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5.8/10
2.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDon McKay, a high school janitor who leaves his hometown after a tragedy, returns 25 years later to rekindle a romance with his old flame, who is dying, but this homecoming brings McKay more... सभी पढ़ेंDon McKay, a high school janitor who leaves his hometown after a tragedy, returns 25 years later to rekindle a romance with his old flame, who is dying, but this homecoming brings McKay more than he bargained for.Don McKay, a high school janitor who leaves his hometown after a tragedy, returns 25 years later to rekindle a romance with his old flame, who is dying, but this homecoming brings McKay more than he bargained for.
Melissa Leo
- Marie
- (as Melissa Chessington Leo)
Amanda George
- Clerk
- (as Amanda Donaghey)
Charlie Peabody
- Officer #2
- (as Charles Peabody)
फ़ीचर्ड समीक्षाएं
With dark comedies, the ratio of comedy to darkness is what gives a film its identity. Many modern filmmakers put an emphasis on darkness and disturbing situations like Tarantino ("Pulp Fiction") and the Coen Brothers ("Fargo"), whereas others hail from the old school approach of keeping violence to a minimum and instead drawing humor from the bizarre ways the characters act around it, such as in "Arsenic & Old Lace" (1944) or "Deathtrap" (1982).
Here in "Don McKay" we fall squarely into the old school style. There is 1 death early in the film, and the rest of the film is about the mysterious and absurd criss-crossings of schemes from each character whose intentions we don't know until the end. Apologies to Tarantino & the Coens (whose films I really like), but I prefer this sort of approach because, although it may sacrifice thrills & action, it's ultimately a style that you can enjoy on a deeper psychological level.
Don McKay (Thomas Hayden Church whom I'll always remember as the lovably slow mechanic in the 80s sitcom "Wings") is a lonely man whose entire life consists of cleaning the floors at a Boston high school. One day he receives a mysterious letter that prompts him to drop everything and hop a bus to his hometown which, by the gorgeous scenery, looks like the Pacific northwest but they're not specific. Once there, he gets wrapped up in murder, mayhem and memories. And although this is not a whodunnit, it becomes a fun mystery as we try to figure out who each character is, including our hero Don McKay, a man of very few words.
Thomas Hayden Church is brilliantly cast in the lead role, almost reprising his humorously awkward role in Wings but with a deep, observant intelligence that gives the film depth. As we piece together the bizarre characters & circumstances surrounding the death, we are also hard at work trying to figure out what makes Don McKay tick and why he is apparently running from something. Thus, there are 2 stories unfolding at the same time, and the brilliant (and hilarious!) climactic scene pulls it all together in a way that's tense, funny, enlightening and unmistakably human.
And let me dwell on that word for a minute: human. Although we are given no backstory to any of these oddball characters, each one comes across as very human. There are no wooden performances here, unless you count Thomas' deliberately wooden, stoic characterization of Don McKay. Elizabeth Shue absolutely blows this out of the park, playing a complex yet in many ways childlike character whom I can only compare to Vivien Leigh's famous performance in "Streetcar Named Desire". Melissa Leo plays a creepy, uptight nurse who is reminiscent of the demon child's nanny in "The Omen" haha. By the way, observe how her character's clothes & appearance become more frazzled & frenetic in each scene. Keith David, in one of the greatest comic-relief roles since the porter in Shakespeare's Macbeth, plays Don McKay's neurotic childhood friend, the perfect counterbalance to Thomas Hayden Church's emotionless enigma. And there are 2 fantastic bit roles (1) the cab driver played by Emmet Walsh who's been in everything from Blood Simple to Bladerunner; and (2) Pruitt Taylor Vince as "Mel" the dorky crook who looks like he would be more comfortable working at Best Buy than being part of any sort of murder story.
I also give major old school points to the director for pulling off some hilarious sight gags. Not corny slapstick but funny visual compositions that had me LOLing (for example when Thomas & Melissa are in a car together, each totally distrusting the other, alternately stealing intense looks without the other person noticing). The final climactic scene with its brilliantly comedic script also had me LOLing, especially "So why don't you just drop the... AXE??" (as if to point out the hilarious note: who keeps an axe in their living room?).
If you enjoy subtle situational humor, as in other indie gems like "Buffalo 66", "Grand Theft Parsons" or "The Maiden Heist" (sorry I can't think of any popular films to compare this to, except maybe "Punch Drunk Love"), then don't miss "Don McKay".
