Boon

This was fun. I grew up on western films and war flicks and this was definitely inspired those. Old school hero and some great action scenes but definitely felt we needed more Tommy Flanagan!

Loved the score, the look of the film and the acting was awesome.

Decent film to catch, especially if you're a fan of the genre.

This movie was actually pretty good, certainly not as bad as the 1 star reviewers want to make you believe.

For some people there seems to exist only 1 or 10 star ratings and nothing in between.

6/10.

This film is worth 1.5 hours of your time, provided you're sitting in your man cave polishing your collection of firearms. Yeah, it's that kind of movie.

Neal McDonough plays the title character, Boon, with cool flare. Sure, it's a rehashed plot - the burnout hitman who has developed a conscience and decided to quit the game only to be dragged back into the lifestyle - but most plots recycle something. Don't let that get in the way of your fun!

You'll certainly enjoy Mr. McDonough's work in this movie, and fans of "Son's of Anarchy" will note Tommy Flanagan's portrayal of Mr. Fitzgerald. Truly menacing on both accounts!

So, grab a six pack and a bag of chips, prop your feet and watch. You won't see this one win an Oscar, but I bet Boon will entertain you!

I hardly believe what I see, Neil Mc Donough, a usual supporting villain character, a heir of Lee Van Cleef, Robert Wilke, John Doucette, Skip Homeier, Jack Lambert.... So what a surprise for me to see him as an anti hero role, a professional killer wounded after a "contract" and then helped by a woman - a priest - who has "trouble" with mobsters. The following is very predictable, you can foresee it miles ahead. But it works for this good little B crime movie without any pretention. So please watch it as it is, don't expect too much, it is not a film destined to festivals, only streaming platforms and DVD racks. Some kind of modern times western with McDonough playing Jason Statham or JCVD as he was in the nineties.

Didn't co-writer Neal McDonough notice all the scenes where he needed dialogue, but instead just sat there twiddling his fingers or looking out into space? I actually felt bad that Christiane Seidel's character was yacking away non stop telling her story without any participation from McDonough to assist or compliment her dialogue.

Then you have co-writer and director Derek Presley who just kept the film rolling in those awkward long and dragged out scenes. Seriously, amateur hour writing and directing.

I'm a fan of McDonough, and although when he actually acted (instead of being quiet and twiddling his thumbs looking spaced out), he was good, but when you add the other cliched stereotype characters and their dialogue, everything just went downhill. Even Tommy Flanagan was stale and difficult to understand. The most annoying character though, was Christina Ochoa as Emilia, who's tough-girl act was phony, and as ridiculous as her random verbal diarrhea in another language (the viewer is expected to understand?).

To make matters worse, there was nothing new in this story that's been done many times over, starting in the 80's, and done much better, even back then. The pacing was horrible, and when added to the suspenseless, plot-hole-riddled writing and directing, the normally comfortable 95 min runtime felt endless. There was maybe 5 minutes of some sort of action towards the end, but that's it. Everything else was tumbleweed rolling by the deserted saloon town.

It's too bad, because even as cliched at this was, it could've so easily been much better had the right director and writers been hired. The best qualities were the very good and fitting score (surprising for a B film), and some decent cinematography and landscape shots. It's a generous 5/10 from me.