Sennentuntschi

This is not a masterpiece, but not at all bad either. I bought this on Blu-ray because it is shot in ''Schwiizertüütsch'' (spiced with some French) and a genre piece at that. The Blu-ray contains English subtitles.

To avoid unnecessary confusion for the viewer it is good to know that the beginning and the end of the film are set in ''the present day'' while the rest in between is set in 1975. Events in 1975 are not told in strict chronological order. To clarify things toward the ending (which is considerably faster paced than the beginning of the movie) two recap sequences are inserted.

The screenplay is perhaps overcomplicated, containing several crossing storylines. In hindsight quite a lot in the course of events depends on coincidences plus the fact that several characters are unable or unwilling to speak. Still, everything comes together neatly.

The present-day sequences, especially the one at the beginning, unnecessarily add to the confusion. They could have been left out without harming the story. I suspect they are there only to provide a final twist, but this could have been done just as well by moving the entire present-day part to the end, as a kind of epilogue.

In conclusion, this is an interesting picture. A bit confusing at times, but to that there is a perfect solution: watch it all over again.

The Blu-ray contains a making-of, information on the shooting locations and a German-dubbed soundtrack as well. Oh, and nice music overall. I liked the Serge Gainsbourg song that at some point breaks the action.

Watched this on Netflix, intrigued by the description about an old folktale. The film turned out to be somewhat contrary to my expectations, but actually in a good way.

Without giving too much away, the film is a slow-burner that moves on multiple time levels. The flow feels natural, and adds to the mystery, so the chosen narrative approach was a good one. The film contains none of the modern Hollywoodian jump-scare crap - another top-notch decision by the director and writers. The main timeline's '70s setting helps to create the slightly skewered atmosphere of the film.

The film can be interpreted on several metaphorical levels, but it works well even when just taken as a genre movie. All in all, I really liked the idea and its execution. Emotional stuff, really well played.

Be warned though. As said, this is a real slow-burner, and the horror primarily comes from the atmosphere and -- well, you should check it out!

This isn't so much a horror movie as mystery. Which is fine by me as I am actually not a big fan of typical horror and mainly watched it because of the country it is located and made in.

Swiss Alps are a beautiful place for some mystery. Especially for the one based on a folktale. The pace of the movie is pretty slow, but it actually fits well to the story and enjoyable. Some scenes are still too gruesome to watch, but luckily there aren't too many so it doesn't ruin it. The worst was the goat scene, I won't add spoilers to it.

Great acting as well. Roxane Mesquida is especially impressive since she doesn't have any dialogue but manages to portray so many emotions in a very intense way.

It is hard to describe the movie. Especially because you would be giving away plot points or other very important things about the movie. What I can say (without having read anything about the story that is being told here) though, is that this is a very intriguing and very well made thriller. If you didn't know it yet, Switzerland is taking a stand here with a great movie.

The story is worth watching and the way it is shown, will give you some extra thrills here and there. This might very well be a great companion piece to Ketchums "The Woman". There is more than a little social criticism and other stuff in this movie. If you want to see them. Or you can just be entertained and thrilled, from beginning to end ... (with potential to watch again).

"Sennentuntschi" is the most excruciatingly tedious horror movie I have ever watched, and I have seen over a thousand horror movies.

Nothing of any interest happens in the movie.

Even if it did, you probably wouldn't notice, because everything is so drawn out and protracted that you won't be paying attention.

The movie seemed to actually "begin" at about the forty five minute mark. Everything that led up to that was basically irrelevant, or could have been established in about two minutes.

There were a couple of head-scratching (or face-palming) moments right at the beginning of the movie, making me think it was going to be bad, but at least entertaining. In one scene, after a girl says she saw a boy in the wilderness, police show her photos of missing boys on a computer, and she recognizes the one she saw. "That's impossible," the policeman says. "He went missing thirty years ago." Ooh! Mysterious. But not as mysterious, perhaps, as the question of why the policeman is showing the girl photos of boys from 30 years ago, since, if they were even still alive, they'd all be well into adulthood now, and the photos would be hopelessly outdated.

Shortly thereafter, a priest is found hanging by the neck from a bell tower. "So it's suicide, then?" asks an onlooker. Uh? Wouldn't that be perfectly obvious? Either it's suicide, or a murderer carried the victim to the top of the bell tower, tied a rope around his neck, and dropped him - all without alerting anyone near by. Hard to think the priest would have put up no struggle for that ridiculously protracted and painstaking murder-method.

The movie is apparently based on an Alpine myth about the Sennentuntschi. With that kind of ageless pedigree, with a story that would be unknown to most, from a remote region... how could it have been this dull? I guess the myth is about a created woman. That is what the movie is sort of about. It is so light on detail, and so heavy, heavy, mercilessly heavy on padding, that I don't really know and I. Don't. Care.