Good Times

Representation matters and this is not what represents Black people in 2024. Sadly, those defending this show as funny do not realize that these same creators and producers would NEVER make a show with stereotypes like this for non-Black people. Saying this baby is comparable to Stewie is the definition of Playing in our faces. One baby is a drug dealer and the other is a witty genius. This is a 2024 minstrel show and Netflix should be ashamed for airing it. This show is not Boondocks and it's definitely is not a reboot of Good Times. The live show ended with the Evans family getting out of the projects and moving toward creating generational wealth. Seth and Steph's show has the family five generations later in a situation that is absolutely 100 levels worse and no improvement or inspiration to be had. This show Is the definition of Blaxploitation and I'm sick and tired of being sick and tired of how Black Americans are represented, even when it is supposed to be satire. This is not satire, it is just sad and tired.

Other than the characters names this show has absolutely nothing to do with the message that the original tv show was trying to get across, and what idiot thought a baby selling Crack was going to be funny? Black people have come to far for this BS and need to let Netflix know it, don't know why in the year 2024 anyone would make such garbage, it is embarrassing and an insult to all black people, except Tim Scott and Byron Donald's who think we act this way in real life, I really wonder what audience was this actually made for, was it made for an African American family or was it made to further the racism being brought about in politics.

I understand the reboot and the concept but the stereotypes are killing me I couldn't get pass the first episode its actually embarrassing. I can't believe the actors went along with a 1 year old selling drugs, then they say he's a mirror to stewie from family guy naww. I honestly believe they felt the show was funny and they would get the best response from it. Being from Chicago we try to stay away from stereotypes but as a whole this set us back like 50 years. This is not why we work hard to be portrayed like this on TV I didnt find this show funny at all, it actually looked like a good a watch but i couldnt continue.

In 1974, lear, Monte and others, created one of the greatest tv shows of all time, good times, it had humor, laughs and great performances throughout, even, The catchphrase dynomite was cool as well, as for this new one and it is total garbage, there is only some chuckle or two, the performances are horrible, the animation is worthless, the teleplay is pathetic and the writing is just b.s. Throughout, let's just say that I hated every inch of this reboot, even more offensive than the grotesque splatter is the use of a baby as a drug dealer, now I found that to be completely cynical and truly dreadful, this is yet another reason why I turned the TV off, the first in 12 years, this new good times is just truly pathetic and it's heading on my list of the worst television of 2024 and it deserves to be

I gave good times a big fat f.

In the past year, Netflix has shifted gears, abandoning the pursuit of quality in favor of becoming a mere content aggregator. Nowhere is this more evident than in their treatment of Black Stories-shallow, tokenistic offerings that scream, "Here's something we think the community will tolerate," devoid of any genuine effort to deliver quality entertainment.

Take, for instance, their recent Shirley Chisholm Movie debacle. It looked as though they threw spare change at it and managed to get everything about Chisholm wrong.

Now Good Times. This insulting portrayal, steeped in old stereotypes, is just the tip of the iceberg. And I highly doubt this poorly executed, offensive mess will win them any new audience.

Netflix originals have become increasingly unbearable. From the disaster that was the Zack Snyder debacle to the mishandling of "3 Body Problem," it's evident that Netflix's enthusiasm for new creators and bold ideas has waned, replaced by tired clichés and a race to the bottom.

We may be witnessing the twilight of the streaming golden age, but I never imagined quality would plummet to such depths in a business model reliant on subscriber retention.