Damage

I watched the trailer for this movie and had high expectations going into this movie.... being a fan of stone cold in his wrestling days I thought I would enjoy this action movie... I was wrong. This movie doesn't know if it wants to be a drama or an action movie. The actions scenes are repetitive and theirs too much talk in between the fight scenes. If you like steve austin kickin a$$ than I recommend another B action movie and that is "hunt to kill". At least that movie knows what it wants to be.However I did buy this movie for $1 at a local movie store that was closing down, so for that much it's worth it. overall I give it a 4/10.

You wouldn't expect a lunkheaded beat 'em up starring hulking wrestler Steve Austin to go for the heart, but this virtual remake of the Van Damme vehicle A.W.O.L. (aka LIONHEART) is all feeling. Austin plays a guy fresh out of prison who finds himself engaging in a brutal gambling ring where he battles opponents to the death. His motive? To pay for an operation for an ailing girl.

For the most part, the film is all about the violence, featuring a string of well-choreographed and exciting bouts between Austin and various, even more fearsome fighters. Such bouts are satisfyingly hard-hitting and unflinching, and Austin holds his own against even the toughest brawlers.

What surprises is that the story outside of the violence is also engaging, with Austin delivering a realistic turn as a guy forced down a dark path in his bid to do good, and some heartfelt emotion dished out along the way with it. It's no classic, for sure, but it ably does what it sets out to do, which is entertain.

I feel the first thing I should do is confess that I'm not a wrestling fan - I've hardly watched the sport, and I've never seen Steve Austin in action. Obviously, he wasn't the reason why I rented this movie. What did get me to rent it was my love of B movies - I watch them all the time. This one got me interested since it promised it would have a lot of action (fighting) in it.

Now here comes my second confession - I didn't think very much of "Damage". True, it does look pretty good for what was a Canadian low budget movie. And Austin, though he's no actor, does bring to the screen a strong presence and wisely doesn't try to be very expressive in his somewhat limited dialogue. But despite all that, I found the movie to be somewhat boring. There's far too much talk, as well as multiple subplots that slow the action from coming. And when the action does come, it's somewhat disappointing. The fights are mostly filmed with the camera zoomed way in, and with somewhat quick cuts, making the action hard to follow at times. The fights are supposed to be brutal, but I never got the feeling the fighters were suffering or in pain at any time.

This isn't a BAD movie - it's just somewhat bland and disappointing, considering they got a skilled fighter and a premise that would indicate wall-to-wall action. You can safely skip this one.

"Damage" is a remake of a Charles Bronson flick, "Hard Times," which in turn was remade some years later with J.C. Van Damme. Steve Austin plays an ex-con who gets involved in the murky and illegal world of bare knuckle fighting. A hokey subplot has our hero trying to raise enough money to obtain a new heart for the daughter of a late acquaintance. Walter Goggins plays Austin's sleazy but likable manager and the very pretty Laura Van DerVoot is Goggins' partner. Several veteran actors were cast as well, including Donnelly Rhodes, to support Austin, who in fact isn't all that bad as the soft-spoken, hard-hitting tough guy. Casting several veterans in a film like this is nothing new; it has been used with folks like Chuck Norris, Ah-nuld and Steven Segal, none of whom started out as actors. The fights are clumsily staged, which in a strange way befits an ex-pro wrestler. "Damage" doesn't begin to touch the Bronson version, but it is watchable, especially for Goggins, who reminds me of a young Tom Cruise.

There's a workable story hiding in there somewhere, but it's mostly obscured by mind-numbingly cheap fights, a clichéd soundtrack and general DTV feel.

Stone Cold Steve Austin is John Brickner, a recently paroled ex-con. He is aided by Veronica (Lynda Boyd), the widow of the man John was imprisoned for killing. However, Veronica's help is not motivated by forgiveness or understanding, but rather by a need to have John help her with her own desperate agenda.

Needing money and fast, John befriends underground fight agent Reno (Walton Goggins) and his girlfriend Frankie (Laura Vandervoort). Together they enter a fight circuit hoping that the rewards of victory will solve their respective dilemmas.

The acting in "Damage" is sub-par. Here I don't evaluate Steve Austin because you aren't expecting much. Laura Vandervoort is a little bit of eye candy, but her character seems more interested in appearing scene than actually helping her man out. Walton Goggins is too old for his role and is very inconsistent. Sometimes he's convincing, sometimes very dry --- but you can never put a finger on what his character really values. Instead of helping his woman, his character seems to gamble all his spare dollars away.

Thematically the film is a Christian tract with an "original sin" subtext. Necessarily, this leads to a class warfare view of social relationships whereby everyone is either portrayed as a "master" or a "slave" due to their debts --- moral, economic or otherwise. By consequence this perpetuates the bromides that money = root of all evil, and happiness consists of a duty ethic.

And oh yeah, rich whitey is behind it all.

Many action film fans are willing to overlook genre clichés if the film has exciting fights, like in "X-Men Origins: Wolverine". But the fights in "Damage" consist of unrealistic blood splatter and mindless repetition, so it's doubtful that even the action buffs will be satisfied. Steve Austin only throws hay-makers (which rarely appear to connect),and his primary fighting attribute seems to be that he is "Stone Cold", i.e., takes a beating without getting knocked out.

The "final fight" of the film hearkens back to the cheese of mid-80's action flicks, but without the enjoyable payoff. Captive audiences should not be made to endure such a ruthless conglomeration of "YOU CAN DO IT!" aerobic workout music and extreme body greasing. It's not 1986 anymore, and there's just no excuse for direction of this kind.

The whole film is summed up by the homophobic hug given at the end:

Weak.