Here in "Don McKay" we fall squarely into the old school style. There is 1 death early in the film, and the rest of the film is about the mysterious and absurd criss-crossings of schemes from each character whose intentions we don't know until the end. Apologies to Tarantino & the Coens (whose films I really like), but I prefer this sort of approach because, although it may sacrifice thrills & action, it's ultimately a style that you can enjoy on a deeper psychological level.
Don McKay (Thomas Hayden Church whom I'll always remember as the lovably slow mechanic in the 80s sitcom "Wings") is a lonely man whose entire life consists of cleaning the floors at a Boston high school. One day he receives a mysterious letter that prompts him to drop everything and hop a bus to his hometown which, by the gorgeous scenery, looks like the Pacific northwest but they're not specific. Once there, he gets wrapped up in murder, mayhem and memories. And although this is not a whodunnit, it becomes a fun mystery as we try to figure out who each character is, including our hero Don McKay, a man of very few words.
Thomas Hayden Church is brilliantly cast in the lead role, almost reprising his humorously awkward role in Wings but with a deep, observant intelligence that gives the film depth. As we piece together the bizarre characters & circumstances surrounding the death, we are also hard at work trying to figure out what makes Don McKay tick and why he is apparently running from something. Thus, there are 2 stories unfolding at the same time, and the brilliant (and hilarious!) climactic scene pulls it all together in a way that's tense, funny, enlightening and unmistakably human.
And let me dwell on that word for a minute: human. Although we are given no backstory to any of these oddball characters, each one comes across as very human. There are no wooden performances here, unless you count Thomas' deliberately wooden, stoic characterization of Don McKay. Elizabeth Shue absolutely blows this out of the park, playing a complex yet in many ways childlike character whom I can only compare to Vivien Leigh's famous performance in "Streetcar Named Desire". Melissa Leo plays a creepy, uptight nurse who is reminiscent of the demon child's nanny in "The Omen" haha. By the way, observe how her character's clothes & appearance become more frazzled & frenetic in each scene. Keith David, in one of the greatest comic-relief roles since the porter in Shakespeare's Macbeth, plays Don McKay's neurotic childhood friend, the perfect counterbalance to Thomas Hayden Church's emotionless enigma. And there are 2 fantastic bit roles (1) the cab driver played by Emmet Walsh who's been in everything from Blood Simple to Bladerunner; and (2) Pruitt Taylor Vince as "Mel" the dorky crook who looks like he would be more comfortable working at Best Buy than being part of any sort of murder story.
I also give major old school points to the director for pulling off some hilarious sight gags. Not corny slapstick but funny visual compositions that had me LOLing (for example when Thomas & Melissa are in a car together, each totally distrusting the other, alternately stealing intense looks without the other person noticing). The final climactic scene with its brilliantly comedic script also had me LOLing, especially "So why don't you just drop the... AXE??" (as if to point out the hilarious note: who keeps an axe in their living room?).
If you enjoy subtle situational humor, as in other indie gems like "Buffalo 66", "Grand Theft Parsons" or "The Maiden Heist" (sorry I can't think of any popular films to compare this to, except maybe "Punch Drunk Love"), then don't miss "Don McKay".
I thought the movie "Don McKay" was something entirely different than it actually was. Maybe because I had just briefly glanced over the description on the back, so I had formed a wrong impression.
Well, this movie was somewhat of a rather slow, painful process to get through. The start of the movie was promising, introducing the character in a nice way and slowly building up to something promising. And as the viewer you knew something was amiss. Then the movie suddenly started to get confusing. I am sure the makers of the movie thought their story was a good and exciting one, but the end product turned out as a confusing mess.
Throughout the movie, you sit there and gawk at the half-hearted acting performances and the dull dialogues. You never really buy into believing in what is portrayed on the screen, as the whole picture just doesn't work together in any way. However, I have to say one thing, Thomas Haden Church did a wonderful performance of portraying the gray and boring character of Don McKay. I thought he worked quite well in this role.
The characters in the movie were well enough fleshed out. Very nice and screwed up characters, that had potential, but failed to shine through because of the acting was below mediocre.
The one good thing about the movie, was when Don revealed the ultimate truth towards the ending. Now that was a nice surprising twist to an otherwise confusing and halting story. I liked that part, it worked quite well. The rest of the movie, well not so much.
