it could've been much worse than it turned out. 6.5/10 Bethany Cox

After several weaker movies, Shyamalan begin to work on a new trilogy about the presence of supernatural evil in big cities. He concentrated on the script and preferred to let other people direct the movie and so you might expect that this first part of Shyamalan's renaissance must be a well elaborated and twisted masterpiece. Well, this is absolutely not the case, there are no major twists or surprises in the story. But that doesn't mean that this movie is without the glimpse of a doubt a very well done psycho thriller.

Let me mention the negative points first. The movie isn't really long. There are only two minor twists and the first one is not that much surprising while the second one is an interesting turning point of the story but also a little bit predictable towards the end of the movie. The story is not really innovating and this time, Shyamalan really delivers what he announces in the previews. Because of the short running time, not every character is extremely well developed and profound. The critical and philosophic influence that many movies of Shyamalan had is not very present in this movie.

But there are more positive points about this movie. There is a high tension present throughout the whole length of the movie and this is what makes the watching experience breathless and intense, you don't see time pass at all. The movie spares out the unnecessary and goes straight in your face which isn't that usual for Shyamalan's earlier works. That is something new, fresh and innovative coming from him and a little positive surprise for many but maybe also a little deception for some of his more purist fans. The interactions between the characters in the elevator are intense and very interesting. Every character has a very unique and special behaviour and something interesting to hide even if the characters could have been more developed if the movie had maybe twenty minutes more running time. The actions in the movie become more and more intense towards the finish and end up in a well done finale that leaves you with no open questions.

All in all, this is surely not the best of Shyamalan's movies but way better than the last stuff he has done before this movie. It is not a very surprising and philosophical movie, but rather a short and intense psycho thriller. It is a very good movie but far away from being the best movie of the year. It is worth watching it at the cinema or at home, but i wouldn't recommend buying this movie at the full price without having seen it before.

First of all, the plot of the movie was very interesting and when I first watched the trailer of the movie, I really liked it. The storyline was very well written and most parts of the movie were well-explained. The characters were kinda interesting and well-developed, but not really likeable. The filming location of the movie was basically an elevator in a huge skyscraper, it was very claustrophobic. The killcount of the movie wasn't really bloody, but most kills were done in a really shocking way. The casting and the acting were both just fine. Also, it was a very intense movie and there were too many shocking scenes! The ending scene was definitely unexpected and the plot twist was really good. Moreover, there were many jumpscares and scary scenes during the movie and most of them were definitely unpredictable. Overall, it was a really good movie, full of plot twists and I would definitely recommend it to anyone.

M. Night Shyamalan is one of those love him or hate him directors for whom there's no middle ground, so it hasn't helped that he's given his detractors a lot to crow about with his recent downward spiral with successively poor to abysmal movies ranging from The Lady in the Water to 2010's biggest stinker, The Last Airbender. It's been a critical pile-on for the one time golden boy who wowed audiences and critics alike with The Sixth Sense and Unbreakable.

Things have gotten so bad that when the trailer for Devil hit theatres with the on-screen tag line "From the Mind of M. Night Shyamalan", guffaws were reported from audiences and on-line gadflies like Perez Hilton had a field day posting viral videos mocking the promos.

All of which is too bad because not only is Devil a compelling, riveting bit of movie making, but Shyamalan's involvement was limited to writing the story and co-producing, which, given his recent track record, was probably for the best.

Smartly directed by John Erick Dowdle, whose last effort was Quarantine, the equally tight and faithful remake of the Spanish horror REC, Devil marks the first instalment in a trilogy of films dubbed The Night Chronicles, which revolve around the supernatural in modern urban settings (the second film is tentatively titled Reincarnate, about the jurors of a murder trial who are haunted by a supernatural being, and Unbreakable 2 rumoured as the third instalment).

In Devil's case, the plot could easily function as a textbook case of film school 101, tasking a writer and director to fashion a small story, restricted in scope, set in the cramped environment of a stalled elevator. You can almost hear film school professors saying "if you can pull this off, you can do anything". Happily, Dowdle succeeds with flying colours.

Devil is as compelling as the story is confined. It's smart from beginning to end, almost like the hybrid elevator equivalent of Hitchcock's Lifeboat and Agatha Christie's Ten Little Indians. A disparate group boards a Philadelphia office tower elevator, only to become trapped between floors and mortally victimized by someone among them who clearly possesses supernatural ability every time the lights flicker and momentarily go out.

Don't look for spoilers here as I won't be providing any. Suffice to say that Devil is one of the most smartly written, acted, and directed films I've had the pleasure to enjoy this year.

Who knows, maybe this is the beginning of Shyamalan's road back to respectability. If nothing else, it shows that he still has the chops as a top notch story teller.