Gingerdead Man 3: Saturday Night Cleaver

The third part of the GINGERDEAD MAN franchise from Full Moon, and surprisingly the best yet; you'd expect the quality to drop as the series goes on, as is the case with mainstream cinema, but this one's gone from being awful to being not awful for a very low budget production. This time around the story involves time travel, with the antihero fleeing the authorities and ending up at a roller disco in 1976. The acting is pretty awful, as ever, but the writing has improved and there are fun spoofs of THE SILENCE OF THE LAMBS and CARRIE along the way, alongside the cheesy gore. A sequel, which combines this franchise with the EVIL BONG franchise, followed.

Having watched both Gingerdead Man films in the series, and found less interest in the second film.

This third instalment once again features a different voice actor for the Gingerdead Man, as well as a new cast of characters. Now this film is better than the second film. It has a more fun and a silly entertainment factor. The look of the gingerbread looks more realistic at times and he seems to show more range.

Still this movie is quite cringe and off putting at times. Some gruesome kills by him with overloads of cgi. The ending was bizarre and made little sense, yet they seemed to make it as over the top as possible.

Noting that this film was ultimately the final film of the series (although there is a crossover film with the Evil Bong released after), we wonder if this third film was meant to end of the franchise.

The idea of rude humor and purposefully sexist comedy is fine--but you have to actually be funny. And you have to make something that holds together as a movie--I mean to sit through a feature length mess is not a good time.

The standards for this series as far as something that looks like a movie are low but this one is a new low. A Lousy sound job with obvious and much post production dubbing of voices is probably the shoddiest element. The sound dubbing is no bad it almost sounds like a commentary track playing over the actual film sound--and mostly sounds are just missing.

Director Butler doesn't show an understanding of how to shoot a movie it almost looks like it's shot and edited live--frequently the shots jump from one to another from a real location to poor sets.

The editing struggles to cut from one camera angle to another without it looking like each show was done at a different location. The original footage is badly shot so I'll give the editor a bit of a break--one of these "you can't make chicken soup from chicken sh**, still there is no pace to the movie.

The movie boast out of focus shots right in the first couple of minutes during a shoddy Silence of the Lambs parody--the kind of bad sketch comedy that would be editing out of any other movie.

There are also ,crappy Digital and practical effects and acting that is elementary school talent show rejection level. Most of this can be blamed on Butler and, I'm sure, a super short shooting schedule. Then again this was made in Los Angeles where there are more actors than anywhere else on the planet so why you'd pick these people? Even for no money there are so many to choose from.

Only possible note is that unlike the totally lazy films that Charlie Band directs himself, Butler actually has some ambition--to actually shoot in a real roller rink for a day or two and actually have some digital effects.

If you liked the previous films I guess you can add one star to my review but still not something worth your time.

Full Moon films seem stuck in many ways to what wasn't so great in the 1990's. Only back then they had, per film, budgets that now represent an entire years worth of movies. Sad.

No pun intended - the movie starts off with a nod to ... well Silence of the lambs ... instead of lambs ... I mean humans (prisoners) we get ... well puppets of sorts. Clarice (or whatever her name is) is not holding a candle to the real one ... but I reckon if you like the joke you may not care.

This is not the only nod to other classic movies we get here. You either think this is hillarious ... or you'll have issues with it ... and find it annoying. This has a better (bigger) budget than the original ... and it has a really cringeworthy love scene ... and there are many things that you may find offensive ... but that is what you get with a movie like that ... I am almost surprised they didn't do another one (if you do not count the crossover with Evil Bong - not seen that one yet) ... be aware of what this is ... and if it is something you want to watch.

After escaping from jail, The Gingerdead Man finds himself in a time machine destined for killing and roller disco.

Opening with a highly amusing Silence of the Lambs paradox including a muffin throwing his cream over Clarissa Darling stating he can smell her Muff-in, you know what in for - or do you? The previous Gingerdead instalments were B-average at best and this is no exception.

Once Ginger goes back to the 70's it's a series of some Porky's gags mixed with scene on scenes of roller skating linked by some t & a and few and far between kill scenes including gun play, acid attack and a nail gun assault. By the end it all crumbles apart with annoying kids and time travelling history figures cameos.

While no one expects Oscar material from Full Moon you always hope for some-kind of return to former glory. You could spend 80 minutes watching Puppet Master or Blood Dolls but if your a fan of Gingerdead and 1976 this one will roller Boogie you to death.