IMDb रेटिंग
5.9/10
6.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA psychosexual noir love story, set in Las Vegas and Paris, about love, obsession, sex, betrayal, revenge and, ultimately, the search for redemption.A psychosexual noir love story, set in Las Vegas and Paris, about love, obsession, sex, betrayal, revenge and, ultimately, the search for redemption.A psychosexual noir love story, set in Las Vegas and Paris, about love, obsession, sex, betrayal, revenge and, ultimately, the search for redemption.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Amy Argyle
- Rachel
- (as Amy Lawhorn)
फ़ीचर्ड समीक्षाएं
I've heard of this film but never decided to check it out. Now that I sometimes go the library (who even does this?) to rent movies I saw it and picked it up. The first intriguing thing about this film were all the very positive reviews for the director, the cast, the style and the deliver of the plot. I don't see Imogen Poots in many things but there is definitely talent there. Don't get me started on Michael Shannon. He blows you away in Take Shelter, and did a fantastic job on Boardwalk Empire. The pairing seemed a little odd at first but you soon realize how greatly they are able to complement each other.
This film is about a jealous and possessive man and a damaged and lonely girl who fall for each other and their oft volatile relationship when its being tested. Frank (Shannon) starts suspecting Lola of an affair and it starts to consume him, while Lola (Poots) tries to cover what she's doing by not being straight up with Frank. Problems ensue, and we are in for a pretty riveting time. I'm not going to praise Shannon anymore but I do have to say he is great in a inquisitive and jealous lover role. Lies are exposed and you can't help but feel a connection with both leads despite their very overt flaws.
Director Matthew Ross is clearly influenced by a few directors works and it shows. I got a few Brian De Palma and Hitchcock feels although many others would probably claim different influences. The films is slightly erotic, moody, and makes you question what the truth is. Ross never really outwardly lays the plot in front of you and let it marinate. Each minute that goes by you can't help but second guess what you previously thought.
Its a really promising debut for someone that I've previously never heard of. The film is quite short but a satisfying portrayal of a relationship that is marred by jealousy, paranoia, and angst. It's not exactly what I expected but I did really enjoy this outlook. Relationships are not always easy peasy and sometimes its nice to get a take of a film that revolves around sex and the possibility of cheating, Seek this one out and watch it, its worth your time.
7.5/10
This film is about a jealous and possessive man and a damaged and lonely girl who fall for each other and their oft volatile relationship when its being tested. Frank (Shannon) starts suspecting Lola of an affair and it starts to consume him, while Lola (Poots) tries to cover what she's doing by not being straight up with Frank. Problems ensue, and we are in for a pretty riveting time. I'm not going to praise Shannon anymore but I do have to say he is great in a inquisitive and jealous lover role. Lies are exposed and you can't help but feel a connection with both leads despite their very overt flaws.
Director Matthew Ross is clearly influenced by a few directors works and it shows. I got a few Brian De Palma and Hitchcock feels although many others would probably claim different influences. The films is slightly erotic, moody, and makes you question what the truth is. Ross never really outwardly lays the plot in front of you and let it marinate. Each minute that goes by you can't help but second guess what you previously thought.
Its a really promising debut for someone that I've previously never heard of. The film is quite short but a satisfying portrayal of a relationship that is marred by jealousy, paranoia, and angst. It's not exactly what I expected but I did really enjoy this outlook. Relationships are not always easy peasy and sometimes its nice to get a take of a film that revolves around sex and the possibility of cheating, Seek this one out and watch it, its worth your time.
7.5/10
Frank & Lola is essentially a story about the relationship between the two main characters, Frank and Lola. To give anymore details about the plot would be to spoil major events in the film, which are better left unexpected.
Having seen a fair share of thrillers, this movie does not have a lot of new plot points to show. However, the way characters play them out is what brings this movie above an average thriller. Michael Shannon and Imogen Poots understand their characters quite well and have great on-screen chemistry. Even the secondary characters all play their roles convincingly. When I saw Justin Long had a small part in this movie, I thought I would hate his character since he usually cannot play a dramatic role well. But he plays a sleazy business man and does a fine job.
To pinpoint the genre of this film is nearly impossible. It is definitely a thriller on some levels, but not wholly. There are good romance scenes but also heavy dramatic dialogue. There are traces of film-noir but not enough to consider it a modern noir. The film struggles a bit because it tries to fit so many elements in such a short time.