I had thought this to be somewhat more of a thriller, but ended up with a lukewarm story that took forever to be told. Definitely not a movie I recommend that you pick up, unless you are bored, fanatically fan of any of the actors/actresses, or if you just have nothing better to do. There are lots of other movies out there with far more entertainment value.
Well, this movie was somewhat of a rather slow, painful process to get through. The start of the movie was promising, introducing the character in a nice way and slowly building up to something promising. And as the viewer you knew something was amiss. Then the movie suddenly started to get confusing. I am sure the makers of the movie thought their story was a good and exciting one, but the end product turned out as a confusing mess.
Throughout the movie, you sit there and gawk at the half-hearted acting performances and the dull dialogues. You never really buy into believing in what is portrayed on the screen, as the whole picture just doesn't work together in any way. However, I have to say one thing, Thomas Haden Church did a wonderful performance of portraying the gray and boring character of Don McKay. I thought he worked quite well in this role.
The characters in the movie were well enough fleshed out. Very nice and screwed up characters, that had potential, but failed to shine through because of the acting was below mediocre.
The one good thing about the movie, was when Don revealed the ultimate truth towards the ending. Now that was a nice surprising twist to an otherwise confusing and halting story. I liked that part, it worked quite well. The rest of the movie, well not so much.
I had thought this to be somewhat more of a thriller, but ended up with a lukewarm story that took forever to be told. Definitely not a movie I recommend that you pick up, unless you are bored, fanatically fan of any of the actors/actresses, or if you just have nothing better to do. There are lots of other movies out there with far more entertainment value.
I went to see "Don McKay" with some friends last night; it wasn't really on my movie radar because there hasn't been a big ad campaign, but it was thoroughly entertaining! I didn't really know what to expect; it appeared to be a thriller and although I would categorize it as that, I was surprised at how funny it was.
Seriously, the whole audience seemed to be caught up in the plot - the pace and the twists and turns leave you a little breathless at times, but belly-laughing as well. I'm actually considering seeing it again since it's one of those movies that you might want to re-watch and "look for clues."
Thomas Haden Church is perfect as Don the lonely janitor leading a solitary mundane life, pining for his lost love. He has an expressive face that is compelling as he is in turns beguiled, curious, confused, frustrated, and desperate.
Elisabeth Shue as Sunny is a complete wackadoo, I don't know how else to put it she is manipulative to the extreme and it's entertaining to see her in action, turning on the charm and wrapping Don around her finger. She takes full advantage of Don's vulnerability; it seems at times Don is vaguely aware of being played, but is enjoying the attention of this sexy creature so much that he willingly goes along for the ride.
Melissa Leo appears as Sunny's uptight and prim caregiver. If you've seen her in other films, just the sight gag of her character is amusing enough, but I daresay that she delivers some of the best lines in the film.
There are several character actors whom I recognized as "that guy! I love him - he was so great in " who fill out the cast. They may not be household names, but you've seen them countless times before. I especially liked Keith David as Otis but they all delivered solid performances.
I don't want to give too much of the plot away, but suffice it to say that there is a lot of double-crossing going on. Although the viewer may be wondering what the hell is going on in the middle, everything becomes clear by the final act.
Seriously, the whole audience seemed to be caught up in the plot - the pace and the twists and turns leave you a little breathless at times, but belly-laughing as well. I'm actually considering seeing it again since it's one of those movies that you might want to re-watch and "look for clues."
Thomas Haden Church is perfect as Don the lonely janitor leading a solitary mundane life, pining for his lost love. He has an expressive face that is compelling as he is in turns beguiled, curious, confused, frustrated, and desperate.
Elisabeth Shue as Sunny is a complete wackadoo, I don't know how else to put it she is manipulative to the extreme and it's entertaining to see her in action, turning on the charm and wrapping Don around her finger. She takes full advantage of Don's vulnerability; it seems at times Don is vaguely aware of being played, but is enjoying the attention of this sexy creature so much that he willingly goes along for the ride.
Melissa Leo appears as Sunny's uptight and prim caregiver. If you've seen her in other films, just the sight gag of her character is amusing enough, but I daresay that she delivers some of the best lines in the film.
There are several character actors whom I recognized as "that guy! I love him - he was so great in " who fill out the cast. They may not be household names, but you've seen them countless times before. I especially liked Keith David as Otis but they all delivered solid performances.
