हेरा पैलेस में रह रहे अमीर परिवारों और उनके बच्चों की कहानियों को दर्शाया गया है, जो अपने मकसद के लिए किसी भी हद तक जा सकते हैं.हेरा पैलेस में रह रहे अमीर परिवारों और उनके बच्चों की कहानियों को दर्शाया गया है, जो अपने मकसद के लिए किसी भी हद तक जा सकते हैं.हेरा पैलेस में रह रहे अमीर परिवारों और उनके बच्चों की कहानियों को दर्शाया गया है, जो अपने मकसद के लिए किसी भी हद तक जा सकते हैं.
- पुरस्कार
- 2 जीत और कुल 4 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
This high-life Korean drama reminds you of all those bloodstained knife nightmares, that end with an abrupt fall from a high place , or more precisely Puccini's TOSCA......which coincidentally contains ALL these details! Though Penthouse's melodrama is scarcely believable, I'm still watching, since it's compulsive, with Mozart's Queen of the Night and Verdi's sumptuous Sempre Libera (La Traviata) thrown in, though I'm genuinely skeptical mere16-year-old students could master the tacitura. Pity really that Tosca's not got Soprano solos, like "E lucivan le stelle" for Tenor. Penthouse, nonetheless owes much to Kabuki and Greek Drama (Euripides, Sophocles, Aeschylus), whose long-forgotten audiences were frightened equally by awe-inspiring events that often shocked in juxtaposing good/evil, rich/poor, lawful/unlawful Godly/unGodly, mighty/impotent etc. The trick Penthouse seems to employ perpetually.......... is to draw its audience in - shortly before SHOCKING them! We even have the semblance of a Greek Chorus with those two chatty Heron Palace ladies and that toe-rag of a lawyer/politician. All in all, there's actually more than meets the eye to Penthouse. Hope this review will explain things a little better to the curious, or for the Music-lover to search YouTube for Puccini's, E lucivan le stelle, (Pavarotti, or Placido Domingo).
A makjang melodrama for 2020, this show is enjoyable and has twists and turns every few minutes. The use of opera and classical songs by the competing kids is really enjoyable throughout. It's more outrageous and much faster moving than Sky Castle. It's a lot of characters at first with all the evil rich and the wronged poor. Some people look a bit alike. The over the top apartment building is tacky and fun. The cast isn't terribly charismatic - the guys are more on the plain side. Lee Ji Ah is the main familiar face here.
Things don't drag - they move quickly. Enjoyable with a delightful black comedy element. And a murder whodunnit keeps the viewer interested.
I have read some of these reviews and I am not exactly sure why so many people are so emotional about it lol and you can tell they have only watched a few episodes on a show that has hour long episodes with 2 parts and 3 seasons. I admit like any good drama it can make you angry when your favourite characters dont win but theres also reasons for certain build ups and judging by the comments I am not sure alot of you have watched to the most recent episode. Regardless this is one of the best dramas I have ever watched ... American dramas could never . No seriously I have watched alot of drama and this is by far the best. I am constantly engaged in the plot and every episode answers your questions as well as gives you many more. The cinematography is beautiful and their sets are so nice. Even the music took me a while to get used to but it adds to the intensity and the tension and the show even made me like oprah music lmao I even recognize the music in other films... The actors & actresses also do an amazing job minus a few ( but what shows arent like that ) either way I am waiting patiently for episode 10!
I was not here to recommend this show to anyone. I just want to review my opinion on this show.
It's freakingly dark, freakingly irritating, and also freaking epic. How can there is no likable characters expect Su Ryeon in entire main cast. It's unbelievable. Also I had a little crush on Ro-Na, but it's not about her character.
Womens screaming and framing for murder throughout the drama. Even it's unsettling, it still has its own epicness. That's why drama elements levels portrayed at its best. So its a 10.
It's freakingly dark, freakingly irritating, and also freaking epic. How can there is no likable characters expect Su Ryeon in entire main cast. It's unbelievable. Also I had a little crush on Ro-Na, but it's not about her character.
