Welcome

"I knew a boy who tried to swim across the lake, It's a hell of a thing to do, They say the lake is as big as the ocean, I wonder If he knew about it" (Yoko Ono,lyrics slightly modified)

Lioret is one of the most promising French directors .His "Je Vais Bien Ne T'En Fais Pas " deeply moved the crowds .His "welcome" is at least as good,as harrowing and as...pessimistic , noir as his precedent effort.

He chose the right actor as the lifeguard :Vincent Lindon was perhaps never better in his part of a disoriented man ,estranged from his wife , in search of the meaning of his life .With his weary face ,his disenchanted looks ,he seems to carry the weight of the world on his shoulders .Which he does ,in a way.

France ,par excellence the country of refuge (particularly political refugees),is shown in a less-than-flattering light than usual;on the other hand ,one can wonder whether the United Kingdom is really the promised land as it appears in the film.In Calais ,people who gave a shelter to illegal migrants were actually troubled by the Police .Although this is not a true story,all that happens to the lifeguard is credible.

Images of Police vans,of sad beaches ,of free meals ,of informers (the neighbor claims that Simon helps the young Kurd in return for sexual relations!)

The divorced hero has become a cliché;but Lioret makes brilliant use of the screenplay cliché: it's perhaps because Simon has become a lonely man that he takes in his young protégé (one should note he's got no children whereas he is in his fifties ).Simon is ready to give all: his reputation ("yes I'm a gay,I sleep with him ,and I sleep with guys that's why my wife walks out on me" ),his dear treasures (his gold medal:"I gave him" ),and maybe even his job .

To swim across the Channel to get to your girlfriend Mina is an impossible task when you are 17 and you're not a first class swimmer.It's the young man's dream and Simon makes his dream his.

"Welcome" is a great movie,one of the best French movies of the last ten years.

Rightly so, Lioret's film 'Welcome' confronts us with a changing Europe, from one which used to be tolerant to the less-fortunate into one dominated by fear, exclusion and self-righteousness. The anonymous setting of the port of Calais - exchangeable with Dover, Bari or Tarifa or any other border town in Europe – and the hauntingly introvert piano score add to the growing hostilities towards refugees in Europe. The two main characters are, each in their own way, equally tragic: Bilal, a 17-year-old refugee from Kurdistan, in desperately pursuing an impossible dream, and Simon, a disappointed middle-aged French swimming instructor, in not being able to cling onto that dream. The friendship and the actual drama begin when they first meet in a local pool. So far so good. Regrettably, and perhaps regrettably, Lioret diminishes the intensity of this relationship by wanting to provide too many answers to too many irrelevant questions. The result is that story lines, actions and ultimately even the characters become blurred and incredible, which is a great sorrow to inflict on a topic of this social magnitude. One only wishes a little more Dardenne-style type of filming in this film! The strength of 'Welcome' is that is requires us to reconsider to what extent we are willing to be human, social and forgiving towards 'the other' in an ever-harshening world. By examining the attitudes of the shop manager, the neighbour and the bureaucrat, we are eventually confronted with ourselves. 'Welcome' is certainly not an easy film but a highly desirable one.

In Philippe Lioret's latest film Welcome the title is obviously a contradiction, but the meaning of the contradiction itself is just as obvious. It's about illegal aliens in Europe, in this specific film narrowed down to Calais in France. And they are certainly not welcome.

Pic holds an unsettling tone throughout. While story lines tend to diverge, it's reminiscent of Ulrich Seidl's Import/Export in that it tells a story about people in motion in contemporary Europe. People whose conditions were bad from their take-off point, but becomes nonexistent in the grand, boarder-less EU. The limitations with this modern refugee policy of EU is that it only benefits our own. This is all old news for Lioret's protagonist Bilal (Firat Ayverdi) who comes from war-torn Iraq. His journey to Calais where the story begins has been long and painful, and the way to his love in London seems to stretch far beyond the horizon for the seventeen year old refugee.

These are harsh times, Lioret proclaims through images of a port district infested with immigrants, battering cops and even authorities that manifest a despicable manner not only towards refugees but just as well to people trying to help them. One of them is Simon (Vincent Lindon), a disgraced ex-champion in swimming. He seeks atonement in Bilal for his previous mistakes in life and the two becomes committed to each other. But in these harsh times nothing is certain and struggle lays ahead for both of them.

Philippe Lioret covers pretty much the whole lot of it. Each of his characters carries around on fear, despair, desires, love, longings and struggle. It is classic ingredients taken from the ordinary lives of those immigrants. In Welcome, however, it blends well with the non-immigrants as well. It is something they have to live with constantly, but something that is exposed to us at times as well. It is indeed an unpleasant take on modern refugee policy, but it is nevertheless a necessary take.

The seventeen year-old Iraqi-Kurdish Bilal (Firat Ayverdi) has crossed the Middle East and Europe trying to reach England to meet his girlfriend Mina (Derya Ayverdi) that lives with her family. However he is caught in Calais, France, and sent to a refugee camp. Meanwhile the swimming coach Simon Calmat (Vincent Lindon) is divorcing his wife Marion Calmat (Audrey Dana) and he meets Bilal that wants to have swimming classes with him. Soon Simon learns that Bilal wants to cross the English Channel to be with Mina and the love of Bilal affects him. Simon befriends the teenager and decides to help him. But France penalizes those who help illegal immigrants and a neighbor denounces Simon to the authorities.

"Welcome" is a French film with an emotional view of the illegal immigration, one of the greatest social problems of the century. We see on the news Mexican, Cuban and South American refugees trying to immigrate to the USA; Middle East and African refugee trying to immigrate to Europe; African, Central American mainly from Haiti and South American refugees coming to Brazil. In common, all these people expect to have a better life in the new country. But most of them do not have professional qualification and increase the legion of unemployed or subemployed and illegal workers in the new country.

The director Philippe Lioret brings a different and romantic approach to this problem, with a love story entwined with the sympathetic gesture of solidarity of a man that is needy since he is divorcing his beloved wife and is punished by the French laws for helping the immigrant. The beautiful story is heartbreaking; the performances are top-notch; and this movie introduced a debate in France about illegal immigration. My vote is eight.

Title (Brazil): "Bem-Vindo" ("Welcome")

I am a judge for the Indianapolis-based Heartland Film Festival. This feature film is a Crystal Heart Award Winner and is eligible to be the Grand Prize Winner in October of 2009. The Heartland Film Festival is a non-profit that honors Truly Moving Pictures. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life."

Bilal is a 17 year-old Kurdish boy from Iraq, who has just taken an arduous, three-month journey to Calais in France desperately trying to get to his girlfriend/fiancée in London. But in Calais he becomes stuck with many other clan-destines or illegal immigrants. These are people without a country. The French won't send them back to the Mid-East because there is a war going on. But they are not welcomed in France because they are clearly illegals. Even the local French people will violate French law if they help these clan-destines.

With this backdrop, Bilal comes up with the idea that he can swim the English Channel to get to his girlfriend. There is only one problem. He can't swim. He goes to a middle-aged French swim instructor, Simon, who not only teaches him how to swim, but also befriends him. Simon has his own problems. He is divorcing his wife and is terribly lonely. Bilal and Simon need each other and form a strangely beautiful symbiotic relationship.

This is a quiet and powerful statement on the individual courage and sacrifice of normal human beings. Bilal and Simon are single-minded in trying to do the right thing and will not be put off their objective. This is a very moving film that haunts you afterwords. It does not take a stand on legal or illegal immigration. It merely shows that these clan-destines are human like the rest of us and have their own stories.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.