I don't want to give too much of the plot away, but suffice it to say that there is a lot of double-crossing going on. Although the viewer may be wondering what the hell is going on in the middle, everything becomes clear by the final act.
Don McKay combines a mystery drama with some thriller and comedy aspects sprinkled in. The film starts off a little slow, but picks up and becomes one strange thriller and that is meant in a good way. After the first major strange event happens in the film it changes the whole tone and as the movie progresses you keep getting the feeling everything is off with the story, and you just aren't quite sure where it is going. As the story progresses and you start to understand what happened they feed you enough but not too much to keep the film interesting. My only complaint with that is that some of the events in the film are a little too far fetched and you do need to suspend your belief a little to fully enjoy the film.
Thomas Haden Church puts on a good performance as Don McKay, not necessarily for a standout performance, but his facial expressions and reactions to the events that happen bring them to life more. I've never really been an Elisabeth Shue fan, but also liked her in the film as she played her role well and there was a certain chemistry with her and Thomas Haden Church. With these types of films the ending usually makes or breaks them and for Don McKay I thought it came off somewhat believable amongst all the strangeness leading up to it. I'd definitely recommend the film to people as it may get overlooked.
Review brought to you by unbiasedmoviereviews.com
Thomas Haden Church puts on a good performance as Don McKay, not necessarily for a standout performance, but his facial expressions and reactions to the events that happen bring them to life more. I've never really been an Elisabeth Shue fan, but also liked her in the film as she played her role well and there was a certain chemistry with her and Thomas Haden Church. With these types of films the ending usually makes or breaks them and for Don McKay I thought it came off somewhat believable amongst all the strangeness leading up to it. I'd definitely recommend the film to people as it may get overlooked.
Review brought to you by unbiasedmoviereviews.com
"Don McKay" is marketed as an edgy thriller, that's probably because they had no idea how to categorize it.
The movie begins as a cross between a romantic drama, a character study, and a dark thriller. Don McKay, played brilliantly by Thomas Haden Church, returns to his hometown by a letter from his high school girlfriend, Sunny (Elisabeth Shue). That's the romantic drama aspect. But we quickly learn that there's something not quite right about Sunny, there's something not quite right with most people in the town, and McKay has dark secrets to his past. We are always on the lookout for creepy turns and shadows around every corner. Those are the dark thriller aspects.
It seems as if it's going to be a character study, but its really not about McKay himself. It's ultimately plot-driven and the mysterious problems that McKay gets himself into. I was riveted throughout.
I actually highly recommend "Don McKay" because it's cleverly written to throw its audience off-guard, it's completely original, and these film-makers know what they are doing. And no matter what genre you decide it is by the end, it won't be what you thought it was at the beginning.
The movie begins as a cross between a romantic drama, a character study, and a dark thriller. Don McKay, played brilliantly by Thomas Haden Church, returns to his hometown by a letter from his high school girlfriend, Sunny (Elisabeth Shue). That's the romantic drama aspect. But we quickly learn that there's something not quite right about Sunny, there's something not quite right with most people in the town, and McKay has dark secrets to his past. We are always on the lookout for creepy turns and shadows around every corner. Those are the dark thriller aspects.
It seems as if it's going to be a character study, but its really not about McKay himself. It's ultimately plot-driven and the mysterious problems that McKay gets himself into. I was riveted throughout.
I actually highly recommend "Don McKay" because it's cleverly written to throw its audience off-guard, it's completely original, and these film-makers know what they are doing. And no matter what genre you decide it is by the end, it won't be what you thought it was at the beginning.
क्या आपको पता है
- ट्रिवियाDirector Jake Goldberger mentions in the DVD commentary that he had an extensive conversation with Sissy Spacek about her playing the role of Marie.
- गूफ़When the taxi comes to pick Don up at Sonny's house the last time, it's obviously a different (younger) driver behind the wheel. When it cuts to the interior of the cab in the next scene, it's old Samuel driving the cab.
- कनेक्शनFeatured in The Rotten Tomatoes Show: Cop Out/The Crazies/A Prophet (2010)
- साउंडट्रैकIf Love Comes Knockin'
Written by Ronald McCoy and Vaughn Curtis
Performed by The Topics
Courtesy of Carnival Records
By Arrangement with Westwood Music Group
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Don McKay?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $13,722
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $8,919
- 4 अप्रैल 2010
- दुनिया भर में सकल
- $13,722
- चलने की अवधि1 घंटा 27 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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