Salvage

This was low British horror, with a short cast and short running time only 79 minutes

Movie start off with paper boy, who ends up getting caught for peeking for window, soon we had run for life after that, something should have not seen, that person is after him.

Then movie on Father and Daughter, father is telling is daughter to see her mother for Christmas holidays , Daughter is not happy with her mother but as come home, they could of worse start of off, Which end arguing on street and end up staying with neighbours.

As mother is trying to get her daughter a swat to seem come out of now where and force back in doors, looked thought the house.

For most of time, No knows what really happing and there some brief news on TV for fews seconds but I wasn't to sure what their were saying on news but powers goes out.

Thought the movie, she tries to get her daughter and she goes thought a lot to their, their was decent bloody moment in this movie, not gory but can gurgling at times .

The acting was great from the very Small cast and ending up movie good but I kinda of knew that was going to happen.

There were dull moment in the movie, What bugged me at times was, This place the movie was set looked so familiar and then hit, this was same set of Brookside the Axed soap from UK!

6 out of 10 Good movie

When a container washes ashore the residents of a sleepy cul-de-sac are plunged into violence, terror and paranoia. Fenced in by the military, a single mother must overcome all the odds to save her daughter.

I really have little to say about this film. From the description on Netflix, I figured it would be something like "The Host". Maybe I should be glad it was not (unlike many horror fans, I was not a big fan of that Korean attempt at monster movie fun). But this was no prize, either.

While I did not find the story all that interesting, and really not even worth commenting on, I will make one observation: it looks good. Knowing what I know about how the film was shot and edited, I am impressed with just how professional it looks. Sure, I have seen other films look great, too (John Pata's "Dead Weight"), but I hardly expected it here.

I'm rather perplexed by the fact most of the reviews on here go on about the lack of budget, albeit in a positive way. Yes it's not exactly Avatar in terms of spending on effects etc but the cost isn't something that's terribly relevant with this movie. The limited setting - most of the action takes place in a cul de sac - adds to the claustrophobic feeling. And the gore when it comes has the claret flowing with gusto and looks pretty convincing.

I did struggle a couple of times to understand the dialogue - a combination of muffled voices and regional accents - and although on one occasion this seemed to be a pretty key piece of information, in all it was fine.

Definitely worth checking out and I shall be following the director's work with interest

SALVAGE comes across as an ultra-low budget variant on the whole 28 DAYS LATER theme, with terrified residents struggling to protect themselves from a rampaging killer whose identity is only revealed in snippets. Sadly, though, it's not much of a film at all, and certainly nothing we haven't already seen time and again, plot-wise. The whole 'container on the beach' aspect of the storyline (and title) is ridiculous and unconnected with the central story, which I imagined would be about thieving residents finding themselves affected by pollution.

Instead, it's the usual home invasion style antics, with a little excitement raised through some shenanigans in the loft, but not a lot. Inevitably, given the lack of money behind the production, much of the (short) running time is spent on people sitting around and chatting despite the air of pervading menace. A shame, then, that the characters are so lacklustre and unbelievable, particularly Neve McIntosh's ridiculous lead, Beth, who spends her entire time running around after an obnoxious daughter who clearly hates her guts.

Shaun Dooley, as McIntosh's comedic love interest, is better, but his character is purely there to give the lead somebody to talk to, so he doesn't get much to work with. The film squanders its money on some cheaply-staged gore effects (already done so many times, would have been better utilised if put towards more scenes of menace) while the regional accents of the Liverpudlian cast members render dialogue completely incomprehensible.

Part of the fun from watching comes from the realisation that this was filmed on the left-over sets from TV's BROOKSIDE, although the film's in serious trouble when the most interest it can muster involves recognising the bloody buildings it takes place in! Throw in a few silly plot twists and you have an entirely superfluous fluff piece that's surely going to be forgotten by all but the most ardent fans of modern British horror. If you want a decent film in this sub-genre, you could do worse than check out Isolation, about genetic experiments on cows at a remote farm.

A great addition to the flavour-du-jour domestic danger sub-genre (cf. Right At Your Door, The Strangers, Ils) as a small Scouse (that's Liverpool, non-UKers) neighbourhood finds themselves besieged by a mysterious murderous malcontent.

This features all one could hope for from such a movie - flawed (jut like us) yet likable (er, just like us) characters (take note Eli Roth), suburban slaughter, a threat more hinted at than seen, with a side-order of allusions to domestic terrorism and sinister soldiers skulking to add some spice.

I caught this flick a sweltering screening at the Edinburgh International Film Fest but if there's any justice in this bad old world then it'll be at a cinema near you in the not too distant!