Womens screaming and framing for murder throughout the drama. Even it's unsettling, it still has its own epicness. That's why drama elements levels portrayed at its best. So its a 10.
I rarely write reviews but after the 3rd or 4th episode of The Penthouse I felt compelled to put down my thoughts.
I've get a lot of viewing pleasure from TV shows and movies that originate in Korea. They've got subject matter for every taste: action/adventure, comedies, historical dramas, horror features, etc. It's opened a brand new viewing experience for me. I've enjoyed shows of every type and believe Korea has very talented writers and some terrific stories to tell. Production values vary from show to show as does acting ability, but that happens in cinema from all over the world.
My review is to address a subject I see in many of the shows I watch-physical abuse or assault. I'm not talking about the choreographed fights in a spy movie or the sword play in an historical show. I'm talking abuse in the life of every day Koreans. Family violence, workplace abuse and school bullying in particular.
What I find disturbing is the frequency with which it pops up in Korean shows. It's not a random occurrence. It's rarely seems essential to the storyline. It's been presented in every possible genre of storytelling. What adds to this disturbing element is the way the violence is presented as being accepted or acceptable. There is rarely any involvement of any type of authority when the violence is shown. School bullying? Workplace violence? It's repeated in series after series with there rarely being consequences for the assailant or justice for the abused. It's almost as if it's being presented as an acceptable and tolerated part of most Korean's lives. That a slap in the face should be taken. Or a kick or a push. And we all know that can't be a true reflection of the Korean people and their daily experiences, can it?
Of course Korean writers and storytellers don't want think that because Korea is a patriarchal society or because historically this type of behavior has been experienced that viewers should assume it's commonplace behavior in this day and age. Yet that is exactly how it's portrayed. Often.
This is only my perception. Others may not feel the same at all. But, to me, it's a sad element of too many Korean productions.
End of rant.
I've get a lot of viewing pleasure from TV shows and movies that originate in Korea. They've got subject matter for every taste: action/adventure, comedies, historical dramas, horror features, etc. It's opened a brand new viewing experience for me. I've enjoyed shows of every type and believe Korea has very talented writers and some terrific stories to tell. Production values vary from show to show as does acting ability, but that happens in cinema from all over the world.
My review is to address a subject I see in many of the shows I watch-physical abuse or assault. I'm not talking about the choreographed fights in a spy movie or the sword play in an historical show. I'm talking abuse in the life of every day Koreans. Family violence, workplace abuse and school bullying in particular.
What I find disturbing is the frequency with which it pops up in Korean shows. It's not a random occurrence. It's rarely seems essential to the storyline. It's been presented in every possible genre of storytelling. What adds to this disturbing element is the way the violence is presented as being accepted or acceptable. There is rarely any involvement of any type of authority when the violence is shown. School bullying? Workplace violence? It's repeated in series after series with there rarely being consequences for the assailant or justice for the abused. It's almost as if it's being presented as an acceptable and tolerated part of most Korean's lives. That a slap in the face should be taken. Or a kick or a push. And we all know that can't be a true reflection of the Korean people and their daily experiences, can it?
Of course Korean writers and storytellers don't want think that because Korea is a patriarchal society or because historically this type of behavior has been experienced that viewers should assume it's commonplace behavior in this day and age. Yet that is exactly how it's portrayed. Often.
This is only my perception. Others may not feel the same at all. But, to me, it's a sad element of too many Korean productions.
End of rant.
क्या आपको पता है
- ट्रिवियाKim So Yeon and Kim Yoo Jin worked with each other's husband on different dramas. Kim So Yeon worked with Kim Yoo Jin's husband Ki Tae Young on Mother of Mine (2019) and Kim Yoo Jin worked with Kim So Yeon's husband Lee Sang Woo on All About My Mom (2015).
- साउंडट्रैकLife
Performed by HEDY
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does The Penthouse: War in Life have?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 10 मिनट
- रंग
- पक्ष अनुपात
- 4K UHD
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
What was the official certification given to The Penthouse: War in Life (2020) in France?
जवाब