From a technical standpoint, the team did not try to do anything out of the ordinary. The direction was good. Cinematography was quite basic. The editing was standard except for one scene where there was a strange editing choice that didn't seem the fit with the flow of the movie. If you don't normally pay attention to the technical side of film, you probably won't notice anything inherently wrong.
Overall, if you like thrillers in general or character-driven stories with some depth to them, this is a good indie film to check out.
Having seen a fair share of thrillers, this movie does not have a lot of new plot points to show. However, the way characters play them out is what brings this movie above an average thriller. Michael Shannon and Imogen Poots understand their characters quite well and have great on-screen chemistry. Even the secondary characters all play their roles convincingly. When I saw Justin Long had a small part in this movie, I thought I would hate his character since he usually cannot play a dramatic role well. But he plays a sleazy business man and does a fine job.
To pinpoint the genre of this film is nearly impossible. It is definitely a thriller on some levels, but not wholly. There are good romance scenes but also heavy dramatic dialogue. There are traces of film-noir but not enough to consider it a modern noir. The film struggles a bit because it tries to fit so many elements in such a short time.
From a technical standpoint, the team did not try to do anything out of the ordinary. The direction was good. Cinematography was quite basic. The editing was standard except for one scene where there was a strange editing choice that didn't seem the fit with the flow of the movie. If you don't normally pay attention to the technical side of film, you probably won't notice anything inherently wrong.
Overall, if you like thrillers in general or character-driven stories with some depth to them, this is a good indie film to check out.
Greetings again from the darkness. Michael Shannon continues to be one of the most interesting actors working today. In this first feature from writer/director Matthew Ross, Mr. Shannon is the titular Frank, and his pained facial expressions elevate this neo-noir into a dark and intriguing exposition on male obsession and sexual jealousy.
The abrupt opening scene finds Frank and Lola (Imogen Poots) frolicking in bed after obviously just meeting for the first time that evening. We (and Lola) know we are in for something a bit different when Frank slams on the breaks and states, "Maybe we should wait until next time." Lola is taken aback, and we are soon watching this relationship develop while simultaneously noting the subtle signs of troubled pasts for each of them.
Frank is a talented French chef and Lola is just starting her career as a fashion designer. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. They seem to be two tortured souls in a jinxed relationship.
Filmmaker Ross keeps us (and Frank) on our toes as the script seems to continually offer yet another deeply held secret or mysterious character. Justin Long plays Lola's new employer, while the rarely-seen-these-days Rosanna Arquette plays Lola's name-dropping mother. However, it's Michael Nyquist (so great in The Girl with the Dragon Tattoo) as the suave Frenchman with ties to Lola's past and present that really makes things interesting and somehow even darker. His wife is played by the terrific French actress Emmanuelle Devos. Her screen time is limited, yet crucial.
The film was well received at Sundance, and it shares the creepiness of such films as Basic Instinct, Body Heat and Night Moves. Rarely do contemporary movies go as deep into the male psyche of obsession as this one, and the throw-back atmosphere is a perfect fit for the tone. Not many actors simmer like Michael Shannon, and the story offers him the perfect vehicle to remind us that everyone longs to be loved - even when we aren't sure we deserve it.
The abrupt opening scene finds Frank and Lola (Imogen Poots) frolicking in bed after obviously just meeting for the first time that evening. We (and Lola) know we are in for something a bit different when Frank slams on the breaks and states, "Maybe we should wait until next time." Lola is taken aback, and we are soon watching this relationship develop while simultaneously noting the subtle signs of troubled pasts for each of them.
Frank is a talented French chef and Lola is just starting her career as a fashion designer. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. They seem to be two tortured souls in a jinxed relationship.
Filmmaker Ross keeps us (and Frank) on our toes as the script seems to continually offer yet another deeply held secret or mysterious character. Justin Long plays Lola's new employer, while the rarely-seen-these-days Rosanna Arquette plays Lola's name-dropping mother. However, it's Michael Nyquist (so great in The Girl with the Dragon Tattoo) as the suave Frenchman with ties to Lola's past and present that really makes things interesting and somehow even darker. His wife is played by the terrific French actress Emmanuelle Devos. Her screen time is limited, yet crucial.
