Solace

I wasn't sure what to make of it based on the review score. Lately, I'm finding that the reviews are becoming less reliable and more fringe opinion.

This movie presents an interesting concept and a troubling moral dilemma. I found it to be well acted (with the exception of the female detective) and fairly well written. I enjoyed the concept of multiple outcomes based on the "butterfly effect" and how they were presented.

Giving bad reviews based on it being written by a man (yes there are a few) or similar nonsense is just wasteful. Overall, it was an interesting watch that left me thinking and somewhat troubled - that's the best kind of movie.

I don't agree with the bad reviews here, I liked this movie very much. The story keeps your attention focused up to the very end. I loved the filming, the editing and the music. If you like a good old fashioned thriller with surprising twists and an end that makes you think about matters of life and death, this is a film to watch. It has just enough body count, car chase and action to be all throughout interesting, without overdoing violence.

Anthony Hopkins' performance it stunning. I always enjoy watching him and here he delivers as well as ever. He can tell the story of his character only with the expression of his eyes and the director uses them well. Colin Farrell does a good job, the other characters are OK but not outstanding.

Take " Dead zone" and " Manhunter" and you have Solace.

I won't tell you much about the plot but the film is in the title.

Wasn't entirely sure what I was going to watch because of the trailer but was very pleasantly surprised.

I left the theatre wondering who was the bad guy...or indeed IF there was a bad guy.Fantastic cinematography and use of special effects with blistering performances all around.

A number of reviews have mentioned that this copies a lot of genres but for me it nods a wink in homage to psycho-thrillers to which the director obviously adores.

Absolutely riveting direction takes this from a Sunday matinée to a Saturday night blockbuster which Tony Hopkins comfortably revels in.

Colin Farrell is superb as the protagonist ( or is he)?

I challenge you to not enjoy this for what it is.

Bring on the DVD so I can watch again and sumise!!

Firstly, I liked this movie very much. What I didn't like were 2 things: the story was a bit lame (the directing makes it unpredictable) but otherwise the story was flatly OK. The second thing: the tempo and the editing were fast as if it were a TV series. Other than that, it was excellent. The mood of the movie with its colors and lenses and frames was different than anything I've seen, as if the director intentionally wanted to give this genre a different approach. Thus the contre point description: it's too fast and too lucid to belong to this genre. That being said, I can reiterate now and say I liked this movie. It worked for me. It's surprisingly haunting, fresh, it doesn't bore you for a second and it keeps building up. Other than the lame story and the fast editing tempo it's a great effort by an amateur genius (the director). It lingers in your mind, the contre point aspect, the score, the script, the performance by the actors. It's really worth a watch.

It's hard to believe than an interesting idea with such a casting for the main roles can end up being such a mediocre movie.

The script is not great, it definitely has its flaws, but what really bothered me is the camera work and cinematography. It really makes this movie look cheap. Even though there is a decent budget (big actors, cars being destroyed..), the style is completely absent. The shaky camera and quick zooms look horrible and distracting in this kind of movie, it's like the director made a couple of action movies and didn't know how to film this. It's a very dark story, with very dark characters and dialogs, but the visual mood tells a completely different story, and if you're aware of this aspect of a movie, it will definitely spoil this one like it happened to me.

Another big annoyance was the character Joe (J. D. Morgan), which was supposed to be a burned down cop with a big mess on his hands, but then he walks around with a gentle smile, being cool and nice and sharing some lovely scenes with his happy family. I actually like the actor, but it seems that he wasn't really guided into the character. Complete kill of mood. There were lots of moments where the characters kind of lose the touch with the nature of the story and I found that very distracting. This was supposed to be a sequel for Se7en. Compare it with that and you'll see exactly what I mean.

I'm sure lots of people will find this movie good, watchable. I feel like it had the potential to be way better, but the director failed to set the mood right.

I'm actually glad they didn't make this into a sequel for Se7en.