O Cemitério das Almas Perdidas

It is the Americans with the films of the Russian and Arab enemies and the Brazilians with the Portuguese, demons that they invoked are Cyprian.lol ir kkkkkkkk.

Rodrigo Aragão's films are made for a guy like me: one who haunted the video store several times a week devouring horror movies. That was also the time of the SOV '80s when you could mail order horror films out of the back of magazines. Today, you can easily find most of these films on platforms such as You Tube or the Internet Archive. . . .

Aragão brings it: Creepy carnivals workers, Satanism, cursed cemeteries, the occult, along with all the dirt, grime, gore and oozing and crumbling zombies we want, and more!

The enjoyment, here, is that it takes me back to the works of Ruben Galindo Jr., with his own Cementerio del terror (1985) and Ladrones de tumbas (1989). As with Coscarelli's Phantasm or Stuart Gordon's Re-Animator, I return to Galindo's and Aragão's work, often. Each are low-budget delights to behold. If you're a horror dog, more so a fan of low-budget films or SOVs, give 'em each a watch.

After finding their activities unwelcome, a group of carnival workers mistaken for devil worshippers are left in a cursed cemetery as prey for an immortal collection of bloodthirsty beings trapped there, and when one of them tires of the situation contacts a local tribesman to help break the curse and stop them.

There was quite a lot to love about this effort. One of the strongest aspects involved here is the strong and engaging storyline that keeps this one intriguing and moving forward. The initial battle with the Satanic colonists and the locals manages to not only bring about some interesting occult imagery but sets the stage for the more engaging work found in the modern setting. Getting an idea of their association with the black arts and how this religious-based fear governs the locals against the supposed devil-worshipping carnival workers who get involved with the followers by being dragged into the fateful cemetery they're cursed to remain at. With the work done to also feature the connection to the warrior tribe and the young kid saving them, the story here is quite well-handled. There's also so much to like here with the action that takes place. The film operates with plenty of different tactics, including the series of confrontations between the treacherous members of the cult to get their hands on the fabled book of spells to the tribe's raid on the carnival workers and their later assault on the church ruins o rescue their kidnapped member who becomes involved in all sorts of black magic fun as the blood gets spilled with abandoned, bodies are hacked to pieces and the action involved is frenetic. This impressive series of battles and confrontations carries on throughout the rest of the film as the possessed demons become far more active and bloodthirsty with their captives or whoever manages to encounter them. Given the impressive amount of practical gore effects and blood spilled here, there's quite a bit to like here which all holds this one up for the most part. This one had a few minor, sight problems. The main problem is the dizzying amount of characters and plotlines to keep track of that can make for a slightly disconcerting time getting invested in the film. The first half ends to go through so much backstory and setup, which admittedly serves this nicely in terms of bringing together what happens later but does make keeping track of everything rather difficult. That becomes more prominent when it suddenly reintroduces the carnival workers into the story after being a major part of the film for the first few minutes nearly an hour later, making it possible to forget they were still alive. This really holds the film down the most.

Rated Unrated/R: Extreme Graphic Violence and Graphic Language.

Well done horror action film from Brazil, with a lot of gore, creepy dark magic with religious tones, unconventionally portrayed vampire myth elements, and a two-period background ranging from Portuguese colonization and butchery of Indians and a contemporary travelling circus delivering its horror show in a tiny town with religious fanatic denizens. While there are few not so good moments, and the story is indeed a little confusing, the merits are remarkable, particularly considering the genre: awesome sets, art direction, make-up, soundtrack, light... everything leading to a quite spooky atmosphere.

After finding Kriya (2020-also reviewed) to be welcomed surprising film,I decided to check what else was being streamed at the Abertoir Horror Festival. With my pick of the last stream the day before having gone so well, I choose to do the same a second time,and enter the cemetery.

Note:This review contains plot details.

View on the film:

Entering the cemetery to a opening dedication to film maker Coffin Joe/ Jose Mojica Marins, writer/director Rodrigo Aragao & cinematographer Alexandre Barcelos dig their nails into Brazilian Horror with gloriously decadent splatter effects,as the Jesuit and his blood-thirsty followers paint the screen red with practical effect head smashing spewing crimson.

Locking the Jesuit inside graves with his cult for 100's of years, Aragao breaks them out with icy blues across the cemetery, whisked away in close-ups of blood- curdling cackles from their return.

As gore is sprayed all over the place, the screenplay by Aragao attempts a uneasy, but ambitious balance of supernatural chops with the shadows from the horrors of colonialism,where the serious manner in which massacre of the indigenous is presented, feels at odds with the pulpy chunks covering the cemetery of lost souls.