The film was well received at Sundance, and it shares the creepiness of such films as Basic Instinct, Body Heat and Night Moves. Rarely do contemporary movies go as deep into the male psyche of obsession as this one, and the throw-back atmosphere is a perfect fit for the tone. Not many actors simmer like Michael Shannon, and the story offers him the perfect vehicle to remind us that everyone longs to be loved - even when we aren't sure we deserve it.
This film tells the story of a Las Vegas chef, who has a beautiful girlfriend. One day, he discovers that she is cheating on him. She explains the unfortunate truth, and he decides to sell revenge from the perpetrator.
"Frank & Lola" shows interesting characters who are real and relevant to daily lives. Frank wants to protect his girlfriend from harm, and would do anything to achieve that. The girlfriend Lola, on the other hard, appears to be vulnerable and victimised. As the story goes on, more truth is unveiled, but viewers are left to wonder what exactly is the truth. I sympathise with Frank, but don't understand him.
"Frank & Lola" shows interesting characters who are real and relevant to daily lives. Frank wants to protect his girlfriend from harm, and would do anything to achieve that. The girlfriend Lola, on the other hard, appears to be vulnerable and victimised. As the story goes on, more truth is unveiled, but viewers are left to wonder what exactly is the truth. I sympathise with Frank, but don't understand him.
I'm a little surprised by the current 5.9 rating on here, so I really felt I needed to write a review.
The film is a little offbeat, definitely not your standard Hollywood fare. It's gritty, and fairly uncompromising. It takes place in Las Vegas and Paris, and the reason I mention that is because this sort of feels more like a French film than the American film that it actually is.
It is an American film that was selected for Sundance, and then was picked up by a Hollywood distributor.
For a person like myself who has literally seen thousands of films from all over the world, I understand and appreciate the rarity of realist films like this with very human characters and very real feelings.
I enjoyed the film entirely, and I definitely plan to watch it at least one more time in my life. It's a good film at the very least, and perhaps even better. I suspect that I may even rate this film a little higher upon a second viewing. It's one of those types of films that may be enjoyed even more with a less surprised viewer, because yes, the film like real life is a little unsettling at times. There was no doubt at the end of the film however that I definitely enjoyed it a lot.
I must mention that I thought both Shannon and Poots were nothing short of tremendous.
To end, let me just say that if you want something not so standard, or you're a huge film buff who's seen tons, definitely see this film!!
7.5/10
The film is a little offbeat, definitely not your standard Hollywood fare. It's gritty, and fairly uncompromising. It takes place in Las Vegas and Paris, and the reason I mention that is because this sort of feels more like a French film than the American film that it actually is.
It is an American film that was selected for Sundance, and then was picked up by a Hollywood distributor.
For a person like myself who has literally seen thousands of films from all over the world, I understand and appreciate the rarity of realist films like this with very human characters and very real feelings.
I enjoyed the film entirely, and I definitely plan to watch it at least one more time in my life. It's a good film at the very least, and perhaps even better. I suspect that I may even rate this film a little higher upon a second viewing. It's one of those types of films that may be enjoyed even more with a less surprised viewer, because yes, the film like real life is a little unsettling at times. There was no doubt at the end of the film however that I definitely enjoyed it a lot.
I must mention that I thought both Shannon and Poots were nothing short of tremendous.
To end, let me just say that if you want something not so standard, or you're a huge film buff who's seen tons, definitely see this film!!
7.5/10
क्या आपको पता है
- ट्रिवियाDirector Matthew Ross had been trying to make this film for ten years prior to its release in 2016. Imogen Poots (Lola) admitted that his dedication attracted her to the project and it was a large deciding factor in her signing on.
- गूफ़Frank cuts his right hand in the kitchen, then when he is shown in the shower it's his left hand, and then in the next shot on the phone it's his right hand that is cut. In fact, the shower shot is seen through a mirror, so it is always his right hand the one he accidentally cut.
- साउंडट्रैकTell Me Why
Written by Phil Sanders
Performed by the Break of Day
Courtesy of Big Legal Mess Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Frank & Lola?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Френк и Лола
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $9,188
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,747
- 11 दिस॰ 2016
- दुनिया भर में सकल
- $9,188
- चलने की अवधि
- 1 घं 28 मि(88 min)
- रंग
- पक्ष अनुपात
- 2.39 : 1
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