The Presence

(2010) The Presence SUPERNATURAL DRAMA

Watching this film is like a short story expanded into a long subtle ghost story movie where nothing really happens throughout until the final act. Where the makers are asking us to observe and hold out until near the end is when things really start to happen. Co-produced, written and directed by Tom Provost starring Mira Sorvino as a woman walking into an isolated cabin on a island. And there appears to be a man inside of this cabin that she can't see who happens to be a ghost who is "The Presence" hence the title, he's played by Shane West. As this ghost stands around doing nothing exciting enough to scare her or anyone for that matter, except automatically turning on a record player or dislocating some books, we have come to the conclusion that the ghost is only a neutral ghost. Viewers get to know more information regarding the history of the cabin, as well as another ghost who happens to be up to no good, and doesn't conveniently appear until her boyfriend shows up. All I can say is that to say anymore is pointless, since their isn't really a plot to speak about except to say that the film is not even scary at all. It is however an "unique" one in the sense that in real life when things seem to move out of place, we can sometimes safely assume that it's the result of the ghost that moved those things in the same way people can believe in miracles. That if theirs a good ghost that there also must also be an evil one too, or an undivided one.

This is an odd one. There's some good acting and beautifully haunting locations on display. There's a creepy apparition type (Shane West), and a nice, slow-burning story being told, featuring some appealing characters. Yet for some reason director Tom Provost doesn't seem to want to make the most of the more dramatic moments.

An accident involving a rock fall is adequately staged, and yet contains no threat whatsoever. The music (provided by Jay Duerr among others) is determined to undermine such scenes. Often the incidentals are curiously jaunty when they should contain some menace.

Most characters remain unnamed; West provides a very solid 'ghost' - clean cut, hair gelled, looks like he might work out. Only a grey pallor indicates any other-worldliness. For a while, the most alarming things are the woman's (Mira Sorvino) mood swings.

I applaud Provost's desire to do something different but wish that more could have been made of the creepier moments. My score is 6 out of 10.

My wife and I just watched it, and I thought it was quite good. It is certainly somewhat of a "chick flick", which probably accounts for many of the negative reviews (I actually don't see why so many guys don't like romantic movies). Now, if you try to make too much sense of it from a rational point of view, then you'll be missing the whole point. On the surface, it's a ghost story, but really it's about a woman struggling to come to terms with the male demons from her past and cast them out. It's kind of like abstract art - it's an emotional piece that amplifies what's inside the viewer. It sort of reminded me of "What Dreams May Come", another favorite of mine. I suggest you give it a shot.

Woman with personal issues goes to a remote place in the woods somewhere to spend some time alone in the cabin she spent her summers as a child. What she doesn't know is that there is some guy (which we the audience can see) who looks like something between a department store mannequin and crew member of the starship Enterprise haunting the place. He does this by standing and staring or sitting and staring. Maybe about 20 minutes in, or so, he swivels an eyeball to the side. Then about 40 minutes in he becomes less like a mannequin and more like crew member of the Enterprise looking for a way to get back to his ship.

I was intrigued when the movie started and I saw the ghost sitting or standing staring. --Right off the bat; just like that; no preamble; as is usually NOT the case with most ghost stories. "Hmm.....this is a different approach", I say's to myself, "Let's see where it goes". I believe I already told you where it went for 40 minutes. The only thing of note in that time is that the woman's boyfriend shows up a little over 20 minutes in or so. Apparently this woman has issues with trusting men due to the sad examples in her life, her grandfather and father. Anyway, the guy shows up, says he hopes he's not intruding, or something. Then some more stuff that was apparently the right thing and that led to a little huggy-huggy and a little kissy-kissy.

After the 40 minutes --hell way before that-- I began to feel this movie wasn't going to be scary. Why do most people love ghost stories? --Because they want to be spooked, of course! Well you will not be scared by this. If you want to be scared you're better off waiting 'till tax time. This movie is a "relationship" and "personal issues" movie hiding in..er..ghostliness. The ghost business was just a backdrop for it. All it did was make a RELATIONSHIP and PERSONAL ISSUES movie "a little unusual". That's it. Now if you don't mind your ghosts being non-scary and being just a background and vehicle for people sorting out their domestic problems, then this is for you. Just add 3 stars to the 3 I'm giving this thing and run out and go see it. However if you want your ghost to freak you out --like I do, then add 0 to my 3 and go do something else. Love, Boloxxxi.

The first minutes (quite a lot of minutes actually, though I did not count) are completely without any dialog. This seems to work as a silent movie as well. Of course later on, we'll get dialog and we'll get the story going. It is quite original in its theme and what it tries to do. I'd even say it achieves that goal.

Sorvino plays it as good as it gets, but the mentioned pace might feel and lead people into disliking the movie. I wasn't sure at first either. But it's nice seeing something trying to go another route. The cinematography is really good and the sound design fits really good too. We may have some action towards the end, that might feel a bit too much, but it's still true to the nature of the movie.